Features:
Synergy Core fuses the power and speed of FPGA processing with developer-friendly DSP chips
All effects processing is off-loaded to the platform for lower buffer sizes and CPU-heavy plug-ins
FPGA processing recreates studio effects with incredible realism
DSP power brings third-party effects to an efficient real-time, low-latency platform
Synergy Core will expand Antelope’s effects library with new types of effects
Synergy Core will let Antelope Audio release new effects on all SC devices simultaneously, which wasn’t always possible before
Future-proof and configurable architecture allows designing each product for optimal performance
FPGA eliminates the issue of latency stacking which is common with DSP-only devices
Existing Antelope products will be updated with Synergy Core technology
Features:
Synergy Core fuses the power and speed of FPGA processing with developer-friendly DSP chips
All effects processing is off-loaded to the platform for lower buffer sizes and CPU-heavy plug-ins
FPGA processing recreates studio effects with incredible realism
DSP power brings third-party effects to an efficient real-time, low-latency platform
Synergy Core will expand Antelope’s effects library with new types of effects
Synergy Core will let Antelope Audio release new effects on all SC devices simultaneously, which wasn’t always possible before
Future-proof and configurable architecture allows designing each product for optimal performance
FPGA eliminates the issue of latency stacking which is common with DSP-only devices
Existing Antelope products will be updated with Synergy Core technology
Galaxy 64 Synergy Core is a high-end recording system that connects your entire studio within a 2U rack space while providing high-fidelity audio and onboard effects processing for your most demanding projects. With Dante, HDX and Thunderbolt connectivity, the world’s first 64-channel AD/DA converter offers unbeatable flexibility when moving sound around your high-profile production facility, live stage, broadcast, or other enterprise applications.
36 Real-Time Effects Included Galaxy 64 Synergy Core includes a massive expandable library of 36 real-time effects. It is largely composed of software emulations of vintage analog gear found in world-renowned recording studios. The collection does not lack in variety – you can find rarities like a boutique autowah pedal from Finland, a Danish master-grade compressor or emulation of famous units like American-design EQs.
Features:
FPGA-based real-time FX models of iconic studio gear
64 channels of 24-bit, 192 kHz audio via ThunderboltTM / 32 channels via USB
ThunderboltTM, MADI, USB, ADAT, S/PDIF, 8x DB25 connectivity
Flawless 4th Generation 64-bit clocking and jitter management
Networking Control from multiple computers
Routing, mixing, and effects chaining via macOS & Windows app
Explore Vintage Studio Equipment
The Orion 32+ | Gen 3 features a suite of essential effects from Antelope Audio’s vast library of FPGA FX models. Customers can purchase additional effects as they deem fit, as well as invest in the AFX2DAW software bridge which lets them use on-board processed, low-latency effects as inserts in their preferred digital audio workstation.
64-CHANNELS OF AUDIO VIA THUNDERBOLT™
Orion 32+ | Gen 3 provides seamless connectivity to any DAW, with low-latency, simultaneous streaming of 64 channels of 24-bit, 192 kHz audio via ThunderboltTM and 32 channels via USB. The analog I/O are handled by 8 DB25 connectors and a pair of TRS connectors for monitoring. Digital connectivity options are complemented by ADAT and S/PDIF.
EXTENSIVE FLEXIBILITY
Orion 32+ | Gen 3 offers extensive flexibility for excellent productivity. A color-coded software routing matrix with four separate mixers, effects chaining, and zero latency monitoring is provided. The routing matrix, mixers, and control panel are found within an intuitive desktop application for macOS and Windows.
HIGH-END CLOCKING & CONVERSION
Digital clarity meets analog musicality to form the signature Antelope Audio sound.
Our proven clocking accuracy is ensured by Antelope’s renowned 64-bit Acoustically Focused Clocking (AFC) jitter management technology. A 10 MHz input enables connectivity to Antelope’s legendary 10M Atomic Clock and its successor 10MX. That, and a pair of word clock outputs make the Orion 32+ | Gen 3 a great fit in any setup - not just as an interface, but as a premium master clock as well.
REDESIGNED SOFTWARE PANEL
Control all Orion 32+ | Gen 3 features and functionality from its intuitive desktop app. macOS and Windows compatible, it implements Antelope Audio’s networking control concept to let you access the interface from multiple computers in the same network. For added convenience and flexibility, the control panels are freely movable and resizable, facilitating multi-screen workflows.
The Antelope Audio Orion Studio Synergy Core is a major step forward for Antelope's workhorse Orion series of audio interfaces, designed to be the heart of your professional recording studio for years to come. Hot-rodded with Antelope Audio's future-proof Synergy Core FX processing platform, this updated Orion Studio is loaded with 2 FPGA and 6 DSP chips working in harmony to run Antelope's vast library of effects plug-ins. You get 50 of Antelope's top FX bundled with the hardware, including spot-on models of vintage analog gear and a killer collection of guitar amp and cabinet emulations.
With Thunderbolt 3 and USB connectivity, 12 of Antelope's Discrete microphone preamps, extensive analog and digital I/O, upgraded digital-to-analog converters with dynamic range up to 130 dB, and unprecedented FX processing power on board, the Orion Studio Synergy Core is a well-oiled machine -- up for any recording or mixing project your studio throws its way.
Synergy Core: FPGA + DSP = Future-Proof Effects Processing
With 6 DSP + 2 FPGA chips under the hood running a massive effects library by Antelope Audio and platform partners, the Orion Studio Synergy Core frees up your host Mac or PC to record and play back more tracks strapped with CPU-hungry virtual instruments and effects. Take on big projects, build intricate mixes, reduce latency, shorten buffer size, and keep your system stable -- all thanks to Antelope's state-of-the-art Synergy Core dedicated FX processors. With massive processing potential on board, this Orion can grow with your studio.
