Features:
Two Inputs Per Channel – Seamlessly switch from Mix to Record Inputs at the push of a button
Third channel strip Input for dual-layer use
Mix up to 48 Mono Signals at once
Marinair® Transformers on Mix, AFL, CUE bus for true Neve voltage mixing
80 - series Neve® sound in a compact frame
Large format console Centre Section. Multiple speaker sets, dual Cue system and three-way talkback system
Internal Snapshot system to Save/Load multiple all console settings across multiple sessions
500 series slots for internal expansion options
1073® preamps and DI inputs with Smart Routing for recording in the live or Control room
In-Line Console capability
25-way D-Type and Balanced Jack Inputs on rear and on front for a combination of simple and professional I/O Connection
The 8424 is designed to connect to and utilise all of your instruments and outboard equipment, becoming the centrepiece of your studio
Features:
Neve classic sound using Class A topology
Console sizes: 10,16,24, 32 or 48 channels
1073N microphone preamp and EQ module in each channel
Classic voltage mixing using 1272 balanced mixing topology
2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus
Direct outputs on every channel selectable pre or post channel insert
Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes
4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus
Stereo and 5.1 monitor with passive 24 position gold plated monitor level control
3x Stereo & 1x 5.1 selectable loudspeaker output sets
Comprehensive Solo system with destructive and safe/isolate modes
2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs
Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls
25-way D-sub connectivity for easy installation into home or studio environments
Optional side car stand on castors
Features:
12 Mono- und 4 Dual-Mono/ Stereo Kanäle. Mikrofonvorstufen in Spectra-Qualität
Phasentreues Schaltungsdesign unter Nutzung von Mother-Daughterboards, abgeleitet aus der Spectra Serie, 19 Zoll/10 HE
Pro Kanal schaltbar: 48-V-Phantomspeisung, Mic/Line, Pad und Phasendrehung
Durchstimmbares High-Pass-Filter (20…400 Hz) mit 12 dB/Okt. Flankensteilheit
Alle Mono-Eingangskanäle verfügen über zwei durchstimmbare Bell (MF)- sowie zwei feststehende Shelfing (HF+LF) Filterbänder
Stereo-Eingangskanäle sind mit feststehenden HF und LF sowie einem durchstimmbaren MF ausgestattet. Der EQ Einschalter ist innenbleuchtet
6 Aux Sends; paarweise schaltbar pre/post Fader, kanalweise schaltbar pre/post EQ
Aux Sends 5 und 6 können zum Stereopaar verschaltet werden
Schaltbares Routing der Eingangskanäle auf die Busse L, C, R und/ oder die Subgruppen 1-4
Alle entsprechenden Ausgänge (einschließlich Aux) sind als symmetrische XLR-Stecker ausgeführt und verfügen zusätzlich über TRS-Eingänge und Inserts.
Die Ausgänge L, C, R und Mono Mix sind wahlweise schaltbar von Line- auf Mikrofonpegel
Innenbeleuchtete PFL/AFL und Mute-Schalter, eine 6-Segment-Pegelanzeige und 100-mm-Fader sorgen für übersichtliches und flüssiges Arbeiten
4 LED Pegelmesser für die Busse L, C, R und Mono oder die Gruppen 1-4; bei Solo zeigen die Meter automatisch den Pegel des entsprechenden Kanals
Für zusätzliche Überwachung der Pegel steht pro Mix-Bus eine zweifarbige LED zur Verfügung (L, C, R, Mono, Gruppe 1-4 und Aux 1-6)
Netzteil 100…240 V~, 50/60 Hz, steckbar, ohne Demontage des Mischers
Dimmer für die optionale Schwanenhalslampe (4-pol.-XLR)
Drehbares, arretierbares Anschlussfeld
API 1608 II
Following the introduction of the 1608 in 2008, API delivered over 600 consoles and expanders to discerning audio professionals throughout the world. New for 2018 and based on the incredible success of the original, API proudly announces the 1608-II. Equipped with an updated feature set and debuting API's new cross-platform Final Touch Automation® system, the 1608-II continues API's rich legacy of crafting the world's highest-quality analog recording consoles. Adding valuable features for today's Engineers, Producers and Musicians, the 1608-II provides the powerful reliability and the incredible API sound that has characterized API products for nearly 50 years.
