Locomotive Audio

15 %

Locomotive 14B PCB (Matched Pair)

The Locomotive Audio 14B is a Vari-Mu compressor designed to give vocals perfect presence and smoothness. Inspired by classic vintage units such as the Gates Sta-Level, UA 175B, RCA BA-6A, and Collins 26U, it delivers authentic tube compression that cannot be replicated by any other method. Built with a printed circuit board, custom MuMetal-shielded transformers, and a backlit VU meter, the 14B offers precise control and the legendary warmth of vintage Vari-Mu circuitry.

€5,099.00* €5,999.00*

15 %

Locomotive 86B-1

86B-1 Mono Tube Preamp: American-Style Warmth & Versatility The 86B-1 Mono Tube Preamp brings rich American-style tube warmth to your setup, from smooth vocals to punchy drums. With a sound rooted in 1950s tube circuitry, this preamp breathes life into modern signal chains with its deep harmonic character and versatile controls.With a two-knob control system, the 86B-1 lets you dial in the exact amount of tonal coloration, from subtle warmth to full-bodied saturation. Key features include a 20dB pad, 85Hz high pass filter, and front-panel DI for easy direct input. Inspired by Vintage LegacyThe 86B-1 builds on the classic Ampex 601 design, a 1960s favorite for its smooth and powerful tube tone. Enhanced with modern features like phantom power and improved headroom, the 86B-1 blends vintage quality with today’s audio standards. Preorder the 86B-1 today and give your audio the warmth and detail it deserves.

€1,019.00* €1,199.00*

15 %

Locomotive Audio 14B PCB

Locomotive Audio 14B printed circuit board version - A Vari-Mu Compressor That Will Make Your Vocal Sit Perfectly. The Real Sound of Vari-Mu Tube Compression at Your Fingertips. Just like its popular vintage inspirations, the Gates Sta-Level, UA 175B, RCA BA-6A and Collins 26U, the results are a sound that cannot be replicated with any other method of gain reduction. The Locomotive Audio 14B delivers! TRANSFORMERS Super premium MuMetal shielded input and interstage transformersSPEED & TONE Fast UA 175B attack meets smooth Gates Sta-Level OutputLOW CUT FILTER Adjust & cut the low frequencies that trigger compressionSTEREO LINK Use the 14B aggressively on your stereo room mics and overheads or gently on your mix bus Features: Stereo Link switch Sidechain Low Cut filter control: Off and 70-350Hz Hard-wire bypass switch Compression turned off with full counterclockwise attack position, switching to line amplifier Two position Compress-Limit Switch Two position VU meter switch: Gain Reduction - Output 6BC8 balance adjustment on interior of unit Custom Sifam backlit VU meter XLR input and output connections Custom MuMetal shielded input and interstage transformers Custom output transformer Hand-built in USA Heavy 16 gauge steel chassis 115v/230v AC mains option on rear Lifetime warranty parts and labor

€2,549.00* €2,999.00*

15 %

Locomotive Audio 40AM-1

A 1940s American-Style Stereo Octal Tube Preamp Designed for Big, Thick Results Introducing the 40AM preamp, your gateway to achieving that coveted vintage 1940s sound. Drawing inspiration from iconic models such as the RCA BA-11A and Gates SA-70, this preamp combines design elements from each into one ultimate creation. Packing a powerful punch but versatile enough to be used on a wide range of sound sources, the 40AM will help produce recordings that embody the warmth and character of a bygone era.

€1,189.00* €1,399.00*

15 %

Locomotive Audio MODEL 14B MONO COMPRESSOR

Locomotive Audio's single channel 14B compressor and limiter is based on a very old, but still very exciting concept of rebiasing the input tube with a sidechain control voltage. After all, some of the most famous compressors in history, such as the Fairchild 670, Gates Sta-Level and Collins 26U, employed this very technique. The results are a sound that cannot be replicated with other ways of gain reduction. The Locomotive Audio 14B and its added modern features allow it to achieve a unique sound in its own right. Starting with the semi-remote cutoff 6BC8 tube, a 12AY7 then drives two powerful push-pull 6V6 output tubes. The 14B is quite a versatile unit, with the ability to run soft and gentle or hard and aggressive. A sidechain low cut control offers even more flexibility, especially when used on the mixbus and linked with another 14B. This versatile unit can be used on all kinds of source material including vocals, drums, guitars, bass, piano and horns. With its high quality Cinemag input and interstage transformers, the 14B has the ability to define mid-range clutter and control the peaks at the same time. Any material run through this unit will be enhanced, even when not compressing. Select Your Build Type The Locomotive Audio 14B Compressor is now available in two build options: ORIGINAL HANDWIRED Authentic to the design aesthetic of classic vintage vari-mu and optical compressors of the 1940s − 1960s, the Locomotive Audio 14B-HW (Handwired) is built with the same labor intensive care and attention to detail. Every wire and component is selected and soldered by hand, ensuring each unit is special. Adding this artistic centerpiece to your rack is truly inspiring. PRINTED CIRCUIT BOARD Smart layout design gives the Locomotive Audio 14B-PCB (Printed Circuit Board) version the same superior sonic result as the Handwired version, but instead, with a more efficient build process. Using the same components and audio path as the Handwired version, the resulting specifications and performance are identical. We are happy to finally offer this lower cost option. Features Stereo Link switch Sidechain Low Cut filter control: Off and 70-350Hz Hard-wire bypass switch Compression turned off with full counterclockwise attack position, switching to line amplifier Two position Compress-Limit Switch Two position VU meter switch: Gain Reduction - Output 6BC8 balance adjustment on interior of unit Custom Sifam backlit VU meter XLR input and output connections Cinemag input and interstage transformers Custom output transformer Hand-built in USA with classic turret board technique Heavy 16 gauge steel chassis 115v/230v AC mains option on rear 2-year limited warranty parts and labor

€2,549.00* €2,999.00*

15 %

Locomotive Audio MODEL 86B-2

Features Microphone and high impedance instrument inputs One EF86 & one 12AY7 per channel 4-Position Input Switch: 500 Ω & 1.8K Ω Mic, 10k Ω Line, 1.6meg Ω Polarity reverse switch 20 dB pad switch 100 Hz low cut filter switch DI on for each channel +48 V phantom power XLR mic input, line input and line output connections Premium input and output transformers Wima polypropylene capacitors in signal path Built in USA Heavy 16 gauge steel chassis 115 V/230 V AC mains option on rear Backed by lifetime warranty parts and labor, excluding tubes