50 Antelope FX Included
The Orion Studio Synergy Core unlocks 50 of Antelope's top real-time effects plug-ins. Right out of the box you get mic preamp emulations, compressors, EQs, reverb, and guitar amp and cabinet models to bring your tracks to life. And thanks to Synergy Core architecture, you've got the processing muscle to run all the simultaneous FX your sessions need.
Thunderbolt 3 + USB Connectivity
A cross-platform audio interface for Windows or Mac, Orion Studio Synergy Core offers both USB and Thunderbolt 3 connection to your DAW host computer. You can even power/charge your MacBook from the Orion Studio Synergy Core.
130 dB Dynamic Range D/A for Critical Listening
Why trust your projects to anything less than the best D/A converters? The Antelope Orion Studio Synergy Core delivers 130 dB dynamic range on both pairs of monitor outs -- which can run simultaneously, or in A/B mode.
12 Discrete Microphone Preamps + Direct Inputs
The Orion Studio Synergy Core gives you 12 mic preamps based on Antelope's ultra-linear Discrete MP standalone preamplifier, with 75 dB of pristine gain. Recording line-level signals? The Orion Studio Synergy Core's Direct In hard-bypasses the mic pres, directly sailing into the A/D converters with 124 dB dynamic range. Get ready to hear the truth.
Digital Patch Bay for Pro Studios
Send audio anywhere you need it with the digital patch bay and latency-free mixer in your Orion Studio Synergy Core's software control panel. As the "brain" of your pro studio, this interface gives you robust, flexible tools for routing and monitoring.
Antelope's 4th Generation Acoustically Focused Clocking
Antelope Audio is renowned for building rock-solid digital audio clocks found in top recording studios and broadcast facilities around the globe. The Orion Studio Synergy Core wouldn't be an Antelope interface if it didn't deliver world-class clocking. With Word Clock I/O, the Orion Studio Synergy Core syncs up your studio with Antelope's 4th Generation Acoustically Focused Clocking, employing 64-bit DDS to keep your audio in lockstep at up to 192 kHz.
Features:
Rackmount Thunderbolt 3 & USB audio interface with 12 Discrete mic preamps
Synergy Core processing platform with 2 FPGA + 6 DSP chips
2 pairs of monitor outputs run concurrently or in A/B mode with 130 dB dynamic range
30 simultaneous inputs x 22 simultaneous outputs
DC-coupled I/O for CV control of analog modular synths
Hand-built in Europe to be your pro studio's centerpiece for years to come
50 real-time effects included:
Gyraf Gyratec IX (Tube Mic Preamp)
VCA160 (Compressor / Limiter)
Stay-Levin (Tube Compression Amplifier)
FET-A76 (FET Compressor)
X903 (Compressor / Limiter)
PowerFFC (Compressor)
VEQ-HLF (Passive High/Low Filter)
BA-31 (Vintage Mic Preamp)
ALT-436C (Tube Compressor Amplifier)
FET-A78 (FET Compressor Limiter)
SMT-100A (Tube Leveling Amplifier)
VEQ-1A (Tube Equalizer)
VMEQ-5 (Tube Mid-Range Equalizer)
BAE-1023 (3-band Vintage EQ)
NEU-PEV (Passive Vintage EQ)
NEU-W492 (5-band Vintage EQ)
NEU-W495 (3-band Vintage Mastering EQ)
VEQ-4K BROWN (Legendary Vintage EQ)
VEQ-4K ORANGE (Legendary Vintage EQ)
VEQ-4K PINK (Legendary Vintage EQ)
VEQ-STU 089 (Vintage EQ)
VEQ-STU 169 (Vintage EQ)
VEQ-STU 900 (Vintage EQ)
Clear Q (Parametric EQ)
Auraverb (Reverb)
Power EX (Expander)
Power Gate (Gate)
Master De-Esser (De-Esser)
Plexi 59 (UK) (Tube Guitar Amp)
Bass SuperTube VR (Tube Guitar Amp)
Darkface 65 (US) (Tube Guitar Amp)
Top30 (UK) Bright (Tube Guitar Amp)
Tweed Deluxe (US) (Tube Guitar Amp)
Overange 120 (UK) (Tube Guitar Amp)
BurnSphere (DE) Lead (Tube Guitar Amp)
Marcus II (US) Lead (Tube Guitar Amp)
Modern (US) CH3 (Tube Guitar Amp)
Rock 75 (UK) (Tube Guitar Amp)
Rock 22.10 (UK) (Tube Guitar Amp)
Darkface 65 2x12 (Guitar Cabinet)
Top30 2x12 (Guitar Cabinet)
Modern 4x12 (Guitar Cabinet)
Green 2x12 (Guitar Cabinet)
Vintage 4x12 (Guitar Cabinet)
Green 4x12 (Guitar Cabinet)
Caliper 50 1x10 (Guitar Cabinet)
Bluelux 1x12 (Guitar Cabinet)
Clst 1x12 (Guitar Cabinet)
England 4x12 (Guitar Cabinet)
Bass Tube 1x15 (Guitar Cabinet)
Zen Tour Synergy Core
A desktop audio interface in a league all of its own.
For what it brought to the pro audio trade back in 2016, the original Zen Tour is still in a league of its own. Never before had the pro audio community enjoyed this kind of connectivity, sound quality and touchscreen control on a desktop unit. Hard to surpass it may be, but the all-new Zen Tour Synergy Core more than lives up to its ancestor's impressiveness.
Antelope's consummate Synergy Core FX processing is an obvious highlight of the new Zen Tour, but the 4x ARM DSP cores and 2x FPGA processors handling system I/O and as many as 256 instances of lifelike, low-latency audio effects merely scratch the surface! Familiar on the outside, the Zen Tour Synergy Core has been reimagined internally to establish new standards in audio quality and performance in its category.
With up to 130dB dynamic range on the monitor outputs and Antelope's signature Acoustically Focused Clocking technology, the AD/DA conversion bar is raised high. And then comes the connectivity. It's 8 preamp/combo inputs and 14 outputs (monitor, headphone, line, reamp) for the analog part, with ADAT & S/PDIF expandability adding a further 10 digital I/O channels.