1608-II Features:
16, 32, or 48 Input Channel Frame sizes
Each channel equipped with Mic Pre and Equalizer
Accepts API 500 Series Equalizers
8 Multitrack Buses
8 Auxiliary Buses
1 Stereo Bus
4 Stereo Returns, 100mm faders (manual or automated) with Multitrack and Stereo Bus assign
Full Center Section Control
Surround 5.1 Center Section Monitoring
Classic Analog Metering
Global 0dB Fader Bypass
Comprehensive Rear Panel IO Connectivity
Standard fit:
16x 548B Inputs with Mic/Line and Direct Output
12x 550A Equalizers
4x 560 Equalizers
8x Echo Returns
1x Complete Center Facilities Section
16x Manual Faders
1x Stereo Fader
ASP4816
Powerful, flexible and intuitive, the ASP4816 delivers superb audio performance in a compact frame size.
ASP4816 provides the key features of a large format recording console in a compact, cost effective form. Designed by audio guru, David Dearden and featuring Audient’s legendary analog circuitry, ASP4816 is the perfect centre piece for production studios and educational facilities.
The main input channels feature Audient’s renowned Class A preamp and 4 band EQ – a combination found in hundreds of ASP8024 equipped studios where many users no longer feel the need to reach for their outboard preamps and EQ. The console features 40 faders,16 bus routing, 6 auxes, 2 dedicated cue sends, 4 stereo returns, stereo bus compressor and a comprehensive monitor section.
→ In-line architecture - twin inputs on each channel
→ 40 faders
→ 48 inputs at mix
→ 16 Audient Class-A mic pres
→ 16 channels of EQ
→ 16 record buses
→ 6 auxes, 2 cue sends
→ Stereo bus compressor
→ Comprehensive monitor section
INTRODUCTION
With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software.
A heavy duty (19" rack) RF shielded chassis, that can be used as a drop through in your furniture, houses all the vertically mounted input modules. Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console.
MIC, LINE, USB AND TELEPHONE IN-OUTPUTS
This brand new AIRENCE-USB model has 4 balanced mic inputs (+48 phantom is standard) with inserts for signal processors, 6 stereo line inputs, 4x USB channels and 2x Telephone Hybrids. If you would like to call with VOIP we would advice to use the CISCO SPA112 as an interface between our 2 Telephone modules and the Internet. One physical USB connection interfaces 4 stereo audio channels from and to your PC plus all (programmable) remote controls on the right hand section of the mixer. Channel 5 and 6 have, apart from the stereo line input, also RJ-11 connectors to interface with an analogue telephone line and a common dial unit.
High quality built in Hybrids with R and C balance and direct Talk back to the Hybrid channels makes conversation with callers very easy. Also by simply pushing the Cue button, conversation between DJ and caller outside the broadcast is of course possible.
The illuminated front panel ON switch is electronically attached to the built in mechanical fader start enabling selection of a play-out start either by fader or via the ON switch. Fader start generates in the Mic mode a Mic-on signaling to switch ON-Air lights. There is a 3 band Equalizer on channel 1-4 and on all 6 Triple input channels of the Extender Unit. The stereo Aux send can be set pre or post fader. All high quality low noise mic inputs have low cut jumpers.
EXTENSIVE MASTER SECTION DESIGNED WITH RADIO IN MIND
The AIRENCE-USB has all the master controls such as 100 mm stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split listen function.
With the AIRLITE mixer you can now own a modern radio mixer for a very attractive price. This new hand built piece of precision equipment is the result of more than 42 years of experience at D&R.
It is an intelligent mixer with an internal USB control section that speeds up daily use and includes a built in Silence Detector.
It is a reliable workhorse for the self-op production D.J. with built in Telephone VOIP functionality.
4 in/out channels of stereo USB and 3 very low noise Mic inputs. The AIRLITE, ideal for ON-AIR, Production and perfect for streaming to the web.