€2,379.00* €2,799.00*

15 %

Locomotive Audio Power-MU 500

The Locomotive Audio Power-MU 500 is a stereo vari-mu compressor built for the 500 series format. It brings smooth and warm tube compression to your stereo bus or mix, with all the classic character you’d expect from high-quality analog gear. Designed with precision stepped controls, the Power-MU 500 makes it easy to recall settings and dial in just the right amount of compression. Using NOS tubes and custom interstage transformers, the Power-MU delivers gentle and musical compression that enhances your mix without sounding harsh or overly processed. It’s ideal for glueing your mix together, but also responds well when pushed for more aggressive, harmonically rich results. With features like AC & DC threshold controls, a stereo link switch, sidechain high-pass filter, and hardwire bypass, the Power-MU 500 gives you flexible control in a compact 500 series unit. The backlit Sifam VU meter and heavy steel chassis reflect its quality build and professional design.

€1,529.00* €1,799.00*

15 %

Locomotive Audio Z CAR

Capture your performance now, audition on any pedal or amp later.The all new Locomotive ZCAR is simple. Connect any instrument to your favorite mic preamp and record. Then, send the recorded signal to your pedal chain or amp of choice - all from one box! With ZCAR's mu-metal shielded transformer, the 1/4" jacks and XLR jacks are isolated from one another. This provides proper input and output impedances on each side, so that you can focus more on performance and less on technical requirements. And since the ZCAR is passive, no power source is necessary. Just plug and play, anywhere! A little history: Impedance in audio is denoted by the letter Z. And in the Locomotive “Z” CAR, our high-quality transformer ensures the appropriate impedances are available on each side of the signal chain.

€407.00* €479.00*

15 %

Locomotive Copperline

The Locomotive Copperline is a versatile utility unit designed for placement between a microphone and preamp or between two line-level devices. It features two channels packed with professional tools including a 5-position attenuator, 5-position high-pass filter, mute, vintage load, polarity switch, and unique variable voltage phantom power. Ideal for enhancing vintage mic preamps with modern features or creatively linking line-level devices, the Copperline lets you shape your sound with precision. Its high-current, low-noise phantom power supply delivers up to 52 volts, ensuring microphones perform at their best with detailed, transient-rich audio.

€909.00* €1,069.00*

TK Audio

17 %

TK Audio M/S Station

The M/S Station is a new mastering and main bus tool with four separate functions divided into two sections including an advanced cue function. Section 1 is a parallel insert with M/S function allowing the user to use separate blend controls for the mid and side signals. For maximum precision the blend control(s) has 16 positions from dry to wet.Section 2 consists of three parts, an elliptical EQ with 16 frequencies, a width control from 0-200% and an advanced cue function.The two sections are normally linked internally but can be used separately with their own balanced inputs and outputs by removing four jumpers inside the unit (see unlink section 1 and 2). This way you can use them at different locations in your setup. Section 1Parallel insert with M/S function: With the insert section you can insert an external processor like an EQ, compressor, distortion unit etc, and then dial in a mix between the processed signal (wet) and the unprocessed signal (dry). For maximum precision the blend control has 16 steps from dry to wet. If you activate the M/S function your signal will be coded into mid ( L+R ) and side ( L-R ). The mid signal normally contains all the center info such as bass, kick drum, lead vocal etc and the side signal contains all the panned parts of the signal. In M/S you can process the center signal and side signal separately with different types of processors. With the blend split function you get separate blend controls for the mid and side signal. In M/S mode the blend function takes place before the signal is decoded back to left/right. With the insert cue function you can monitor the L or R signal after the blend control separately, mid or side if M/S is active. Section 2Elliptical Equalizer: With the elliptical EQ all frequencies below a selected frequency will be made to mono. This function can make your low end more focused. It’s an old technique used when mastering for vinyl. Too much low end in the side channel (vertical) can make the needle bounce slightly and cause distortion. By using a 12dB high pass filter in the side channel you set the frequency under which the signal will be processed as mono. As a HPF introduces phase shift to the signal, a phase correction is added to the mid channel keeping channel separation as good as possible. The EEQ has 16 frequencies from 36Hz to 302Hz. With the EEQ cue function you can monitor the signals that are mixed between the channels. Stereo width control: By adjusting the amount of side information in the stereo mix, the width can be adjusted incrementally from mono to extra wide. With this control you can fine adjust the stereo image after you have used the M/S insert and EEQ.Cue function: With the cue function you can monitor the left, right, mid or side signal separately. By pressing the cue sections Insert switch you can cue the parallel inserts return signal by pressing L or R. (this can be done even if you run the two sections separately at different locations in your chain) If you select the EEQ switch on the cue section you can monitor the low frequencies fed from left to right or right to left. The cue section is a passive design using relays to select the cue source.Unlink section 1 and 2: If you like to use the two sections at different locations in your chain you can unlink them by removing the four jumpers inside the unit (see picture in the manual). You can then use them separately with their own balanced inputs and outputs. The two sections are linked as default.

€1,729.00* €2,079.00*

19 %

TK Audio Transformer

The Transformer is a recording and mixing tool that transform your sound by using several different harmonic stages. The unit is divided into two sections, a harmonic generating section and a transformer coupled class-A stage with a punchy, vintage tone. If you’re working mostly in the box this is the perfect tool to add some analog warmth, punch and color to your sound/mix. The first section contains three different harmonic stages; a transformer saturation stage, a passive saturation/clipping stage and an active germanium circuit. These three stages does not only generate different kinds of harmonics, they also shape the tone curve in different ways. With a blend function you can blend in the desired amount of harmonics. You can also choose to process the mid and side channels separately by activating the M/S function. The second section is a selectable vintage transformer coupled class-A stage.

€1,489.00* €1,839.00*

Burl

10 %

Burl Audio B1 Mic Pre

€1,139.00* €1,265.00*

20 %

Burl Audio B16 BMB-1 Mothership DigiLink

16-CHANNEL CONFIGURABLE AD/DABurl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, but it is also felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card-based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante, or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution. The BMB6 offers 8-channels of AES/EBU IO connectivity ad provides an easy interface to any AES/EBU device.