For computer connection, both USB Type-B and Thunderbolt 3™ are found on the same unit and users of multiple computers/operating systems can switch connections on the fly. The touchscreen control borrowed from our flagship Goliath interfaces and the 36 Synergy Core FX included to get you started (incl. 11 guitar amps and cabs) make for a complete all-around solution for bands and producers both for desktop and on the go.
Put simply, the Zen Tour Synergy Core punches above any competing product with its unbeatable value and vast studio potential.
Zen Tour Synergy Core comes with 36 Synergy Core FX included (worth USD 2120 if purchased separately):
Mic Preamps (Included)
1. Gyraf Gyratec IX
2. BA-31
Equalizers (Included)
3. VEQ-1A
4. VMEQ-5
5. VEQ-HLF
6. Clear Q
Compressors & Limiters (Included)
7. FET-A76
8. Stay-Levin
9. VCA160
10. X903
11. PowerFFC
Shred Guitar Amps (Included)
12. Plexi 59 (UK)
13. Bass SuperTube VR
14. Darkface 65 (US)
15. Top30 (UK) Bright
16. Tweed Deluxe (US)
17. Overange 120 (UK)
18. BurnSphere (DE) Lead
19. Marcus II (US) Lead
20. Modern (US) CH3
21. Rock 75 (UK)
22. Rock 22.10 (UK)
Shred Guitar Cabinets (Included)
23. Darkface 65 2x12
24. Top30 2x12
25. Modern 4x12
26. Green 2x12
27. Vintage 4x12
28. Green 4x12
29. Caliper 50 1x10
30. Bluelux 1x12
31. Clst 1x12
32. England 4x12
33. Bass Tube 1x15
Special Processing FX (Included)
34. PowerEX
35. PowerGate
Reverb (Included)
36. AuraVerb
Key Product Features
4x ARM DSP + 2x FPGA Synergy Core FX processing handling up to 256 effects instances per session.
36 Synergy Core FX started pack included
Compatible with the Antelope Audio AFX2DAW bridge plug-in
USB (Type-B) & Thunderbolt 3 (Type-C) computer connectivity
Up to 130dB dynamic range AD/DA conversion at up to 24-bit/192kHz resolution
Proprietary 4th-generation Acoustically Focused Clocking & Jitter Management clocking technology with 64-bit DDS
4 Discrete transistor mic preamps with mic modeling support (for Antelope Audio Edge & Verge modeling microphones)
Dedicated mastering monitor out DAC for critical listening
Two pairs of headphone outputs
Two pairs of re-amp outputs
8 DC-Coupled line outs on DB25 for sending CV/Gate to your analog synthesizers
ADAT and S/PDIF digital connectivity. External converters can be clocked via ADAT.
Multifunctional touchscreen display for monitoring and operation
Hand-assembled in Europe
Free technical support is available 20 hours/business day over phone, chat & ticketing system
STACKED WITH EFFECTS POTENTIAL
With 4x ARM DSP cores and 2x FPGA processors, the Zen Tour Synergy Core can process up to 256 FX instances over 32 audio channels with ultra-low latency and zero CPU drain. Users can now choose among a wider variety of DSP-based effects, such as Auto-Tune Synergy (by Antares & Antelope), Vari-Speed Tremolo, Space Flanger, Opto-2A, and others. 36 premier Synergy Core FX culled from our growing library are included to get you going immediately.
HEAR THE TRUTH
Utilizing Antelope’s signature clocking technology and updated converter chips, Zen Tour Synergy Core maintains pristine AD/DA conversion for artefact-free recording and critical listening with a best-in-class dynamic range of up to 130dB (measured on the monitor outputs).
MAKE CONNECTIONS
Zen Tour Synergy Core's comprehensive connectivity rivals that of rackmount pro audio interfaces with 4 Instrument/Line inputs, 4 Mic/Line Ins, 8 Line Outs (DC-Coupled), 2 Monitor Outs, 2 Headphone Outs and 2 Re-Amp Outs, totaling 8 inputs and 14 outputs. The unit is digitally expandable over ADAT & SPDIF for an additional 10 input and 10 output channels. Upgraded computer connectivity now offers Thunderbolt 3 (Type-C) as well as USB 2 (Type-B) for cross-platform compatibility with Mac and Windows computers.
ROUTE ANY AUDIO
The comprehensive Routing Matrix inside the software Control Panel houses a full-fledged digital patch bay to freely route audio between the interface's analog and digital inputs. Process DAW tracks through Synergy Core FX and re-amp guitar DIs with the Shred Guitar Amps & Cabs or integrate external audio equipment. With the 'training wheels' removed, your workflow can be as esoteric as you want it to be.
STURDY & PORTABLE
Hand-assembled in Europe, the Zen Tour Synergy Core can adorn both your studio desktop and your band’s practice space with equal success - then live to tell about it!
Overview
Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.
Highlights
Best AD/DA conversion of any Thunderbolt™ audio interface
Up to 32 channels of modular analog I/O with optional 8 mic preamps
Best per-channel value of any interface in its category
Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
Ultra-low latency performance
Intuitive touchscreen display and front panel control
Option card slot for future platform flexibility
Designed in California, Built in the U.S.A.
Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent 30 years of Apogee R&D and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities.
Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.
Option Card Slot for Future Connectivity Options
Symphony I/O Mk II’s new option card feature will future proof your investment and your studio. Working in Pro Tools HD now? Thinking about going Native with Thunderbolt or setting up an audio over ethernet network? The Option card slot offers flexibility for the present and the future, as new platforms develop and audio recording workflows evolve. Learn more
Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Dynamic Temperature Control
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Apogee Engineering Advantage
For over 30 years, Apogee has consistently redefined the state of the art in digital audio hardware design. We never rest on the laurels of our previous award-winning products – we’re constantly evaluating the latest technological developments in analog and digital components, platform connectivity and user interface advances to design better performing, intuitive products that meet the needs of any audio professional.