The AIRLITE accepts and instantly controls a maximum of 4 in/out stereo channels from your Play-out software.
It is built into a metal, heavy duty RF shielded, powder coated chassis, designed with elegantly rounded corners. Easily “drops” into your furniture to give that exciting and contemporary radio look. A strong powder coated front panel with reliable controls gives you access to a flawless performance.
For more information visit: http://www.d-r.nl/airlite-usb.html
Mix Back Mixer
The Mix Back is a flexible and affordable 16 x 12 x 2 x 2 monitor mixer that features two stereo outputs and twelve mono outputs. There are sixteen high quality Mic/Line inputs with passive split. It also features two HearBus outputs and two ADAT optical outputs. A perfect companion to our Hear Back personal monitor system. A talkback mic preamp permits talking to any mono output, master outputs and the intercom output.
Included is a UV LED gooseneck lamp that makes the knob pointers and silkscreen on the front of Mix Back glow-in-the-dark!
Input Channel Features:
16 quality Mic/Line inputs with passive XLR split
Pin 1 lift and Mic phantom power switches
Channel inserts
Signal/Clip LED indicator
100 Hz high-pass filter
Gain control
4 band EQ with separate controls for sweep and cut/boost on mid bands
Two stereo level and pan controls (ST1 and ST2)
Twelve mono level controls (1-12)
Switch selectable effects 1-2 sends
Master Features:
2 stereo and 12 mono TRS outputs
Switch selectable meter/headphone monitoring
2 stereo TRS balanced effect returns
Switch assignable FX1/FX2 returns to the 12 mono masters
Stereo Aux return with level controls to both stereo busses – great for FOH mix or the studio “two mix”
Buss inputs permit stacking of multiple mixers
Talk back mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom/slate output
Relay contact when the talk back intercom switch is pressed
16 button talkback remote connects using standard CAT5e cable
16 channels of ADAT and HearBus output
Other Features:
Universal internationally approved internal power supply
11 RU chassis
All analog inputs and outputs are balanced
BiG SiX is designed to enhance your production capabilities at any stage of the process. From the SSL console grade faders to the advanced monitoring section and 18 channels of analogue summing at mix-down, the meticulously selected feature-set found on BiG SiX brings almost limitless creative options and engineering authority from large-format SSL consoles to your desk-top.
Key features
Four SuperAnalogueTM Mic / line / Hi-Z / 48V / HPF and polarity switch
Four SuperAnalogueTM stereo line level inputs with dual mono switching
Built in 16 channel 96 Khz / 24-bit USB interface with advanced routing
Essential version of G-Comp Bus Compressor with 'Auto' release
3 Band SSL LF/MF/HF EQ on every channelClassic SSL channel dynamics processing
Listen Mic Compressor
Dual independent headphone outputs with source matrix
100 mm console grade faders
Professional metering
Comprehensive monitoring section
Two stereo cue feeds
Bus B / Mute switching
Two fully balanced stereo external inputs
Up to 18 inputs at mixdown
Mix Bus inject for cascading additional SiX/BiG SiX
BiG SiX is designed to enhance your production capabilities at any stage of the process. From the SSL console grade faders to the advanced monitoring section and 18 channels of analogue summing at mix-down, the meticulously selected feature-set found on BiG SiX brings almost limitless creative options and engineering authority from large-format SSL consoles to your desk-top.
Key features
Four SuperAnalogueTM Mic / line / Hi-Z / 48V / HPF and polarity switch
Four SuperAnalogueTM stereo line level inputs with dual mono switching
Built in 16 channel 96 Khz / 24-bit USB interface with advanced routing
Essential version of G-Comp Bus Compressor with 'Auto' release
3 Band SSL LF/MF/HF EQ on every channelClassic SSL channel dynamics processing
Listen Mic Compressor
Dual independent headphone outputs with source matrix
100 mm console grade faders
Professional metering
Comprehensive monitoring section
Two stereo cue feeds
Bus B / Mute switching
Two fully balanced stereo external inputs
Up to 18 inputs at mixdown
Mix Bus inject for cascading additional SiX/BiG SiX
Key Features:
A fully professional condensed console for use in the studio, in post-production, on stage, and for podcasting.
