Audio Ease

The original convolution reverb Altiverb is a plug-in that makes your audio sound as if it was played back somewhere else, adding the acoustics of existing spaces to your own recordings or to your live audio. All spaces in Altiverb were recorded in the real world, from Sydney Opera House to a Scottish underground oil tank the size of a cathedral. Features Apart from the extensive library of impulse responses you get with this plug-in, Altiverb features some clever controls for shaping the sound of this convolution reverb. Decay This essential reverb parameter is very prominent in Altiverb 8. You can apply an exponential decay on any impulse response to reduce the reverb time, without changing the character of the room. Brightness Real spaces often contain less high frequency content than algorithmic (synthetic) reverbs. Sometimes you need that extra sparkling brightness in a reverb tail that is just hard to obtain from the real world. Damping Control the reverb length of three separate and adjustable frequency bands. Shortening is damping, lengthening is enhancing. You can see the effect of damping in the waterfall graph of the impulse response. Stage positions Altiverb can have mono or stereo inputs. When making impulse responses, we used either one speaker position in the center of the stage for mono input, or two speaker positions for stereo input. So there is a direct relation between the amount of inputs and the speakers used. Using the positioner tab, available only in mono and stereo input Altiverbs, you can switch on the speaker, in which case you can hear where it stands. You can also, right there, move the speaker around. Equalizer Altiverb features a four band equalizer. The bass and treble bands are Baxandall EQs, designed to not shift phase more than 180 degrees, which effectively means that combing or cancellation effects are unlikely when the EQ’d signal is mixed with the dry signal. The equalizer works on the wet signal only. Size Makes the selected room (impulse response) smaller or larger. This transposes room modes and resonances, tightens or spreads early reflections, and shortens or lengthens the reverb tail. Pre-delay Delays the onset of the reverb. If the note symbol is clicked, the timing of the delay is locked to the tempo of the host application so you can select an eighth-note as the delay time. Attack Fades-in the start of the impulse response, resulting in a more lush, distant reverb sound. Reverse The entire impulse response is reversed in time for backward reverb effects. Modulation This effect does not emulate anything that happens in reality, it emulates something that happens in artificial reverb algorithms. Gated Reverb Allows you to abruptly cut-off a reverb after a set amount of time. The gate time can also be locked to the tempo of the host application. Snapshots Snapshots are presets that are private to an instance of Altiverb. WHAT IS NEW IN ALTIVERB 8 Native Apple silicon M1 / M2 & Intel macs are fully supported. New scalable user interface (except AU version) Cloud size Automatic input-pan following reverb, locate each reverb around the panning of the source, even when multiple sources move in a single instance. Smooth and clickless IR switches, reverb adjustments and stage position changes all practically seemless without any clicks. Improved IR searching The newly designed browser offers more and quicker ways to find the right IR. New IR Tool This tool enables you to create your own IRs, with output support up to 9.1.6 channels. Computer activation The Altiverb license can be activated on a computer or on a USB iLok key. The iLok USB key is NO LONGER required. VST3 Plug-In To ensure compatibility with worldclass VST host applications (DAWs) like Ableton Live, Cubase, Nuendo and Digital Performer Altiverb 8 features a VST3 plug-in. Center Almost all IRs have been supplied with a real center channel for LCR or 5.0 7.0 without center bleed. New Spaces many new spaces are included with Altiverb 8, like the Zuidervermaning from the intro video, a dance club, some industrial spaces, a Tesla, camper vans , atmos plates and springs reverbs, and a selection of buckets and bins including a porta toilet. All including atmos. improved loading speed. Your sessions with many Altiverbs will load quicker than ever. WHAT IS NOT NEW IN 8 Wait? What?This is what Altiverb 8 continues to deliver, just like Altiverb 7 (and earlier) has been delivering for two decades: Backward compatibility, Altiverb 8 opens in sessions/projects that were made with Altiverb since 2006 and the session/project will sound the same. All IRs ever released for Altiverb. New IRs will be added regularly, for free. Fixes and support without yearly fees. The option to sell and transfer your license. Countless ways of manipulating the reverb sound with controls like reverb time, attack, brightness, pre delay, EQ, damping.. Revolutionary stage positioning control for placing single members of a group, ensemble or even a complete orchestra on their own individual spot on stage, in any room/concert hall