€1,959.00* €2,449.00*

20 %

Burl Audio B16 BMB-2 Mothership MADI

€1,559.00* €1,949.00*

20 %

Burl Audio B16 BMB-3 Mothership DANTE

€1,559.00* €1,949.00*

20 %

Burl Audio B16 BMB-4 Mothership SoundGrid

€1,559.00* €1,949.00*

20 %

Burl Audio B16 BMB-6 Mothership AES/EBU

€1,559.00* €1,949.00*

10 %

Burl Audio B1D Mic Pre

Step Back – Here come the B1 and B1D… Introducing the B1 and B1D MICROPHONE PRE AMPS from BURL AUDIO. Based on the API 500 series form factor, the B1 is meant to compliment the B2 BOMBER ADC and the B80 MOTHERSHIP and will give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 MIC PRE delivers warmth with depth and clarity. The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.

€1,079.00* €1,199.00*

10 %

Burl Audio B4 Mic Pre

AT LONG LAST… BURL Audio is proud to announce the new B4 4-channel MIC/LINE input daughter card for the B80 and B16 MOTHERSHIPs. The B4 boasts the new BX6 input transformer designed for true MIC/LINE input impedance. The B4 maintains a no compromise, class-A analog circuit, followed by the same ADC we use in the BAD8. Using a single B80 chassis, 40 input channels of audiophile MIC/LINE inputs can be realized. With digital control and SoundGrid or Dante, the B80 MOTHERSHIP with the B4 MIC/LINE daughter card is the ultimate studio grade stage box.

€2,329.00* €2,589.00*

20 %

Burl Audio B80-BMB1 Mothership DigiLink

80-CHANNEL CONFIGURABLE AD/DA INTERFACESimply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth, and musicality, the B80 MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the B80 MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry. The result is not only heard, but it is also felt. The MOTHERSHIP stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card-based system, and a heavy-duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 4 and 8 channel AD/DA cards, all with class-A, discrete electronics without any integrated circuits or capacitors in the signal path. The B80 MOTHERSHIP is the result of over 30 years of tireless research and development. The no-compromise, no BS design strategy is immediately apparent in the build quality.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. BURL AUDIO does away with the expansion port, making both ports primary. That means you can play 64 DAC channels straight out of Pro Tools with one unit!

€2,639.00* €3,290.00*

20 %

Burl Audio B80-BMB2 Mothership MADI

80-CHANNEL CONFIGURABLE AD/DA INTERFACESimply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth, and musicality, the B80 MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the B80 MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry. The result is not only heard, but it is also felt. The MOTHERSHIP stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card-based system, and a heavy-duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 4 and 8 channel AD/DA cards, all with class-A, discrete electronics without any integrated circuits or capacitors in the signal path. The B80 MOTHERSHIP is the result of over 30 years of tireless research and development. The no-compromise, no BS design strategy is immediately apparent in the build quality.The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. With two optical ports, 64in/64out at 44.1k, 48k, 88.2k, 96k, and 32in/32out at 176.4k, and 192k are supported.

€2,369.00* €2,959.00*

Rupert Neve Designs

19 %

Rupert Neve Designs 5057 Orbit

Firmly rooted in six decades of console design experience, the 5057 Orbit gives your mixes the legendary tonality, power, and wide-open soundstage that only Rupert Neve’s class-A analog summing can provide. Coupled with Rupert’s famous custom audio transformers and Silk Red & Blue circuitry for variable harmonic saturation, the Orbit launches sterile in-the-box mixes to new heights of tone, depth and clarity – without compromising the recallable convenience and repeatability of your DAW-based workflow.

€1,699.00* €2,099.00*

Flock Audio

3 %

Flock Audio Patch System

Features: 64 Point Connections (32/32) 32 Channels 48V Phantom Power 2 Input / 2 Output Front Panel Connections Create, store and recall routings Advanced multing capabilities Multiple System Expansion (8 unit support) OSX & Windows compatible Software Software and firmware updates Safeguard warning notifications DB-25 connectors No label templates required No patch cables required 2 COMBO INPUTS & 2 XLR OUTPUTS The PATCH System comes equipped with 4 Connectors housed in the front panel of the system. 2 - Inputs (XLR/TRS Combo jacks) and 2 - XLR Output jacks. These front panel connectors allow a user quickly & easily integrate outside audio equipment or instruments into your recording setup. The front panel connection points are optional use and can be activated/deactivated via using the Flock Audio PATCH APP. The 2 - Inputs (XLR/TRS) are also capable of powering 48v microphones. FRONT PANEL LED INDICATORS Three coloured LED Indicators assist the user with visual notifications including... Host Signal - This LED Illuminates solid Blue when the PATCH System Hardware is connected and communicating with the associated CPU. 48V Front Inputs - This LED Illuminates solid Blue when 48V has been enabled to the Front Input Combo Jacks, notifying the user to not plug or unplug any audio equipment until the the 48V is disabled. External 48V Warning - This LED Illuminates solid Red when any connected preamp has its 48V actively on, because The PATCH System has its own on-board 48V Power, its not necessary to activate 48V on the connected preamp. USB-A TO USB-B CONTROL The PATCH System uses very little CPU processing power to send and receive commands from the hardware. Because of the minimal amount of processing required, the PATCH System works off a USB 2.0 and on-wards compatibility. The design was chosen for a low CPU usage so you can have your system processing working harder for your Interface & DAW rather then devoting a large amount of that processing to routing your analog audio equipment. DB25 REAR CONNECTIONS DB-25's/D-Subs create a clean, simple and organized form of connections to the rear chassis of PATCH. Utilizing the standard Tascam Wiring Pinout schematic, any DB-25/D-Sub cable following this wiring format will work seamlessly with your system. For additional flexibility we've added the feature that Inputs & Outputs (31 - 32) will flip from the rear side of the chassis to the front when activated in the PATCH APP. This allows a user to quickly audition other outside audio equipment without disconnecting any already designated hardware connected to the PATCH System. MULTI-PATCH UNIT EXPANSION Connect Multiple PATCH Systems together for Expanded I/O Routing Capabilities. When we said 100% analog...we meant it. The PATCH System has no A/D or D/A conversions built in and with that comes no rules either...meaning connections for audio processing is transferred purely through an analog circuitry no digital. Users can connect multiple PATCH Systems together through their existing on-board I/O in many different configurations, whether you do equal Sends & Returns, maybe more sends than returns or even as little or as many connections between units as you require for your analog configurations. Control these D.A.P's (Digital Analog Passes) right from the PATCH APP, simply drag & drop a Digital Analog Pass in place of your desired signal flow in the App to move your activate signal from one PATCH Unit to the next. Every analog signal coming in or out remains purely Analog getting the most of out of your PATCH Routing system. However, each studio is as unique as its audio engineer, so don't let us tell you how to configure your PATCH setup... you're going to tell us. UP IN SMOKE? NOPE. Built behind the scenes of the PATCH System is a fully integrated diagnostic monitoring system to ensure your PATCH is running like new under the hood. Because of the complex architecture in each PATCH System, we felt it was important to add this internal feature in to maintain the highest quality out of each PATCH System. When something becomes the centre piece and hub of your recording studio...you want to know that its working the same as the first day you opened the box and so do we. WE PLAY NICE Wondering if its possible to integrate a Flock Audio PATCH System into your already existing traditional patch bay setup? Of course it is! PATCH's flexible design allows users to configure it into any existing setup and utilize its incredibly versatile and intuitive functionality into your studio! We take no prisoners, only friends! We developed PATCH to be a powerful tool allowing you to use & route your analog hardware with ease... However, we can't make any promises that you won't fall in love with PATCH and wonder how you ever lived without it in your workflow.