Benchmark SuperAnalogue™ audio performance
Ultra low noise : ultra-low distortion : pristine sound
Stunning Record Path
Two SSL console grade SuperAnalogue mic pre’s
Classic SSL Channel Processing
Essential versions of SSL Channel EQ and Dynamics
The unique Listen Mic Compressor
Nothing slams drums quite like it!
Professional Routing & Monitoring
The hidden versatility of truly professional features
12 Input Summing at Mixdown
12 line level inputs with channel and Master Bus inserts
Legendary Master Bus Compressor
An essential version of the incredible SSL legacy
Completely balanced signal path
Everything except the headphone jack is fully balanced
The Roots Gen I 16 Channel
Full Featured 8 and 16 channel / 2 Buss Tube Hybrid Console
Features:
All Tube: Mic pre / line input / direct input (instrument in) / EQ and limiter on each channel
4 – 500 series slots
Vacuum tube linear regulated power supply
Meter Bridge:
Buss master trim 1 & 2 / aux master 1 & 2 / talkback mic in XL / talkback level
Stereo select external aux in 1 & 2 / mono combine / source select
Speaker select / big knob monitor level
Buss Master Module:
Big knob master stereo buss level / headphone level with headphone jack
Talkback (to stereo buss or aux master select)
The Roots Gen I 8 Channel Console
All channels are pure tube and transformers
Discrete Class A Solid State buss and master section
Fully regulated Vacuum tube and linear power supplies
Shipping dimensions for a Roots Gen I 8 channel console:
1 Pallet: 48" x 40" x 25"
Total weight: Approx. 200 lbs
The Tree Audio The Roots 16 Gen II is a 16-channel version of the Roots.
The Tree Audio Roots Gen II is an eight-channel valve and hybrid recording console based around an all valve channel strip design, balanced inserts 4 aux sends and 4 500 series slots.
The Tree Audio Roots 16 Gen II has all tube EQ and limiter, mic pre with line in, filter and metering. The EQ section uses a baxandall type curve with controls over low and high bands fro quick shaping of the sound, while the limiter uses an optical design with a simple knob to control the amount. A three-way toggle switch is used to engage the limiter as well as activating the side-chain 6dB/oct 250Hz high-pass filter.
The Mic preamp provides up to 60dB of gain and is complemented with a direct output trim. A selectable high-pass offers a choice of three frequencies, 80Hz, 125Hz and 250Hz while an input transformer impedance select lets you find the best impedance to match your microphone or even provide different tonalities.
At the top can be found four aux sends with the option to set each pair as Pre or Post (or Off) These can be made to send to the 500 Series section where a 500 series mixbus compressor or other modules can be added.
The Roots II also uses a fully regulated tube linear power supply.
Tree Audio Roots 16 Gen II Main Features:
16-channel, tube/hybrid, full-featured, recording console
All tube and transformer mic pre / line input / DI / EQ and limiter
4 – aux sends / 4 – 500 series slots / Full featured master section
Balanced inserts on all channels and stereo buss
Fully regulated tube linear power supply
Hand-built in the USA.
The Tree Audio Roots Gen II is an eight-channel valve and hybrid recording console based on an all valve channel strip design, balanced inserts 4 aux sends and 4 500 series slots.
The Tree Audio Roots Gen II has all tube EQ and limiter, mic pre with line in, filter and metering. The EQ section uses a Baxandall type curve with controls over low and high bands fro quick shaping of the sound, while the limiter uses an optical design with a simple knob to control the amount. A three-way toggle switch is used to engage the limiter as well as activating the side-chain 6dB/oct 250Hz high-pass filter.
The Mic preamp provides up to 60dB of gain and is complemented with a direct output trim. A selectable high-pass offers a choice of three frequencies, 80Hz, 125Hz and 250Hz while an input transformer impedance select lets you find the best impedance to match your microphone or even provide different tonalities.
At the top can be found four aux sends with the option to set each pair as Pre or Post (or Off) These can be made to send to the 500 Series section where a 500 series mixbus compressor or other modules can be added.
