WesAudio Phoebe (B-Ware)
- 100% analog microphone/line preamp with +28dBu of headroom.
- Class A fully analog – inspired by famous British design based on dual amp topology.
- Microphone gain up to 75dB.
- Carnhill Transformers (input and output).
- Output signal metering on the front panel with clip detection.
- Phantom power and phase invert control.
- Switchable impedance input (1200/300Ohm).
- All controls/analog settings are fully manageable via the WesAudio GCon DAW plug-in.
- 15dB OUTPUT PAD – passive output attenuation circuit with 1 dB step. (after the output transformer).
- Front panel XLR/TS socket which supports – HiZ instrument input (TS), line input (XLR), microphone input (XLR).
- Recallab
Product information "WesAudio Phoebe (B-Ware)"
The WesAudio Phoebe (B-Ware) is a high-end 500-series Class-A microphone preamplifier that combines classic analog sound with modern digital control. Inspired by legendary 1073-style designs, it delivers warm, detailed tone using premium components like Carnhill transformers, while offering up to 75 dB of gain and high headroom for professional recording applications.
What sets Phoebe apart is its hybrid workflow—fully analog signal processing paired with digital recall and DAW integration. Users can control and automate parameters via plugin, enabling seamless studio workflows without sacrificing analog character. With support for mic, line, and instrument inputs, plus features like phantom power, impedance switching, and onboard metering, it’s a versatile solution for modern studios.
| Safety Warnings: | The specific safety instructions for the product are provided in its user manual. |
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WesAudio
Wes Audio Sp. z o.o.
Zegadlowicza 54 PL-71-370 Szczecin Poland
info@wesaudio.com
General
- Type: Single-channel microphone / line / instrument preamplifier
- Format: 500-series & NG500 compatible
- Circuit Design: Class-A, fully analog (1073-style dual amp topology)
- Control: Digitally controlled analog circuit with DAW plugin integration (total recall & automation)
Audio Performance
- Max Gain: Up to 75 dB
- Headroom: +28 dBu
- Frequency Response: ±0.5 dB (20 Hz – 20 kHz) -3 dB @ 50 kHz
- THD (Distortion): ~0.005% @ 1 kHz (+20 dBu output)
- Noise: Better than -100 dBu (unity gain), Better than -70 dBu (max gain)
- EIN: Better than -120 dB
Connectivity & Inputs
Inputs:Rear XLR (Mic/Line) Front combo XLR/TRS (Mic/Line/Hi-Z instrument) Input Impedance:
Switchable: 300 Ω / 1200 Ω Line Input Impedance: 5.5 kΩ bridging
Controls & Features
- Transformers: Carnhill input & output transformers (transformer-balanced design)
- Phantom Power: 48V
- Phase Invert: Yes
- Output Pad: Passive attenuation up to 15 dB (1 dB steps)
- Metering: Output level meter with clip detection
- Signal Source Recall: Switch between front/rear input via DAW plugin
Digital Integration (Hybrid Feature)
- USB / Plugin Control: Full control via DAW (WesAudio GCon plugin)
- Automation: Real-time parameter automation
- Total Recall: Save & recall all hardware settings inside DAW sessions
Power & Physical
- Power Consumption:+16V: 170 mA, -16V: 100 mA
- Dimensions: approx. 38 × 133 × 145 mm