As an example of the Apogee Advantage, Symphony I/O Mk II uniquely employs a fully differential op-amp as a fundamental building block throughout its analog circuits. The very latest iterations of this technology offer astounding performance – vanishingly low noise and distortion, lightning-fast slew rate and out-sized current output capability, all in a power efficient and small package. These components offer performance that’s orders of magnitude superior to what’s found in most competitive audio interfaces, and are an important factor in Symphony I/O Mk II’s ability to offer up to 32 channels of state-of-the-art conversion in one 2U package at an incredible price per channel value.
Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultra high-fidelity DAC and headphone amplifier featuring Apogee’s Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
A Difference You Will Hear
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Symphony I/O Mk II is built solidly on this reputation.
Overview
Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.
Highlights
Best AD/DA conversion of any Thunderbolt™ audio interface
Up to 32 channels of modular analog I/O with optional 8 mic preamps
Best per-channel value of any interface in its category
Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
Ultra-low latency performance
Intuitive touchscreen display and front panel control
Option card slot for future platform flexibility
Designed in California, Built in the U.S.A.
Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent 30 years of Apogee R&D and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities.
Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.
Option Card Slot for Future Connectivity Options
Symphony I/O Mk II’s new option card feature will future proof your investment and your studio. Working in Pro Tools HD now? Thinking about going Native with Thunderbolt or setting up an audio over ethernet network? The Option card slot offers flexibility for the present and the future, as new platforms develop and audio recording workflows evolve. Learn more
Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Dynamic Temperature Control
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Apogee Engineering Advantage
For over 30 years, Apogee has consistently redefined the state of the art in digital audio hardware design. We never rest on the laurels of our previous award-winning products – we’re constantly evaluating the latest technological developments in analog and digital components, platform connectivity and user interface advances to design better performing, intuitive products that meet the needs of any audio professional.
As an example of the Apogee Advantage, Symphony I/O Mk II uniquely employs a fully differential op-amp as a fundamental building block throughout its analog circuits. The very latest iterations of this technology offer astounding performance – vanishingly low noise and distortion, lightning-fast slew rate and out-sized current output capability, all in a power efficient and small package. These components offer performance that’s orders of magnitude superior to what’s found in most competitive audio interfaces, and are an important factor in Symphony I/O Mk II’s ability to offer up to 32 channels of state-of-the-art conversion in one 2U package at an incredible price per channel value.
Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultra high-fidelity DAC and headphone amplifier featuring Apogee’s Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
A Difference You Will Hear
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Symphony I/O Mk II is built solidly on this reputation.
Overview
Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.
Highlights
Best AD/DA conversion of any Thunderbolt™ audio interface
Up to 32 channels of modular analog I/O with optional 8 mic preamps
Best per-channel value of any interface in its category
Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
Ultra-low latency performance
Intuitive touchscreen display and front panel control
Option card slot for future platform flexibility
Designed in California, Built in the U.S.A.
Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent 30 years of Apogee R&D and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities.
Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.
Option Card Slot for Future Connectivity Options
Symphony I/O Mk II’s new option card feature will future proof your investment and your studio. Working in Pro Tools HD now? Thinking about going Native with Thunderbolt or setting up an audio over ethernet network? The Option card slot offers flexibility for the present and the future, as new platforms develop and audio recording workflows evolve. Learn more
Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Dynamic Temperature Control
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Apogee Engineering Advantage
For over 30 years, Apogee has consistently redefined the state of the art in digital audio hardware design. We never rest on the laurels of our previous award-winning products – we’re constantly evaluating the latest technological developments in analog and digital components, platform connectivity and user interface advances to design better performing, intuitive products that meet the needs of any audio professional.
As an example of the Apogee Advantage, Symphony I/O Mk II uniquely employs a fully differential op-amp as a fundamental building block throughout its analog circuits. The very latest iterations of this technology offer astounding performance – vanishingly low noise and distortion, lightning-fast slew rate and out-sized current output capability, all in a power efficient and small package. These components offer performance that’s orders of magnitude superior to what’s found in most competitive audio interfaces, and are an important factor in Symphony I/O Mk II’s ability to offer up to 32 channels of state-of-the-art conversion in one 2U package at an incredible price per channel value.
Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultra high-fidelity DAC and headphone amplifier featuring Apogee’s Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
A Difference You Will Hear
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Symphony I/O Mk II is built solidly on this reputation.
Overview
Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.
Highlights
Best AD/DA conversion of any Thunderbolt™ audio interface
Up to 32 channels of modular analog I/O with optional 8 mic preamps
Best per-channel value of any interface in its category
Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
Ultra-low latency performance
Intuitive touchscreen display and front panel control
Option card slot for future platform flexibility
Designed in California, Built in the U.S.A.
Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent 30 years of Apogee R&D and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities.
Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.
Option Card Slot for Future Connectivity Options
Symphony I/O Mk II’s new option card feature will future proof your investment and your studio. Working in Pro Tools HD now? Thinking about going Native with Thunderbolt or setting up an audio over ethernet network? The Option card slot offers flexibility for the present and the future, as new platforms develop and audio recording workflows evolve. Learn more
Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Dynamic Temperature Control
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Apogee Engineering Advantage
For over 30 years, Apogee has consistently redefined the state of the art in digital audio hardware design. We never rest on the laurels of our previous award-winning products – we’re constantly evaluating the latest technological developments in analog and digital components, platform connectivity and user interface advances to design better performing, intuitive products that meet the needs of any audio professional.