The Roots II also uses a fully regulated tube linear power supply.
Tree Audio Roots Gen II Main Features:
8-channel, tube/hybrid, full-featured, recording console
All tube and transformer mic pre / line input / DI / EQ and limiter
4 – aux sends / 4 – 500 series slots / Full featured master section
Balanced inserts on all channels and stereo buss
Fully regulated tube linear power supply
Hand-built in the USA.
All tube and transformer input module mic pre / line input / DI
2 - 500 slots above each input module (total 20 modules for 8 channel)
Stereo buss 4 group / busses / 4 aux sends / meter on each channel
8 channel monitor section with 4 aux sends (16 channels on mixdown)
Full featured master section
Fully regulated tube hi voltage linear power supplies
The Series 68 analog consoles have been developed to deliver the core feature set most often needed for analog recording. The 68’s are Split/lnline consoles with individual channels in 8-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for Master and Main outputs. With a flexible yet powerful 3 band EQ at its core, including selectable channel inserts and monolithic preamps driving the inputs, the Series 68 consoles offer a wide array of summing and mixing options. The sonic quality and compact footprint of the 68’s are able to meet any demand.
Modularity Throughout
The 68’s by design are manufactured to be a more cost effective variant of the fully modular 78’s. Incorporating a similar chassis design and the LED meter bridge, the 68’s have a rugged and proven core. Using a simi-modular design the 68’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability.
All input channels are individual boards, faders included, each in a 8 channel pack.
Subgroups are individual boards, faders included, each in a 8 channel pack.
Master Channel is an individual channel separated from all others.
Split/Inline Console:
Since the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today.
Dual Inputs to the channels with line and monitor inputs
3 Band EQ with sweeping mid bands and selectable low and high bands
27dB of headroom
Channel Inserts
Selectable EQ Path
Microphone Preamp:
The 68’s incorporate a new high-quality wide bandwidth preamp design. These preamps have lots of headroom with very low noise, low distortion, a high slew rate, and high gain fully capable of driving ribbon microphones.
65dB gain preamp
Balanced inputs
Balanced inserts with full bypass
Input Reverse Switch
Mic/Line Switch
Phantom Power Switch
Flexible EQ:
The 68’s incorporate an all-new 3 Band EQ derived from the Series 80 Console EQ. As the main channel EQ throughout the console.
A three band Trident EQ with overlapping frequency ranges is provided along with a switchable high pass filer. The HIGH and LOW sections of the equalizer have a shelving response and the MID has a peaking (bell) response with two selectable bandwidth settings.
Sweepable high band between 1k and 15k
Sweepable mid band between 200Hz and 3k
Sweepable low band between 40Hz and 650Hz
Selectable mid bandwidth between 1 and 1/3rd octave50Hz High Pass Filter
Master Section:
The master section of the 68’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.The 68’s master channel is an independent from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime.
Main & Alt Monitor Control
Mute, Dim & Mono Controls
Onboard Headphone with Gain
8 Subgroups
Two 2 Track Returns
Subgroup Monitor Returns
1 Stereo AUX
8 Stereo FX Returns
1/8″ TRS Selectable Input
Onboard Talkback
Selectable Insert Return
The Series 68 analog consoles have been developed to deliver the core feature set most often needed for analog recording. The 68’s are Split/lnline consoles with individual channels in 8-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for Master and Main outputs. With a flexible yet powerful 3 band EQ at its core, including selectable channel inserts and monolithic preamps driving the inputs, the Series 68 consoles offer a wide array of summing and mixing options. The sonic quality and compact footprint of the 68’s are able to meet any demand.
Modularity Throughout
The 68’s by design are manufactured to be a more cost effective variant of the fully modular 78’s. Incorporating a similar chassis design and the LED meter bridge, the 68’s have a rugged and proven core. Using a simi-modular design the 68’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability.
All input channels are individual boards, faders included, each in a 8 channel pack.
Subgroups are individual boards, faders included, each in a 8 channel pack.
Master Channel is an individual channel separated from all others.