€3,869.00* €3,999.00*

3 %

Flock Audio Patch LT

32 Point Connections (16 Inputs / 16 Outputs) DB-25/D-SUB Tascam Standard Pinout Format Connectors 16 Independent Channels of 48V Phantom Power Front Panel - 1 Combo TRS/XLR Input & 1 XLR Output PATCH APP Routing Software (OSX & Windows) (iOS iPad Coming Soon) Create, Store & Recall Routings in Seconds Create Complex Multing Combinations w/ No Impedance Issues No AD/DA Conversion, 100% Transparent Analog Signal Path Patented Flock Audio Matrix Technology (Same as PATCH) Multiple Unit Expansion with any PATCH Model (PATCH, LT & XT) External 5Pin 24VDC Power Supply w/ IEC Cable Included 10 Ft. - USB 2.0 (USB-A to USB-B) - Cable Included Unit Dimensions: 1U - 1.75”(H) x 19” (L) x 8” (D) - 15 lbs

€2,219.00* €2,299.00*

Avid

23 %

Avid S4 Konsole - 8 fader

The 3' DAW controller delivers a powerful, space-efficient control solution for professional audio and post-production studios, based on the Avid S6 platform. Using the EUCON protocol, it integrates seamlessly with a wide range of DAWs including Avid Pro Tools, Media Composer, Adobe Audition, Apple Logic Pro, Steinberg Cubase/Nuendo, Pyramix, and many others. It enables significantly more efficient and precise work during recording, editing, and mixing, and even allows simultaneous control of two different DAWs. With extensive customization options, 20 central function selectors, and a modular base system featuring MTM, MAM, and CSM modules, the controller offers maximum flexibility for individual workflows. Dimensions: 957 × 731 × 58/142 mm.

€22,549.00* €29,099.00*

22 %

Avid S4 Konsole - 16 Fader 4'

The 4' Base System is a compact, high-end DAW controller based on the Avid S6, designed for professional small audio and post-production studios. Using the EUCON protocol, it integrates seamlessly with a wide range of DAWs including Pro Tools, Media Composer, Adobe Audition, Logic Pro, Cubase/Nuendo, Pyramix, and more. It provides more precise and efficient control for recording, editing, and mixing, and supports simultaneous operation of two DAWs. The system includes a 4' frame, MTM, MAM, and two CSM modules, and offers extensive customization for individual workflows. Dimensions: 1259 × 731 × 58/142 mm – Weight: 55 kg.

€36,699.00* €46,799.00*

22 %

Avid S4 Konsole - 16 Fader 5'

The 5' base system is a compact yet sophisticated DAW controller built on the Avid S6 platform, designed for professional audio and post-production studios. Using the EUCON protocol, it integrates seamlessly with a wide range of DAWs—from Pro Tools and Media Composer to Logic Pro, Pyramix, and Cubase/Nuendo—providing highly efficient and precise control for recording, editing, and mixing. It supports simultaneous operation of two DAWs, offers extensive workflow customization, and includes a modular setup with MTM, MAM, and two CSM modules. Dimensions: 1551 × 731 × 58/142 mm.

€38,749.00* €49,749.00*

21 %

Avid S4 Konsole - 24 Fader 5'

The 5' base system is a compact, high-end DAW controller based on the Avid S6, designed for professional small audio and post-production studios. Using the EUCON protocol, it integrates seamlessly with major DAWs including Pro Tools, Media Composer, Logic Pro, Cubase/Nuendo, Pyramix, and others. It delivers more efficient and precise recording, editing, and mixing, and supports simultaneous control of two DAWs. The system offers flexible workflow customization and includes a 5' frame, MTM and MAM modules, and three CSM channel strip modules. Dimensions: 1551 × 731 × 58/142 mm.

€52,449.00* €65,989.00*

Avalon

3 %

Avalon VT-737SP

PREAMPLIFIER: The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR: The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL: The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for 'tone enhancement'. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier. "This is the very best channel strip in the world! I love the warmth it's adding to my DAW." - Kenny H., KY "The Vt-737sp is ungodly, awesome, DA BOMB!" - Ian C., PA "My Avalon Vt-737sp is AMAZING. My friend recommended it to me. I was playing some Spanish guitar on one of his records one day, and he said here's what the Avalon sounds like. I bought mine that week." - Scott V., Email

€4,169.00* €4,298.00*

Sonarworks

29 %

Sonarworks SoundID Reference for Headphones and Apollo Monitor Correction Add-on bundle (download only)

Enhance your monitoring with SoundID Reference integrated directly into Universal Audio’s Apollo X Gen 1 and Gen 2 interfaces. This bundle combines SoundID Reference for Headphones and the Apollo Monitor Correction Add-on into a single license key. SoundID Reference for Headphones is a calibration software that delivers consistently accurate studio reference sound on your existing headphones. The software includes presets of more than 500 headphone calibration profiles. With an applied headphone calibration profile the software sets the frequency response target to be completely flat across all audible frequencies. The headphone frequency response target is designed to emulate neutral-sounding speakers. With calibrated headphones, you’ll hear a flat, consistent sound wherever you go. Apollo Monitor Correction allows you to run the headphone calibration directly on Apollo X hardware.

