Purple Audio
Andrew came to New York 1994 to attend the NYU music technology program. Soon after coming to New York Andrew became involved in buying and selling recording equipment and began doing repairs and wiring work in his dorm room. In the fall of 1996, Andrew met John Klett and was invited to join a new repair shop in midtown Manhattan.
This shop, dubbed Tech Mecca, was the new location for Manhattan Audio, a large repair facility and wiring company and Klett's new midtown home. Andrew began to repair high end gear there and became an apprentice to Klett. By the fall of 1997 Purple had introduced the MC76. Soon after Purple Audio's inaugural AES show Purple needed more space, so Andrew moved to a loft in Long Island City, Queens. This large space provided overflow space for Tech Mecca's large projects.
Purple Audio spent the late 90s and early 00s shipping the MC76 and getting involved in console and tape machine rebuild projects. Andrew studied analog circuit and logic design, seeing it in practice during field service calls to major studios in the area. He attempted to launch a new product, the Eyeball, but got tripped up trying to make it MIDI compatible. None were ever shipped. During this time sales of the MC76 started to drop off as a result of a new competitor.
This eventually turned around as the competitors ad campaign increased awareness of the product and users' experience showed that the Purple Audio product was clearly superior.
This shop, dubbed Tech Mecca, was the new location for Manhattan Audio, a large repair facility and wiring company and Klett's new midtown home. Andrew began to repair high end gear there and became an apprentice to Klett. By the fall of 1997 Purple had introduced the MC76. Soon after Purple Audio's inaugural AES show Purple needed more space, so Andrew moved to a loft in Long Island City, Queens. This large space provided overflow space for Tech Mecca's large projects.
Purple Audio spent the late 90s and early 00s shipping the MC76 and getting involved in console and tape machine rebuild projects. Andrew studied analog circuit and logic design, seeing it in practice during field service calls to major studios in the area. He attempted to launch a new product, the Eyeball, but got tripped up trying to make it MIDI compatible. None were ever shipped. During this time sales of the MC76 started to drop off as a result of a new competitor.
This eventually turned around as the competitors ad campaign increased awareness of the product and users' experience showed that the Purple Audio product was clearly superior.
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Purple Audio MC77 - Refurbished
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. One significan...Mehr -
Purple Audio LILPEQ-R - 2 Band EQ
The LILPEQr is our take on the classic program (aka final mix) equalizer. It offers high and low frequency shelving bands, each with three carefully selected corner frequencies to choose from, and ...Mehr -
Purple Audio Sweet Ten Rack
Sweet Ten Rack The 500 Series Modules on the Picture are not included!! NOTE: The ninth slot mechanically will not accept any module with a full enclosure, including but not limited to some API module...Mehr -
Purple Audio MOIYN - 8x2 Mixer
An all-discrete 8 channel summing amp. Only for the Purple Audio Sweet Ten. The Moiyn makes the Sweet Ten into a 8x2 mixer. The Moiyn only works in slot 9 of the Purple Audio Sweet Ten rack....Mehr -
Purple Audio MC77
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. One significant c...Mehr -
Purple Audio ODD - Inductor EQ
A modern update of the classic 'swinging inputs' console EQ, with four easy to use bands. Each band uses a high quality inductor and carefully selected caps to give two switchable frequencies. The ban...Mehr -
Purple Audio CANS - Discrete Headphone Amp
For easy serviceability and tweaking, the Purple discrete opamps can be replaced with any standard discrete opamp or a DIP-8 IC. The output amp stages in the Cans are modular, but cannot be replaced ...Mehr -
Purple Audio ACTION - FET Compressor
Features: Input attenuator feeding input transformer Output level control Input and output tricolor LED metering Eight LED GR metering Five ratios including 'All buttons in' mode Attack and Re...Mehr -
Purple Audio PANTS - Differential Mic Preamp
The smooth Gain control helps you dial in the sound you want. If the output level is too high, you can ride the level down with the separate Level control. Pressing the 'High' switch increases the gai...Mehr -
Purple Audio BIZ MK - Mic Preamp
The smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Le...Mehr





