Split/Inline Console:
Since the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today.
Dual Inputs to the channels with line and monitor inputs
3 Band EQ with sweeping mid bands and selectable low and high bands
27dB of headroom
Channel Inserts
Selectable EQ Path
Microphone Preamp:
The 68’s incorporate a new high-quality wide bandwidth preamp design. These preamps have lots of headroom with very low noise, low distortion, a high slew rate, and high gain fully capable of driving ribbon microphones.
65dB gain preamp
Balanced inputs
Balanced inserts with full bypass
Input Reverse Switch
Mic/Line Switch
Phantom Power Switch
Flexible EQ:
The 68’s incorporate an all-new 3 Band EQ derived from the Series 80 Console EQ. As the main channel EQ throughout the console.
A three band Trident EQ with overlapping frequency ranges is provided along with a switchable high pass filer. The HIGH and LOW sections of the equalizer have a shelving response and the MID has a peaking (bell) response with two selectable bandwidth settings.
Sweepable high band between 1k and 15k
Sweepable mid band between 200Hz and 3k
Sweepable low band between 40Hz and 650Hz
Selectable mid bandwidth between 1 and 1/3rd octave50Hz High Pass Filter
Master Section:
The master section of the 68’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.The 68’s master channel is an independent from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime.
Main & Alt Monitor Control
Mute, Dim & Mono Controls
Onboard Headphone with Gain
8 Subgroups
Two 2 Track Returns
Subgroup Monitor Returns
1 Stereo AUX
8 Stereo FX Returns
1/8″ TRS Selectable Input
Onboard Talkback
Selectable Insert Return
The Trident 78 all analog consoles are all Trident through and through.
The Trident 78 is a cost effective mixing console tailored for engineers, studio owners, educational facilities, houses of worship, and live sound applications.
The 78’s are Split/lnline consoles with individual channels in 4-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for speaker and main outputs.
With the 80B EQ at its core, including selectable channel inserts and discrete preamps driving the inputs, the Trident 78 consoles offer a wide array of summing and mixing options. The uncompromised sonic quality and compact footprint of the 78’s are able to meet any demand.
Features found throughout the 78 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 78 carries that tradition forward.
Bottom line: The Trident 78 was created with all of this in mind so that you can use it to make great sounding tracks.
Modularity Throughout
The 78’s by design are manufactured to be a more cost effective variant of the fully modular 88’s. Incorporating a similar chassis design and the same meter bridge, the 78’s have a rugged and proven core. Using a simi-modular design the 78’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability.
All input channels are individual boards, faders included, each in a 4 channel panel.
Subgroups are individual boards, faders included, each in a 4 channel pack.
Master Channel is an individual channel separated from all others.
Split/Inline Console:
Since the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today.
Dual Inputs to the channels with line and monitor inputs
4 Band EQ with sweeping mid bands and selectable low and high bands
27dB of headroom
Channel Inserts
Selectable EQ Path
Microphone Preamp:
The 78’s incorporate the same high quality Class A Discrete preamp as the 88’s. These preamps have lots of headroom and high gain fully capable of driving ribbon microphones.
60dB gain discrete preamp
Balanced inputs
Balanced inserts with full bypass
Input Reverse Switch
Mic/Line Switch
Phantom Power Switch
Powerful EQ:
The 78’s incorporate the iconic Series 80B console EQ as the main channel EQ throughout the console. This EQ is known throughout the industry for its musicality and ease of use.
Selectable high bands at 8k and 12k
Sweepable High and Low Mids
Selectable low bands at 60Hz and 120Hz
50Hz High Pass Filter
Selectable Channel Insert
Master Section:
The master section of the 78’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.The 78’s master section is an independent channel from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime.
Main & Alt Monitor Control
Mute, Dim & Mono Controls
2 On board Headphone connections with Gain
8 Subgroups
8 Stereo FX Returns
Two 2 Track Returns
Subgroup Monitor Returns
2 Mono and 1 Stereo AUX
Subgroup Stereo FX Returns
1/8″ TRS Selectable Input
Onboard or External Talkback Mic
Selectable Output Transformer Option
Trident 88 Console Overview
The Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks.