€99.00* €139.00*

38 %

Sonarworks SoundID Reference for Speakers & Headphones (Download)

A speaker and headphone calibration software delivering consistently accurate studio reference sound. In less than 20 minutes you can calibrate your existing studio speakers with a measurement microphone (buy from us or use yours) and calibrate your existing headphones with more than 280 headphone calibration profiles already included in the software as ready-to-use presets. With an applied calibration profile the software sets the frequency response target to be completely flat across all audible frequencies so you can trust that every mix will translate. You can also now make custom adjustments to the target curve in real time with the new custom target feature. With accurate studio reference sound you can seamlessly switch between speakers, headphones, and rooms. Finally, mix with confidence and make music that sounds great everywhere.

€149.00* €239.00*

38 %

Sonarworks SoundID Reference for Speakers & Headphones with Microphone (Retail box)

A speaker and headphone calibration software delivering consistently accurate studio reference sound. In less than 20 minutes you can calibrate your existing studio speakers with a SoundID Reference measurement microphone and calibrate your existing headphones with more than 280 headphone calibration profiles already included in the software as ready-to-use presets. With an applied calibration profile the software sets the frequency response target to be completely flat across all audible frequencies so you can make music that sounds great everywhere. You can also now make custom adjustments to the target curve in real time with the new custom target feature. With accurate studio reference sound you can seamlessly switch between speakers, headphones, and rooms. Finally, ensure continuity of your workflow regardless of distance, your gear or set-up.

€179.00* €289.00*

29 %

Sonarworks SoundID Reference for Speakers & Headphones and Apollo Monitor Correction Add-on bundle (download only)

Key features of Apollo Monitor Correction Add-on → Speaker and headphone calibration running directly on Apollo X hardware. → Multiple outputs calibrated simultaneously: one speaker profile, and up to two headphone profiles (depending on the Apollo X model used) → Calibrated bass management for stereo speaker setups with subwoofer → Supported target modes include: Flat, Dolby Atmos Music curve, user Custom Target, and various device emulation targets via Translation Check. → Near-zero latency integrated performance.

€199.00* €279.00*

30 %

Sonarworks SoundID Reference for Multichannel (Download)

SoundID Reference for Multichannel delivers accurate and reliable reference sound for speaker setups from simple stereo up to 9.1.6 atmos systems. It also works for headphones, so you can also calibrate any of the 480+ headphone models from our growing headphone profile database to achieve consistent reference sound between your headphones and speakers.

€349.00* €499.00*

24 %

Sonarworks SoundID Reference for Multichannel with Microphone (Retail box)

€379.00* €499.00*

WES Audio

10 %

WesAudio Phoebe

Features: 100% analog microphone/line preamp with +28dBu of headroom. Class A fully analog – inspired by famous British design based on dual amp topology. Microphone gain up to 75dB. Carnhill Transformers (input and output). Output signal metering on the front panel with clip detection. Phantom power and phase invert control. Switchable impedance input (1200/300Ohm). All controls/analog settings are fully manageable via the WesAudio GCon DAW plug-in. 15dB OUTPUT PAD – passive output attenuation circuit with 1 dB step. (after the output transformer). Front panel XLR/TS socket which supports – HiZ instrument input (TS), line input (XLR), microphone input (XLR). Recallab

€779.00* €869.00*

10 %

WesAudio Mimas

Feartures: world class compressor sound GCon – innovative High-speed USB/Ethernet protocol fully digitally controlled analog circuit Saturation Mode – special mode of operation which allows to saturate signal using gain staging between IN and OUT transformers fully balanced in/out by Carnhill transformers USB computer connection VST2/VST3/AAX/AAX DSP/AU (MAC/PC) control plugin dedicated stereo plugin to manage two devices integrated hardware A/B function digital sidechain from DAW to compressor 4 touch sensitive encoders (allow to record automation of all parameters to DAW in real time) true bypass selectable VU(in/out)/GR meter +24dBu of headroom

€899.00* €999.00*

4 %

WesAudio CALYPSO

_CALYPSO is an audio interface designed to work in 500 series enclosure. It features state of art 8 channels of AD/DA conversion and perfectly integrates with ng500 chassis - _TITAN, through I.A.C. connector. Besides its very convenient integration with ng500 chassis, it still can be used in standard 500 series enclosure using two DB25 connectors. Features summary: 24bit conversion Supported sample rates: 44.1kHz, 48kHz, 88.2kHz(SMUX), 96kHz(SMUX) Ultra low jitter clock Word clock IN/OUT Full integration with _TITAN via IAC connector (Just ADAT cables are need to route signal to, and from chassis) Two DB25 connectors allows integration with any 500 series chassis Two converter reference levels +4dBu/-10dBV LCD screen with channels metering Specification: Inputs: Impedance - 10K THD+N - 105dBFS Maximum level - +24dBu Freq. response - 20Hz-20kHzm +/- 0.1dB Connector type - DB25/IAC Outputs: Impedance 100ohm THD+N - 103 dBFS Maximum level - +24dBu Freq. response - 20Hz-20kHzm +/- 0.1dB Connector type - DB25/IAC

€909.00* €949.00*

13 %

WesAudio Titan

_TITAN is 500 series compatible rack frame which implements ng500 connector and GCon protocol. _TITAN is complete recall system designed to provide total integration with your beloved analogue equipment. It implements special connector which is part of new open standard “ng500” – “Next Generation 500 series” where modules can be designed to communicate with outside environment to support digital recall or any other vendor specific functionalities. “ng500” connector is compatible with most of standard 500 series modules* and allows total integration with GCon compatible modules. _TITAN supports USB connection, which can be used to directly connect workstation to your modules, and Ethernet connection where modules can be accessed through LAN network (currently only one subnet is supported). Documentation along with dedicated software framework (including high level API and firmware drivers) will be part of GCon open specification and each vendor can acquire it for free. Features: GCon compatible frame which allows to commnicate with modules through single connection. USB connection to manage up to 10 modules. Ethernet connection (UDP based) to manage up to 10 modules (LAN single subnet). GConManager application which allows to manage stereo links. Internal audio signals are routed into special connector (I.A.C. “Internal Audio Connector”) accessible on 10th slot, which allows integration with “Summing Modules” or “Audio interfaces”. Stereo links are integrated with modules, and pressing “Link” button on modules which supports GCon protocol (e.g. _Mimas) sets stereo link on the _Titan. Open Specification – documentation and software framework including communication drivers for any Vendor that would like to adopt to this standard. 10 slots with ng500 series connector. Remote firmware upgrade – _Titan & all modules inside can be upgraded remotely through USB or Ethernet connection. XLR sockets in/out for each slot. Internal stereo link switches which can be also managed through GConManager standalone application. Linear power supply capable to deliver 5A of power. Power mode switch – 115V/230V