The original convolution reverb Altiverb is a plug-in that makes your audio sound as if it was played back somewhere else, adding the acoustics of existing spaces to your own recordings or to your live audio. All spaces in Altiverb were recorded in the real world, from Sydney Opera House to a Scottish underground oil tank the size of a cathedral. Features Apart from the extensive library of impulse responses you get with this plug-in, Altiverb features some clever controls for shaping the sound of this convolution reverb. Decay This essential reverb parameter is very prominent in Altiverb 8. You can apply an exponential decay on any impulse response to reduce the reverb time, without changing the character of the room. Brightness Real spaces often contain less high frequency content than algorithmic (synthetic) reverbs. Sometimes you need that extra sparkling brightness in a reverb tail that is just hard to obtain from the real world. Damping Control the reverb length of three separate and adjustable frequency bands. Shortening is damping, lengthening is enhancing. You can see the effect of damping in the waterfall graph of the impulse response. Stage positions Altiverb can have mono or stereo inputs. When making impulse responses, we used either one speaker position in the center of the stage for mono input, or two speaker positions for stereo input. So there is a direct relation between the amount of inputs and the speakers used. Using the positioner tab, available only in mono and stereo input Altiverbs, you can switch on the speaker, in which case you can hear where it stands. You can also, right there, move the speaker around. Equalizer Altiverb features a four band equalizer. The bass and treble bands are Baxandall EQs, designed to not shift phase more than 180 degrees, which effectively means that combing or cancellation effects are unlikely when the EQ’d signal is mixed with the dry signal. The equalizer works on the wet signal only. Size Makes the selected room (impulse response) smaller or larger. This transposes room modes and resonances, tightens or spreads early reflections, and shortens or lengthens the reverb tail. Pre-delay Delays the onset of the reverb. If the note symbol is clicked, the timing of the delay is locked to the tempo of the host application so you can select an eighth-note as the delay time. Cloud Size and Pan Tracking Reverb - from LCR up to 9.1.6 input Altiverbs Altiverb XL supports more than two inputs. With more then two inputs there is no longer a direct relation between an input and a speaker that was used when making the impulse response. Therefore the Positioner tab is unavailable. Instead there is a new control: cloud size. With cloud size turned down, the reverb no longer outputs to all output channels, it starts clustering around the input pan position of your sounds. Even when the input sound moves, the reverb cloud travels along with it. Attack Fades-in the start of the impulse response, resulting in a more lush, distant reverb sound. Reverse The entire impulse response is reversed in time for backward reverb effects. Modulation This effect does not emulate anything that happens in reality, it emulates something that happens in artificial reverb algorithms. Gated Reverb Allows you to abruptly cut-off a reverb after a set amount of time. The gate time can also be locked to the tempo of the host application. Mixer Everything is recorded with enough microphones to provide Atmos reverb (up to nine eye level speakers plus six over head channels). There's a new output meter and a mixer that provides full control of all outputs. Snapshots Snapshots are presets that are private to an instance of Altiverb. WHAT IS NEW IN ALTIVERB 8 Native Apple silicon M1 / M2 & Intel macs are fully supported. Dolby Atmos support Up to 9.1.6 input and output channels for fully immersive convolution reverb.  New scalable user interface (except AU version) Cloud size Automatic input-pan following reverb, locate each reverb around the panning of the source, even when multiple sources move in a single instance. Smooth and clickless IR switches, reverb adjustments and stage position changes all practically seemless without any clicks. New output level meters These allow manipulation of level and delay per output channel. Pure Dolby Atmos IRs Almost all of the hundreds of the music spaces (concert halls, churches, cathedrals, studios, scoring stages) have been upgraded to Dolby Atmos by utilizing the original extra recordings we have been routinely making throughout the years.All outputs of Altiverb are always real and distinct original speaker to microphone takes. Mono pan following Across surround busses up to Dolby Atmos (9.1.6), making multi-mono instances unnecessary, reducing session load time considerably. Improved IR searching The newly designed browser offers more and quicker ways to find the right IR. New IR Tool This tool enables you to create your own IRs, with output support up to 9.1.6 channels. Computer activation The Altiverb license can be activated on a computer or on a USB iLok key. The iLok USB key is NO LONGER required. VST3 Plug-In To ensure compatibility with worldclass VST host applications (DAWs) like Ableton