As an example of the Apogee Advantage, Symphony I/O Mk II uniquely employs a fully differential op-amp as a fundamental building block throughout its analog circuits. The very latest iterations of this technology offer astounding performance – vanishingly low noise and distortion, lightning-fast slew rate and out-sized current output capability, all in a power efficient and small package. These components offer performance that’s orders of magnitude superior to what’s found in most competitive audio interfaces, and are an important factor in Symphony I/O Mk II’s ability to offer up to 32 channels of state-of-the-art conversion in one 2U package at an incredible price per channel value.
Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultra high-fidelity DAC and headphone amplifier featuring Apogee’s Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
A Difference You Will Hear
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Symphony I/O Mk II is built solidly on this reputation.
Overview
Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.
Highlights
Best AD/DA conversion of any Thunderbolt™ audio interface
Up to 32 channels of modular analog I/O with optional 8 mic preamps
Best per-channel value of any interface in its category
Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
Ultra-low latency performance
Intuitive touchscreen display and front panel control
Option card slot for future platform flexibility
Designed in California, Built in the U.S.A.
Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent 30 years of Apogee R&D and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities.
Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.
Option Card Slot for Future Connectivity Options
Symphony I/O Mk II’s new option card feature will future proof your investment and your studio. Working in Pro Tools HD now? Thinking about going Native with Thunderbolt or setting up an audio over ethernet network? The Option card slot offers flexibility for the present and the future, as new platforms develop and audio recording workflows evolve. Learn more
Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Dynamic Temperature Control
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Apogee Engineering Advantage
For over 30 years, Apogee has consistently redefined the state of the art in digital audio hardware design. We never rest on the laurels of our previous award-winning products – we’re constantly evaluating the latest technological developments in analog and digital components, platform connectivity and user interface advances to design better performing, intuitive products that meet the needs of any audio professional.
As an example of the Apogee Advantage, Symphony I/O Mk II uniquely employs a fully differential op-amp as a fundamental building block throughout its analog circuits. The very latest iterations of this technology offer astounding performance – vanishingly low noise and distortion, lightning-fast slew rate and out-sized current output capability, all in a power efficient and small package. These components offer performance that’s orders of magnitude superior to what’s found in most competitive audio interfaces, and are an important factor in Symphony I/O Mk II’s ability to offer up to 32 channels of state-of-the-art conversion in one 2U package at an incredible price per channel value.
Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultra high-fidelity DAC and headphone amplifier featuring Apogee’s Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
A Difference You Will Hear
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Symphony I/O Mk II is built solidly on this reputation.
Overview
Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.
Highlights
Best AD/DA conversion of any Thunderbolt™ audio interface
Up to 32 channels of modular analog I/O with optional 8 mic preamps
Best per-channel value of any interface in its category
Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
Ultra-low latency performance
Intuitive touchscreen display and front panel control
Option card slot for future platform flexibility
Designed in California, Built in the U.S.A.
Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent 30 years of Apogee R&D and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities.
Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.
Option Card Slot for Future Connectivity Options
Symphony I/O Mk II’s new option card feature will future proof your investment and your studio. Working in Pro Tools HD now? Thinking about going Native with Thunderbolt or setting up an audio over ethernet network? The Option card slot offers flexibility for the present and the future, as new platforms develop and audio recording workflows evolve. Learn more
Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Dynamic Temperature Control
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Apogee Engineering Advantage
For over 30 years, Apogee has consistently redefined the state of the art in digital audio hardware design. We never rest on the laurels of our previous award-winning products – we’re constantly evaluating the latest technological developments in analog and digital components, platform connectivity and user interface advances to design better performing, intuitive products that meet the needs of any audio professional.
As an example of the Apogee Advantage, Symphony I/O Mk II uniquely employs a fully differential op-amp as a fundamental building block throughout its analog circuits. The very latest iterations of this technology offer astounding performance – vanishingly low noise and distortion, lightning-fast slew rate and out-sized current output capability, all in a power efficient and small package. These components offer performance that’s orders of magnitude superior to what’s found in most competitive audio interfaces, and are an important factor in Symphony I/O Mk II’s ability to offer up to 32 channels of state-of-the-art conversion in one 2U package at an incredible price per channel value.
Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultra high-fidelity DAC and headphone amplifier featuring Apogee’s Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
A Difference You Will Hear
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Symphony I/O Mk II is built solidly on this reputation.
Overview
Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.
Highlights
Best AD/DA conversion of any Thunderbolt™ audio interface
Up to 32 channels of modular analog I/O with optional 8 mic preamps
Best per-channel value of any interface in its category
Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity*
Ultra-low latency performance
Intuitive touchscreen display and front panel control
Option card slot for future platform flexibility
Designed in California, Built in the U.S.A.
Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent 30 years of Apogee R&D and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities.
Symphony’s I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules.
Option Card Slot for Future Connectivity Options
Symphony I/O Mk II’s new option card feature will future proof your investment and your studio. Working in Pro Tools HD now? Thinking about going Native with Thunderbolt or setting up an audio over ethernet network? The Option card slot offers flexibility for the present and the future, as new platforms develop and audio recording workflows evolve. Learn more
Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Dynamic Temperature Control
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Apogee Engineering Advantage
For over 30 years, Apogee has consistently redefined the state of the art in digital audio hardware design. We never rest on the laurels of our previous award-winning products – we’re constantly evaluating the latest technological developments in analog and digital components, platform connectivity and user interface advances to design better performing, intuitive products that meet the needs of any audio professional.
As an example of the Apogee Advantage, Symphony I/O Mk II uniquely employs a fully differential op-amp as a fundamental building block throughout its analog circuits. The very latest iterations of this technology offer astounding performance – vanishingly low noise and distortion, lightning-fast slew rate and out-sized current output capability, all in a power efficient and small package. These components offer performance that’s orders of magnitude superior to what’s found in most competitive audio interfaces, and are an important factor in Symphony I/O Mk II’s ability to offer up to 32 channels of state-of-the-art conversion in one 2U package at an incredible price per channel value.
Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultra high-fidelity DAC and headphone amplifier featuring Apogee’s Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
A Difference You Will Hear
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Symphony I/O Mk II is built solidly on this reputation.