€959.00* €1,099.00*

12 %

WesAudio Dione

It implements famous bus compressor design made with best components available on the market. Unit is fully compatible with GCon protocol which allows complete parameters management over USB or through open specification 500 series frame – _TITAN. Besides its vintage and transparent nature, unit itself implements many modern features which brings extreme flexibility to shape your sound – like parallel compression or configurable harmonic distortion. Features: famous bus compressor design with usage of best analogue components, compatible with GCon – innovative High-speed USB/Ethernet protocol, digitally controlled and isolated analog circuit direct USB connection to control analogue device with usage of VST2/VST3/AAX plugins. hardware A/B settings switch, digital sidechain – side chain signal can be sent from the plugin itself (DAW) to the compressor, 3 touch sensitive encoders allow record automation of particular parameters (Threshold, Mix, Make Up) in DAW, true bypass accurate analogue GR meter and its precise simulation implemented in the plug-in itself, THD – harmonic distortion with two modes (Medium & High), Mix knob which allows parallel compression, free software and firmware upgrades, +24dBu of headroom

€1,059.00* €1,199.00*

11 %

WesAudio HYPERION

_HYPERION is fully analog parametric EQ with +24dBu of headroom. It features a lot of innovative improvements that no other processor on the market provides. Its innovative design utilizes 15 VCAs per channel to provide essentially noiseless parameter changes and very musical nature. _HYPERION is next product in NG500 line where total recall is implemented through front panel USB socket or _TITAN chassis. Features: +24dBu of headroom Stereo / Dual mono / Mid/Side operation mode 4-Band EQ with switchable gain range for 5db or 15dB boost or cut per band: High band – 2kHz to 25kHz (bell or shelf) High-Mid band – 600Hz to 8Khz with full Q control Low-Mid band – 200Hz to 2.5Khz with full Q control Low band – 30 Hz to 350Hz (bell or shelf) HPF with 12dB/Oct or 6 dB/Oct slopes Each band features its own Bypass switch Essentially Noiseless parameter changes Proprietary THD implementation Flexible DAW/Live plug-in control for instant recall 12 touch sensitive encoders allows to record automation True bypass In and OUT metering with clip detection A/B compare feature

€1,209.00* €1,359.00*

14 %

WesAudio Pandora

Fully analog, stereo multi-band compressor with digital recall. For years, multiband compressors have been revered for their ability to finely control dynamic ranges across different frequencies, shaping the balance and punch of countless iconic productions. _Pandora takes this to the next level, delivering an unparalleled analog compression experience seamlessly integrated with modern digital recall and automation. With its precise multiband control and intuitive digital interface, _Pandora is poised to become a cornerstone in studios worldwide, offering the perfect fusion of analog warmth and contemporary convenience. Experience the future of compression – the classic depth of analog sound with the flexibility and power of digital technology in _Pandora.

€1,209.00* €1,399.00*

13 %

WesAudio ng76

Main Features Summary: 100% analog FET mono compressor with 24dBu of headroom. Classic lightning speed compression style based on WesAudio Beta76 design. Full Total Recall and plugin control compatible with most DAWs. Classic controls known from FET style compressor - INPUT / OUTPUT / ATTACK / RELEASE. Additional MIX knob for parallel compression. Carnhill Transformers (input and output). Saturation mode - Special mode where static compression is triggered to produce sonicsbased on FET circuit, and One knob which sets INPUT and OUTPUT in an opposite way. Itallows to use the unit as a saturation box / clipper. Four ratio settings 4:1 / 8:1 / 12:1 / 20:1 - all possible combinations including ALL button mode! Modern and Vintage modes to support two 1176 revisions (F & G): Vintage - transformer balanced input, Modern - Electronically balanced input. Sophisticated side chain circuit EQ with two independent sections: HPF 60 Hz / 90 Hz / 150 Hz - to maintain low end information while compressing, High Shelf of 2kHz / 5kHz, 10kHz - to tame high frequencies by emphasizing high/high mid-range content. Vintage gain reduction meter. Very precise INPUT and OUTPUT metering. Hardware A/B buttons to compare two independent settings. THD - total harmonic distortion with LOW and HIGH settings based on the FET circuit. Fully digitally controlled and isolated analog circuit. ANALOG AUTOMATION in DAW. Ethernet and USB connectivity for integration with digital plug-in. Size: 2U.

€1,309.00* €1,499.00*

9 %

WesAudio ngLEVELER

Features: 16 channels of analog automation with total recall +24dBu of headroom 6dB passive attenuator (PAD) for better integration with high level signals Very low noise and distortion - THD+N < 0.01% MUTE and SOLO for each channel HUI controllers integration Proprietary THD implementation IN and OUT (before and after signal leveling) metering fully integrated with DAW plug-in Flexible DAW/Live plug-in control for instant recall DB-25 analog connectivity Management via Ethernet or USB

€1,819.00* €1,999.00*

15 %

WesAudio ngBusComp

Features: 100% analog device with +24dBu of headroom powered by QUAD VCA THAT 2181 Dual mono and stereo compression Mid-side mode Two selectable output stages normal(electronically balanced), IRON (transformer balanced) IRON PAD passive attenuator enabled in IRON mode allows to drive output transformer for musical saturation Flexible DAW/Live plug-in control for instant recall Controllable thorugh standalone WesAudio application Relative parameter linking for better unit management MIX KNOB FOR PARALLEL COMPRESSION Detailed metering for both channels Gain reduction, input and output THD Proprietary THD with precise variable control Side chain filters 3 high pass filters at 60,90 and 150 Hz, and 2 tilt filters which are special “curve” designed filters External side chain for each channel via TRS back connector FIVE RATIO SETTINGS 1.5:1 and 2:1 for gentle mixbus processing, 4:1 and 10:1 for large variety of applications, and INF (crash) mode! Management via Ethernet or USB A/B/C compare feature TOTAL RECALL AND PLUGIN CONTROL compatible with most DAWs. ANALOG AUTOMATION in DAW. 4 Touch sensitive encoders per each channel allow to record automation in DAW Fully digitally controlled and isolated analog circuit, True bypass, Free software and firmware upgrades. Size: 3U

