Effect Processors

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PCM96 Stereo Reverb/Effects Processor Connectivity options include two channels XLR analog, two channels XLR AES/EBU digital I/O - plus MIDI, Wordclock, Ethernet and Firewire. The PCM96 Stereo Reverb/Effects Processor debuted this month at the 123r

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Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Learn More

Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Learn More

High resolution Delay for broadcast master control and linking. Delay-time may be adjusted while signal is being passed, thanks to a low artifact processing technique. The delay is easily adjustable from the front panel using dedicated Nudge keys, Encoder and Tap function. Increments can be set in ms, fields or frames, and the unit delays linear audio as well as Dolby E or AC3 streams. Remote control of by-pass and delay time is available through GPI or RS485 inputs. Balanced and unbalanced AES/EBU I/O is standard, and outputs are always active. Sample rate conversion can be invoked when using digital inputs. Learn More

Stereo-Raumsimulator 2 digitale AES3-Eingänge, 2 digitale AES3-Ausgänge, Plug-in-Abtastrate bis 216 kHz (inkl. ±12,5% Varispeed) Learn More

Yardstick 2493 -Analog/Stereo-Raumsimulator (Ankündigung)2 analoge Eingangskanäle, 2 analoge Ausgangskanäle, Plug-in-Abtastrate bis 192 kHzVerfügbar ab Q4/2010.  Learn More

Yardstick 2496 - Stereo/Surround-Raumsimulator2 digitale AES3-Eingänge, 6 digitale AES3-Ausgänge, Plug-in-Abtastrate bis 216 kHz (inkl. ±12,5% Varispeed)  Learn More

Yardstick 2498 -Multikanal/Surround-Raumsimulator 8+2 digitale AES3-Eingänge, 8 digitale AES3-Ausgänge, Plug-in-Abtastrate bis 108 kHz (inkl. ±12,5% Varispeed)  Learn More

More than 70 years ago spring reverbs were used for bringing the large reverberated cathedral sounds to the homes of Hammond organ players. Meanwhile the sound became classic and you will find spring reverb devices in most studios around the world and even today it is kinda standard in guitar amplifiers. Learn More