Designed with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability.
Available in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional.
Along with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications.
For example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer.
Being a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections.
In the area of customization, the 88 has options for vu metering, transformer I/O, automation, short loading and channel configurations exceeding 40 inputs.
Features found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward.
Bottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks.
Fully Modular Design:
Designed with manufacturability in mind.
The Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed.
Faders, channels, groups, and master section are individually removable.
All rear connections are also removable.
Split/Inline Console:
Having a Split/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ.
Dual Input to the Channels – line and monitor
Four band, sweepable channel EQ, is switchable with monitor Tilt EQ.
Dual Inserts to each Channel at the preamp, or the main channel EQ.
8 Auxes: 6 mono and 2 Stereo
27dB of headroom
Microphone Preamp:
Incorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired.
Discrete Class A
65dB gain
Balanced inputs, with optional Lundahl transformers
Full bypass insert
Input Reverse Switch
Mic/Line Switch
Phantom Power Switch
Console EQ:
Expanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.Adding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers.
High and low shelving
Low/high mid peaking
4 Sweepable bands boost/cut to +/-15dB.
50Hz high pass filter
Insert pre/post eq
Monitor in: Tilt EQ
Group FX Returns: 12kHz and 80hz shelving
Group Monitor Returns: 12kHz and 80hz shelving
Master Section:
Keeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving.
The 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process.
8 Subgroups
3 Monitor Controls
8 Monitor returns with high and low EQ
8 Auxes; 6 Mono 2 Stereo
8 Stereo FX Returns with high and low EQ
8 Stereo Aux Returns assignable to the Stereo FX Returns
1/8″ TRS Input Onboard
Talkback to Auxes in pairs, Groups, or Studio
Built in Oscillator selectable at 1k or 10k
Trident 88 Console Overview
The Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks.
Designed with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability.
Available in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional.
Along with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications.
For example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer.
Being a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections.
In the area of customization, the 88 has options for vu metering, transformer I/O, automation, short loading and channel configurations exceeding 40 inputs.
Features found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward.
Bottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks.
Fully Modular Design:
Designed with manufacturability in mind.
The Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed.
Faders, channels, groups, and master section are individually removable.
All rear connections are also removable.
Split/Inline Console:
Having a Split/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ.
Dual Input to the Channels – line and monitor
Four band, sweepable channel EQ, is switchable with monitor Tilt EQ.
Dual Inserts to each Channel at the preamp, or the main channel EQ.
8 Auxes: 6 mono and 2 Stereo
27dB of headroom
Microphone Preamp:
Incorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired.
Discrete Class A
65dB gain
Balanced inputs, with optional Lundahl transformers
Full bypass insert
Input Reverse Switch
Mic/Line Switch
Phantom Power Switch
Console EQ:
Expanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.Adding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers.
High and low shelving
Low/high mid peaking
4 Sweepable bands boost/cut to +/-15dB.
50Hz high pass filter
Insert pre/post eq
Monitor in: Tilt EQ
Group FX Returns: 12kHz and 80hz shelving
Group Monitor Returns: 12kHz and 80hz shelving
Master Section:
Keeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving.
The 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process.
8 Subgroups
3 Monitor Controls
8 Monitor returns with high and low EQ
8 Auxes; 6 Mono 2 Stereo
8 Stereo FX Returns with high and low EQ
8 Stereo Aux Returns assignable to the Stereo FX Returns
1/8″ TRS Input Onboard
Talkback to Auxes in pairs, Groups, or Studio
Built in Oscillator selectable at 1k or 10k
Trident 88 Console Overview
The Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks.
Designed with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability.
Available in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional.
Along with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications.
For example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer.
Being a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections.
In the area of customization, the 88 has options for vu metering, transformer I/O, automation, short loading and channel configurations exceeding 40 inputs.
Features found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward.
Bottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks.
Fully Modular Design:
Designed with manufacturability in mind.
The Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed.
Faders, channels, groups, and master section are individually removable.
All rear connections are also removable.