€2,839.00* €3,329.00*

9 %

WesAudio ngTubeEQ

For decades, tube equalizers have been cherished for their rich, musical sound, shaping the sonic character of countless classic recordings. Our ngTubeEQ elevates this legacy, offering a refined, analog experience seamlessly integrated into the modern digital workflow. With its lush tonal quality and intuitive digital control, the ngTubeEQ is set to become an indispensable tool in studios worldwide, continuing our tradition of blending vintage charm with contemporary functionality. Experience the best of both worlds – the soul of vintage sound and the ease of digital technology with ngTubeEQMAIN FEATURES SUMMARY:· Purely analog equalizer boasting an impressive 26dBu headroom.· Features four fully passive, inductor-based bands spanning a frequency range of 22Hz to 28kHz, with 12 selectable frequency points per band for precise adjustments.· Equipped with active low-pass and high-pass variable filters, offering complete bypass capability for flexible sound shaping.· Offers flexible control via DAW/Live plug-in for quick and effortless recall settings, enhancing workflow efficiency.· Dual output design, featuring both a Tube and Carnhill transformer with an IRON PAD, alongside an electronically balanced option, for varied sonic textures.· Includes adjustable Total Harmonic Distortion (THD) control for tailored sound dynamics, allowing for subtle to pro nounced harmonic coloring.· Choice of Proportional Q or Constant Q for versatile equalization shaping, both modes featuring variable Q control for more detailed frequency response adjustments.· The equalizer's operational range can be set to either moderate (-5dB to 5dB) or extended (-15dB to 15dB) levels, accommodating a wide range of sonic applications.

€5,349.00* €5,849.00*

Sessiondesk

10 %

Sessiondesk GUSTAV 2.0 90s Black

It sometimes doesn't take much to get the job done. The new Sessiondesk Basic Series brings back the beauty of basic and reduced aesthetics to your studio. With using only high-class lining wood in extraordinary scandinavian quality, our Basic Series desks complete your production environment, so you can totally concentrate on your work. The lining wood used is carefully selected. Its flawless surface is highly durable and contrasts beautifully with the visible wooden elements of the edges and drilling holes. Every upper segment provides cable ducts for your convenient cabling. Besides is an adequate ventilation of your outboard gear guaranteed. The self-explaining architecture of the Sessiondesk Basic Series desks makes them easy and fast to build up Gustav is the classic recording desk. Its angled side parts provide a perfect access to all installed outboard gear, while your view and sound remain almost unhindered. The table top in the back can be easily adjusted to 3 different levels, to bring your screen intoperfectly ergonomic position. It provides 18 units of rack space. You can place your speakers directly on the upper shelves. Features: Solid construction made out of scandinavian Betoplan Angled sides for an ergonomic workflow Table top in the back can be adjusted in 3 different heights Integrated shelves for near field speakers Optimized for surround 18U rack space Intelligent cable management Quick and easy build up Straightforward design for a clean working space

€1,619.00* €1,799.00*

10 %

Sessiondesk QUINTAV 2.0 90s Black

It sometimes doesn't take much to get the job done. The new Sessiondesk Basic Series brings back the beauty of basic and reduced aesthetics to your studio. With using only high-class lining wood in extraordinary scandinavian quality, our Basic Series desks complete your production environment, so you can totally concentrate on your work.The lining wood used is carefully selected. Its flawless surface is highly durable and contrasts beautifully with the visible wooden elements of the edges and drilling holes. Every upper segment provides cable ducts for your convenient cabling. Besides is an adequate ventilation of your outboard gear guaranteed. The self-explaining architecture of the Sessiondesk Basic Series desks makes them easy and fast to build up Quintav is the most compact desk from the Basic Series , but provides 18U of rack space. An optional keyboard drawer is available, making Quintav the optimal solution for homerecording and songwriting. Features: Solid construction made out of scandinavian Betoplan Optional keyboard drawer Integrated shelves for near field speakers 18U rack space Intelligent cable management Compact desk size Quick and easy build up Straightforward design for a clean working space

€1,079.00* €1,199.00*

10 %

Sessiondesk OKTAV 2.0 90s Black

It sometimes doesn't take much to get the job done. The new Sessiondesk Basic Series brings back the beauty of basic and reduced aesthetics to your studio. With using only high-class lining wood in extraordinary scandinavian quality, our Basic Series desks complete your production environment, so you can totally concentrate on your work.The lining wood used is carefully selected. Its flawless surface is highly durable and contrasts beautifully with the visible wooden elements of the edges and drilling holes. Every upper segment provides cable ducts for your convenient cabling. Besides is an adequate ventilation of your outboard gear guaranteed. The self-explaining architecture of the Sessiondesk Basic Series desks makes them easy and fast to build up Oktav is the big straight version and provides 18U of rack space. An optional keyboard drawer is available. The table top in the back can be easily adjusted to 3 different levels. It provides 18 units of rack space and you can place your speakers directly on the upper shelves. Features: Solid construction made out of scandinavian Betoplan Middle table top in the back can be adjusted in 3 different heights Optional keyboard drawer Integrated shelves for near field speakers 18U rack space Intelligent cable management Quick and easy build up Straightforward design for a clean working space