Live, Cubase, Nuendo and Digital Performer Altiverb 8 features a VST3 plug-in. Center Almost all IRs have been supplied with a real center channel for LCR or 5.0 7.0 without center bleed. New Spaces many new spaces are included with Altiverb 8, like the Zuidervermaning from the intro video, a dance club, some industrial spaces, a Tesla, camper vans , atmos plates and springs reverbs, and a selection of buckets and bins including a porta toilet. All including atmos. improved loading speed. Your sessions with many Altiverbs will load quicker than ever. WHAT IS NOT NEW IN 8 Wait? What?This is what Altiverb 8 continues to deliver, just like Altiverb 7 (and earlier) has been delivering for two decades: Backward compatibility, Altiverb 8 opens in sessions/projects that were made with Altiverb since 2006 and the session/project will sound the same. All IRs ever released for Altiverb. New IRs will be added regularly, for free. Fixes and support without yearly fees. The option to sell and transfer your license. Countless ways of manipulating the reverb sound with controls like reverb time, attack, brightness, pre delay, EQ, damping.. Revolutionary stage positioning control for placing single members of a group, ensemble or even a complete orchestra on their own individual spot on stage, in any room/concert hall

Convertierungs Programm Professionelles Batch File Convertierungs Programm für Mac OSX, ermöglicht die Konvertierung von tausenden von Files in unterschiedliche Ausgangsformate in einem Durchgang, high quality Sampleraten Konvertierung, unterstützt u.a. BWF, Sonic Solutions und 32 bit float Files, verschiedene Telefonformate, incl. OS9 kompatible Version 3.9 Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Acoustics for POST Indoor is Audio Ease's flagship convolution reverb for Audio Post. Indoor features unprecedented sound quality, flexibility and ease of operation, AAX DSP support, click-free automation, zipper-free motion and up to nine channels of reverb, in a single resizable window without tabs. Indoor can take your studio recordings from understated to overdone, always remaining stunningly real. So that hearing is believing. Features Location location Every room, hallway and kitchen from 10 houses and vehicles, 60 spaces sampled from every angle. Click to drop speaker and microphone in any room, or to open and close doors. Indoor any room to any room Any room to any room Not only the 60 rooms have been sampled but also any-room-TO-any-room is available. Over 1000 impulse responses, everything recorded in 9 channels with a consistency and quality never before presented. Indoor turning motion Turning motion The microphone system can turn, creating seamless, zipper-free and automatable motion in any surround track up to 7.0 plus Dolby Atmos, fully supporting new immersive audio requirements. Panning motion Or insert a 7.0 to 7.0 Indoor in a bus and pan sounds into it. Use the Spread knob to tighten the reverb around each incoming source, dynamically following its panning. That’s Input Pan Following Reverb and its zipper-free. Zipper- and click-free Inside is a completely new convolution engine focused on impulse response changes that are click-free, zipper-free and instant, and they cause no CPU spikes. Pre-roll for IR switches is no longer necessary and neither are multiple instances to cover up switches. AAX DSP version Use the AAX DSP version of Indoor to drop the CPU Load and reduce latency to a millisecond and a half. You can load 3 mono to stereo Indoors on a single chip. No Indoor uses more than 1 chip. AAX DSP is available up to 48 kHz and for up to 1-in 7-out, or up to 5-in 5-out. 9 channel AB or MS Easily switch between the two main surround microphone systems: Baffled Omni-directionals (AB) or Mid Side (MS), or combine them to create 7.0 DTS. Add two ceiling channels (for Dolby Atmos®) to get to a total of 9 channels of real decorrelated reverb channels. Ease and speed There are no tabs or browser windows. The window can be resized and presets are there for super quick operation. CPU load is lower than you’d expect, and because of the zipper- and click-free instant switches you will use less instances than you are used to. Quality & consistency Indoor more than doubles the domestic and vehicle categories of impulse responses available so far. Everything recorded with the same top quality system, so mixing and switching acoustics is more trouble-free than ever.

HighEnd Speakersimulator absolut autentisch klingende Lautsprecher incl. ihrer natürlichen Umgebungsgeräusche (!) 270 Speaker Impulse Responses (powered by Altiverb) wie z.B.: Telefone, Handys, Megaphone, Walkie-Talkies, alte Radios, Grammophone echtes Highlight: höchstwertig klingende Gitarrenamps und Cabinets zusätzlich 5GB Samples von Umgebundgsgeräuschen (wie z.B. Bahnhofsumgebung, Züge, vorbeifahrende Autos, Restaurantatmos, Telefongeräusche etc.) zusätzlich zahlreiche Effekte: Altiverb Reverb Engine mit 30 Räumen, Distortion, EQ, Gate, Compressor, Modulation, Delay, Tuning, Bitcrusher, vorkonfiguriert in 500 Presets als VST/AU/MAS/RTAS WIN und Mac OSXFür weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.