Features:
Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards
High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse
Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
Dual-port Dante card for more channels at higher sample rates
Three LCD displays for highly accurate level metering
RedNet Control software mixer for setting up monitoring and routing configurations, with remote control of preamps
Two discrete high-fidelity headphone outputs
Connect multiple digital sources using word clock I/O and loop-sync I/O
Two instrument inputs on the front panel
AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins
Red 8Line is a 58-input, 64-output, Thunderbolt™ 3 audio interface that features two Red Evolution mic pres, independent L/R monitor outs, eight balanced line inputs and outputs on DB25 connectors; 32 channels of Dante® I/O; 16-channel ADAT input and output (at 48kHz), and stereo S/PDIF input and output. As with other Red interfaces, it has professional-grade 24-bit/192kHz A-D and D-A conversion for no-compromise recording and audio playback. With 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted), the converters have been expertly selected and calibrated by Focusrite to provide the best balance of sound quality, dynamic range and conversion latency.
The Focusrite Red range is the best choice for professionals who work in Pro Tools™ | HD and other DAWs — on both Mac and PC. With both mini-DigiLink and Thunderbolt 3 connections, it's possible to instantly switch between Pro Tools and other DAW applications without the need to reconfigure your audio settings. Simply change the host mode either in RedNet Control software, or using the Red 8Line front panel, to change DAWs in seconds. This ability to quickly switch between production environments means you'll never lose that moment of inspiration, or leave your clients waiting.
Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite's session-proven, ultra-low-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it's also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units and Thunderbolt hubs.
On-board Dante connectivity enables Red 8Line to communicate with industry-standard Audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha and DiGiCo. Red 8Line has built-in monitor control for mono, stereo and multi-channel monitoring environments up to 7.1.2. Compatibility with the new Focusrite RedNet R1 desktop remote controller allows even greater flexibility, and customised presets for immersive monitoring environments including Dolby Atmos®.
Feature:
High-performance 24-bit/192kHz A-D and D-A conversion with 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted)
Seamless multi-platform workflow enables switching between different DAWs in seconds, using the front panel or control software
Two Red Evolution remote-controllable mic preamps provide up to 63dB of ultra- clean gain, with phantom power, high-pass filter, phase reverse and Air mode
Latest implementation of Thunderbolt 3 ultra-low-latency drivers for Mac and PC provide the flexibility to use DAW plug-ins in real-time
Dual Thunderbolt ports as standard enable daisy-chaining of devices such as plug-in accelerators, hard drives and external 4K displays
Twin mini-DigiLink ports provide connectivity directly to Pro Tools | HD cards, with no need for device expansion
Dual Dante ports enable connection to the industry standard Audio-over-IP protocol, for easy expansion and interoperability with other digital devices
Monitor control supports mono, stereo and multi- channel monitoring environments up to 10 channels, including 7.1.2
Extensive analogue I/O provided by eight line inputs and outputs on DB25; independent L/R monitor outputs; independent Red Evolution mic preamps, plus two stereo headphones outputs
Three LCDs provide highly accurate level metering for any input or output block, as well as for main monitor and headphone outputs
RedNet Control allows quick setup of complex monitoring and routing configurations, and control of the preamps remotely
High-fidelity dual headphone outputs are powerful enough to deliver loud audio on high-impedance headphones
Dual front-panel instrument connections ensure immediate access to instrument inputs, even when racked
New Windows 10 Thunderbolt drivers make Red 8Line compatible with PC-based audio systems
Focusrite software bundle includes the Brainworx bx_console Focusrite SC channel strip from the original Focusrite Studio Console, plus Red 2 and Red 3 EQ and Compression plug-ins, which accurately reproduce the sonic qualities of the original Red hardware. Focusrite Plug-in Collective membership provides access to frequent free downloads from the most innovative music software brands
Thunderbolt or Pro Tools|HD
Red 8Pre features both Thunderbolt 2 connectivity and dual mini-DigiLink ports allowing you the best of both Core Audio and Pro Tools|HD workflows. Take Red 8Pre on the road for location recording over Thunderbolt then connect the same interface to Pro Tools|HDX or Pro Tools|HD Native back at the studio for mixdown. The combination of low-latency conversion and driver technology allows real-time foldback mixes to be created in the DAW while you continue to use your native plug-ins. Unlike many interfaces, both mini-DigiLink and Thunderbolt 2 connectivity comes as standard, so there’s no need to buy an additional option card.
Eight Red Evolution Mic Pres
Focusrite’s Red Evolution mic pres draw on many decades of design prowess as well as many of the elements behind the incredibly popular RedNet mic pre used in many studios, broadcast facilities and live performances around the world. The digitally-controlled mic pres deliver a clear and honest sound with very low noise and plenty of gain available for the most-quiet of sources. They can be controlled from the front panel or remotely over Thunderbolt using Focusrite Control. Additionally the mic pre settings can be saved and recalled allowing you to quickly re-setup for your next session. They also include our unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA and original Red ranges. When ‘Air’ is enabled, the microphone impedance is lowered and the sound is given a subtle mid-high boost – all in the analogue domain.
Parallel Path Conversion
Focusrite has been designing digital converters for over 20 years. From the original Blue 245 and 260 mastering-grade A-D and D-A, through the Liquid Channel and more recently RedNet, digital conversion is a key part of our design heritage and philosophy. Every converter we design starts with the same objectives: low latency, high dynamic range and a flat, wide frequency response. Red 8Pre’s conversion achieves just that, lightning fast performance, a dynamic range of 118dB A-D and 121dB D-A and a flat response to 35kHz. By using “parallel path summing” we have achieved even greater noise-performance than ever.
Ultra-low Latency
Monitoring latency is the enemy of any performer and if the performance isn’t excellent, the final mix won’t be either. By utilising the lowest-latency conversion available, coupled with a high-performance Core Audio driver, Red 8Pre’s analogue round trip latency is kept to an exceptionally low minimum of 1.67ms.