Split/Inline Console:
Having a Split/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ.
Dual Input to the Channels – line and monitor
Four band, sweepable channel EQ, is switchable with monitor Tilt EQ.
Dual Inserts to each Channel at the preamp, or the main channel EQ.
8 Auxes: 6 mono and 2 Stereo
27dB of headroom
Microphone Preamp:
Incorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired.
Discrete Class A
65dB gain
Balanced inputs, with optional Lundahl transformers
Full bypass insert
Input Reverse Switch
Mic/Line Switch
Phantom Power Switch
Console EQ:
Expanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.Adding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers.
High and low shelving
Low/high mid peaking
4 Sweepable bands boost/cut to +/-15dB.
50Hz high pass filter
Insert pre/post eq
Monitor in: Tilt EQ
Group FX Returns: 12kHz and 80hz shelving
Group Monitor Returns: 12kHz and 80hz shelving
Master Section:
Keeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving.
The 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process.
8 Subgroups
3 Monitor Controls
8 Monitor returns with high and low EQ
8 Auxes; 6 Mono 2 Stereo
8 Stereo FX Returns with high and low EQ
8 Stereo Aux Returns assignable to the Stereo FX Returns
1/8″ TRS Input Onboard
Talkback to Auxes in pairs, Groups, or Studio
Built in Oscillator selectable at 1k or 10k
Presenting a brand new benchmark The WUNDERBAR An analog console forged from inspiration, innovation and the bold desire to build the most impressive recording desk in the world. The result is a console so accomplished, it features The Wunderbahn, the worlds first desk to come standard with three vintage stereo bus flavors, and employs a fully symmetrically balanced discrete summing bus system. This unprecedented blend of performance, technology and perfectly crafted build quality is simply the next standard in the pursuit of the perfect recording. Infuse sophistication with extreme audio performance. Hand built by Wunder Audio's master technicians. The three stereo bus flavors are rich with thick discrete audio and transformer thickness, yielding three totally awesome soundstages that can be combined or heard separately. The Wunderbar: Every detail refined viscerally. Design your unique Wunderbar console. Customize your configuration to reflect your engineering style. Choose from a variety of console sizes and master section positions, moving fader automation, internal Patchbay and Apple 23' Cinema HD Display. Here, Wunder Audio continues to cherish the proud tradition of handcrafted excellence, passed down over generations. Over a dozen specialists ply their trade in creating the Wunderbar; cable builders alongside machinist, electronic engineers alongside cabinetmakers. All are world-class craftspeople whose purpose is the realization of the personal vision of the individual Wunder Audio customer. The Console utilizes the PEQ2 Channel Amplifier delivering from 12 to 60 channels. A 'Fully Balanced Bussing Scheme' is the heart of the Wunderbar, buffering the ground out of the equation. This results in significant increase in dynamic range while lowering noise substantially. There are transformer balanced direct outputs and inserts on all channels. The Stereo Buss champions The Wunderbahn and has three Stereo Amplifier choices: Wunder, 1272, and the 312. The Routing Modules The 1046 Routing modules are fully transformer balanced Class-A Discrete. Each channel has a monitor fader that is flip-able with the main channel fader. Also featured are six busses with illuminated switches, four auxes that are switchable pre or post, Pan Defeat, 48V phantom, and 'Opto Silent' mute. If the console is short loaded, the Routing modules will act as a transformer-balanced inputs. The Master Section The Master Section includes a Control Room Monitor for monitoring six stereo sources, including busses. Mono, Dim, Mute, and Solo Clear are on large illuminated switches. Select from 3 sets of speakers or a headphone amp with separate volume control. The internal routing of sub groups to the stereo buss eliminates external patching, sparing monitor faders. The Eight-fader monitor section includes solo, pan, and placement into any of the busses. Talkback into any buss/aux is either latching, momentary, or remote. The master section has a large Illuminated master PFL, AFL Solo switch with Solo level. Other features include: P&G 100mm Conductive Plastic Faders, thick hardwood end-cheeks in an unlimited choice of hardwoods, and full leather armrest.Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
€113,449.00*
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