Hugely flexible
Since Red 8Pre allows the user to assign any physical input or output to any driver/Pro Tools|HD channel, it’s easier than ever to customise the interface layout and integrate hardware inserts. Simply open Focusrite Control software and reallocate the channels as required.
Room for expansion
While Red 8Pre has enough I/O for many scenarios, sometimes more is needed. That’s why Red 8Pre includes two ADAT ports, for up to 16 additional inputs and outputs. Simply connect any ADAT equipment, such as the Focusrite Octopre, using lightpipes.
However in today’s modern studio, audio networking is taking over. Focusrite’s RedNet range is the world’s most popular modular audio-over-IP platform. We’ve brought some of that technology to Red 8Pre, allowing up to 32 channels of Dante inputs and outputs to be connected. Simply plug in an Ethernet cable and add additional mic pres or line I/O with ease. Alternatively arrive at the studio or venue and simply connect one Ethernet cable to Red 8Pre to gain access to the whole network. The possibilities are huge.
Included Software
Red 8Pre includes the new Focusrite Control software, providing a straightforward and intuitive way to set up mixes and monitoring, as well as controlling the mic pres – recalling settings, assigning stereo pairs, adjusting gain and enabling features such as high-pass filtering and phantom power. In addition, Red 8Pre is packaged with Softube's Time and Tone Bundle – a unique plug-in pack including four of Softube’s professional quality plug-ins: Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay and Saturation Knob. Also in the box is the Focusrite Red Plug-in Suite, which accurately models Focusrite’s classic Red range 2 and 3 equaliser and compressor hardware.
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
16 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
Thunderbolt Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
24 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
Thunderbolt Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
32 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
Thunderbolt Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
8 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
Thunderbolt Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Overview
Lynx Studio Technology is proud to present the Hilo Reference A/D D/A Converter System. With the pristine, open, transparent audio quality for which Lynx is known, Hilo (pronounced HE-low) provides two channels of mastering quality analog to digital conversion, up to six channels of digital to analog conversion, a secondary monitor output, and a world class independent headphone amplifier in a compact half-rack size. A first for the two-channel pro converter market, Hilo’s innovative 480 x 272 touch-screen provides a flexible and intuitive interface that can adapt to a particular application and be easily upgraded with enhancements and new features. Front panel controls support extensive signal routing and mixing, sample rate selection, clock source options, levels, metering and diagnostic features.
Hilo completely redefines and evolves the category of the two channel converter. Of utmost importance is the audio signal quality. The completely new design of the analog stages and converter topology for Hilo break new ground in terms of lowering distortion and noise while maintaining transparency for A/D and D/A conversion. Beyond that, Hilo offers extensive I/O capabilities and utilizes the latest FPGA technology with vast resources for control, routing, and signal processing capabilities. Also in development are diagnostic and analysis tools for Hilo. The LCD screen is a natural interface for these functions.
The digital or analog inputs can be routed to three separate analog outputs, Line Output (with 8 trim settings), Monitor Output, and Headphone Output. Each of these output pairs has its own dedicated DACs, allowing each to offer a unique mix. The Monitor and Headphone Outputs have volume controls, accessible via faders on the touch-screen or the single knob on the front (offering control in ½ dB increments). Another innovation, the Headphone section has its own dedicated D/A converter. This supports the creation of 32-channel headphone mixes independent of the main and monitor outputs, as well as providing specifications that rival those of dedicated headphone amps costing $1500 and more.
The digital section offers a wide range of inputs. AES/EBU inputs and outputs have transformer isolated balanced XLR connectors. S/PDIF input and output are available via transformer-coupled coax or optical (TOSLINK) connections. The Optical ports can also be used for up to eight ADAT channels. The ADAT input and output channels are completely independent from the AES/EBU or S/PDIF coax channels. The Lynx LT-USB (USB 2.0) or LT-TB (Thunderbolt) LSlot accessory is also included, for computer connectivity. The LT-HD for Pro Tools HD connectivity is also enabled. Lynx’s low jitter SynchroLock word clock is included, with Word Clock in and out connections available.
In total, Hilo has 12 total inputs, 16 total outputs plus 32 channels possible via its LSlot port. The unit’s FPGA powers its internal 32-channel mixer, which allows Hilo to offer the most versatile I/O and routing in the two channel converter genre.
In contrast to the concentrated and intricate back panel, Hilo’s front panel is elegant in its simplicity. It has a power switch, headphone jack, multipurpose control and a 480 x 272 pixel high resolution LCD touchscreen. This high-resolution screen does a lot more than simply replace the buttons on the front panel of most other converters. Of course it handles the basic settings and routing functions, clocking and level settings.
A second meter screen shows just two larger bar-graph style stereo bar meters. Any input or output set can be assigned to each meter. In addition to bar-graph meters common on most converters, Hilo’s touchscreen is able to show more traditional metering types, such as old style VU meters. Firmware version 7 added a powerful metering addition, a stereo third octave real time analyzer. As with all other Lynx products, Hilo is FPGA based, meaning new features, capabilities and graphics can be added at any time with a simple download.
Crucial for mastering and critical listening, Hilo offers world class, verifiable specifications. Every unit Lynx ships will meet or exceed these published specs:
LINE IN A/D PERFORMANCE
THD+N -114dB @1kHz, -1dBFS, 20kHz filter
Dynamic Range 121 dB, A-weighted, -60dBFS signal method
Frequency Resp. ± 0.01 dB, 20 – 20kHz
Crosstalk -140 dB maximum @ 1kHz, -1dBFS signal
LINE OUT D/A PERFORMANCE
THD+N -109dB @1kHz, -1dBFS, 20kHz filter
Dynamic Range 121 dB, A- weighted, -60dBFS signal method
Frequency Resp. ± 0.02 dB, 20 – 20kHz
Crosstalk -135 dB maximum @ 1kHz, -1dBFS signal
Hilo can be powered by standard 110-230V AC power or remotely with 9-18 volts DC, allowing the use of standard video battery packs or even auto cigarette lighter connections. Hilo measures 8.50 x 3.25 x 10.00 inches, weighs 6.75 pounds and is available with a silver or black front panel/knob option. Now available in Silver and Black, the US suggested retail price is $2495 with the LT-USB and $2795 with the LT-TB.
It is impossible to compare Hilo to other two channel AD and DA converters. In fact it is a unique product that is, at first, a little difficult to get your head around. Basically, Hilo replaces three different, critical components:
#1 Hilo is an analog to digital converter
#2 It is also a digital to analog converter. With most companies, these are two separate units.
#3 It is an independent headphone amplifier. The headphone section has its own, dedicated D/A converter. This provides two key benefits. First this allows Hilo to offer a headphone output with exceptional clarity and noise specifications. Second, due to Hilo’s internal 32 channel mixer, any input set can be routed to the headphone stereo output. This means that a mix that is entirely different from the analog outputs and monitors can be applied to the headphones.
Das 8M Thunderbolt™ Audio Interface besitzt einen unglaublich großen Dynamikbereich, bietet die Funktionen eines großen Mischpults und verfügt über insgesamt 50 Eingangs/Ausgangs-Audiokanäle (24 Eingangs- und 26 Ausgangskanäle). Das 8M kann über Thunderbolt oder USB 2.0 betrieben werden (USB 3.0-kompatibel). Die 8 Mikrofoneingänge sind mit individueller Vorverstärkung, Pad-Schalter zur 20 dB-Absenkung und 48V-Phantomspeisung ausgestattet, sie verfügen zudem über einen Hardware-basierten V-Limit™-Übersteuerungsschutz, welcher eine Aussteuerungsreserve von 9 dB zur Verfügung stellt. Ein leistungsstarker DSP bietet Ihnen die Qualität eines Mischpults mit 48 Kanälen, 12 Stereobussen und 32-bit Fließkomma-Effektprozessierung einschließlich modellierten analogen Equalizer, Vintage-Kompression und klassischem Reverb.
Das umfangreiche Routing-Netzwerk des Geräts verbindet Eingänge mit Ausgängen und routet die Eingänge zu mehreren Zielen innerhalb des Netzwerks. Nutzen Sie das 8M als Standalone-Mixer und steuern Sie alles von seiner innovativen Web App aus, die auf Ihrem iPad™, iPhone™, Tablet, Smart Phone oder Laptop läuft.
Schließen Sie mithilfe eines einfachen Ethernet-Kabels ein zweites MOTU AVB Interface (1248, 8M oder 16A) an. Fügen Sie mit dem MOTU AVB Switch (einzeln erhältlich) noch mehr Ein- und Ausgänge hinzu. Erstellen Sie ein AVB-Audionetzwerk mit mehreren Switches und einer Latenz von unter einer Millisekunde - selbst über lange Kabelverbindungen. Streamen Sie hunderte von Kanälen über Geräte und Computer im Netzwerk. Von der ersten Aufnahme bis zum Mastering liefert das 8M hervorragende Klangqualität, benutzerfreundliche Bedienung und zuverlässige Leistung.
With the AXR4, Steinberg sets a new standard in audio interfaces for studios, producers and professional musicians. Featuring facilities and connectivity aimed at professional-level recording, this Thunderbolt 2 audio interface significantly raises the bar, with 32-bit integer resolution and a sample rate of up to 384 kHz. The hybrid mic preamps with Rupert Neve Designs SILK emulation add exceptional tonal control, while SSPLL guarantees ultra-low jitter. The AXR4 ensures universal excellence for all recording applications.
32-bit integer/384 kHz
The industry-leading converters used in the AXR4 series deliver exceptional quality audio, thanks to a maximum sampling rate of 384 kHz with 32-bit resolution.
AXR hybrid mic preamps
Hybrid mic preamps, which feature in Yamaha’s state-of-the-art digital mixers, combine clean, natural analog sound with Rupert Neve Designs SILK processing.
Rupert Neve Designs SILK
The AXR4 features precisely-modeled emulations of the SILK processing found in the high-end analog devices by Rupert Neve Designs.
SSPLL jitter reduction
SSPLL is currently the most advanced technology for minimizing audio band jitter, which is vital when creating a high-quality audio network for professional applications.
dspMixFX AXR DSP mixing software
The onboard DSP and dspMixFX AXR matrix mixer provide zero-latency monitoring with effects for every DAW, including straightforward control of all routings and settings.
Thunderbolt 2 with low latency
By using Thunderbolt 2 technology, the AXR4 delivers very low latency and high CPU efficiency, a high number of I/Os and two system expansion ports.
Hauptmerkmale
Desktop 2 x 4 Thunderbolt 3-gespeistes Audio Interface mit branchenführender 24-Bit/192 kHz Audio-Wandlung
Unison Mikrofonvorverstärker- und Gitarrenverstärker-Emulationen von Neve,® API,® Avalon,® Manley,® Marshall,® Fender,® und mehr*
Die Echtzeit UAD-Verarbeitung ermöglicht nahezu latenzfreies Aufnehmen mit klassischen UAD Plug-in Effekten, unabhängig von der Einstellung des Software-Buffers
Produziere mit LUNA Recording System — einer kostenlosen, voll integrierten Recording Software, die für Apollo entwickelt wurde (nur Mac/Thunderbolt)
Enthält Studiokompressoren, EQs, Reverbs und Gitarrenverstärker-Emulationen und mehr als Teil des Pakets "Realtime Analog Classics"
Bester Kopfhörerverstärker seiner Klasse für lautes, detailliertes und rauscharmes Abhören
Busgespeiste Verbindung zu Mac- und Windows-Systemen für einfache Tragbarkeit und weniger Kabelsalat
€489.00*
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