€1,439.00* €1,599.00*

Beesneez Pro Audio

20 %

Beesneez Pro Audio BC12

BeesNeez C12 – Unsere Hommage an einen zeitlosen Klassiker: Wenn es um legendäre Mikrofone geht, steht das C12 immer ganz vorne. Ursprünglich in den frühen 1950er-Jahren von AKG in Österreich entwickelt, erlangte es schnell den Ruf für einen weichen, luftigen Klang, der unzählige Aufnahmen geprägt hat. Das BeesNeez C12 Mikrofon führt dieses Erbe fort und bietet heutigen Studios eine erschwingliche, aber kompromisslose Option. Gefertigt in der schönen Küstenstadt Ballina, NSW Australien, ist es mit der BeesNeez CK12-Kapsel und unserem eigenen Schwenksteckverbinder ausgestattet – eine originalgetreue Nachbildung des ikonischen Originals. Schaltungsdesign: Im Herzen des BeesNeez C12 befindet sich unser E-Core Single-Spool-Transformator. Dieses Design bietet mehrere Vorteile: geringe Leckströme für saubere Signalübertragung, kompakte Baugröße ohne Leistungseinbußen und eine geringere Anfälligkeit für Magnetisierung des Kerns – ein Problem, das bei minderwertigen, phantomgespeisten Mikrofonen häufig die Leistung beeinträchtigt. Die Kapsel ist unsere sorgfältig gefertigte BeesNeez CK12 – eine echte Reproduktion der ursprünglichen AKG CK12. Diese mehrkammerige Kapsel gehört zu den komplexesten, die je gebaut wurden, und erfordert höchste Präzision. Jede Kapsel wird vollständig hergestellt, von Hand geläppt und mit einer Membran versehen – ausschließlich von Ben Sneesby persönlich – um kompromisslose Genauigkeit von Anfang bis Ende zu gewährleisten. Die Röhre ist eine NOS-Militär-12AV7, die für ihre Fähigkeit gewählt wurde, den authentischen C12-Klang mit seidigen Höhen und einem natürlichen, realistischen Mittenbereich wiederzugeben. Klangeigenschaften: Das BeesNeez C12 ist klanglich ein echter Klon des Originals und liefert denselben luftigen, geschmeidigen und zeitlosen Sound. Es gilt weithin als eines der bestklingenden Mikrofone aller Zeiten. Viele Originale sind auch heute noch täglich im Einsatz – ein Beweis für ihre Qualität – und das BeesNeez C12 fängt genau diese Magie ein. Verarbeitungsqualität: Jedes Detail des BeesNeez C12 spiegelt unser Engagement für Langlebigkeit und Zuverlässigkeit wider. Das Mikrofon verfügt über einen proprietären Schwenksteckverbinder mit einer goldgepinnten Bakelit-Buchse. Im Gegensatz zu gepressten Pins garantieren unsere gedrehten Pins eine lebenslange, störungsfreie Verbindung.

€1,503.00* €1,879.00*

20 %

Beesneez Pro Audio Isobel

Die BeesNeez Isobel orientiert sich an den legendären Mikrofonen Neumann U87 und AKG C414. Keines dieser Klassiker war übermäßig hell oder hart, sondern bot einen ausgewogenen Klangcharakter. Die vollständig in Australien gefertigte Isobel ist mit der BeesNeez K6 [K67] Kapsel ausgestattet, liefert ein niedriges Eigenrauschen und eine schnelle Transientenwiedergabe – ideal für vielseitige Studioanwendungen.

€351.00* €439.00*

20 %

Beesneez Pro Audio BC12 Cardioid

BeesNeez C12 (Cardioid): Wenn wir an legendäre Mikrofone denken, fällt uns sofort das C12 ein. Ursprünglich in den frühen 1950er-Jahren von AKG in Österreich entwickelt, überzeugte es den Markt schnell mit seinem weichen, luftigen Klang. Das BeesNeez C12 (Cardioid) setzt diese Tradition fort und ist Teil unseres Engagements, der Musikindustrie erschwingliche und hochwertige Aufnahmemikrofone bereitzustellen. Gefertigt in der schönen Küstenstadt Ballina, NSW Australien, verfügt es über die BeesNeez CK12-Kapsel und ist damit eine originalgetreue Nachbildung des ikonischen Originals. Schaltungsdesign: Das BeesNeez C12 (Cardioid) ist mit unserem E-Core Single-Spool-Transformator ausgestattet. Dieses Design bietet wesentliche Vorteile: geringe Leckströme für saubere Signale, kompakte Baugröße und eine geringere Anfälligkeit für Magnetisierung des Kerns. Viele phantomgespeiste Mikrofone mit schlecht gewählten Transformatoren leiden im Laufe der Zeit unter Magnetisierung, wodurch die Permeabilität der Lamination verringert und die Funktionalität des Transformators drastisch eingeschränkt wird. Unser Design verhindert dieses Problem vollständig. Die Kapsel ist unsere sorgfältig gefertigte BeesNeez CK12 – eine echte Reproduktion der ursprünglichen AKG CK12. Diese mehrkammerige Kapsel gehört zu den komplexesten, die je gebaut wurden, und erfordert höchste Präzision. Jede Kapsel wird vollständig hergestellt, von Hand geläppt und mit einer Membran versehen – ausschließlich von Ben Sneesby persönlich – um absolute Genauigkeit von Anfang bis Ende zu gewährleisten. Diese CK12-Kapsel kann als direkter Ersatz in einem originalen AKG C12, für DIY-Mikrofonbauten oder in der professionellen Mikrofonfertigung eingesetzt werden. Dank der hochpräzisen Maschinen von BeesNeez ist die klangliche Wiedergabe der CK12-Kapsel perfekt, mit unvergleichlich niedrigen Rauschwerten und höchster Performance. Die Röhre ist eine NOS-Militär-12AV7, die den authentischen C12-Klang mit seidigen Höhen und einem natürlichen, realistischen Mittenbereich liefert – ideal für die klassischen Sounds vergangener Zeiten. Klangeigenschaften: Klanglich ist das BeesNeez C12 (Cardioid) ein treuer Klon des Originals. Sein Klang ist zeitlos – luftig, geschmeidig und musikalisch. Obwohl viele versucht haben, seine Eleganz nachzubilden, bleibt das C12 der klare Gewinner für alle, die einen der edelsten Mikrofonklänge aller Zeiten suchen. Viele Branchenprofis betrachten es noch immer als eines der besten Mikrofone, die je gebaut wurden, und zahlreiche Originale sind bis heute im täglichen Einsatz. Verarbeitungsqualität: Das BeesNeez C12 (Cardioid) ist mit unserem proprietären Schwenksteckverbinder ausgestattet, der eine goldgepinntes Bakelit-Buchse enthält. Im Gegensatz zu gepressten Pins garantieren unsere gedrehten Pins eine lebenslange, stabile und störungsfreie Verbindung ohne Qualitätsverlust.

€1,599.00* €1,999.00*

20 %

Beesneez Pro Audio Oliver

Das BeesNeez Oliver mit der BeesNeez K7 [K47] Kapsel ist für realistische Klangaufnahmen ohne künstliche Betonung konzipiert. Es erfasst subtile Nuancen, die von vielen modernen Mikrofonen übersehen werden. Die K7-Kapsel verwendet Cochlear Linearity™, um die Frequenzwahrnehmung des menschlichen Ohrs zu imitieren, und ihre hohe Empfindlichkeit sorgt dafür, dass Aufnahmen kaum Nachbearbeitung benötigen. Aufgenommene Quellen fügen sich natürlich in jeden Mix ein, ideal für Ingenieure und Musiker, die Klarheit und Kohärenz suchen. Schaltungsdesign Das Oliver verwendet unseren eigenen E-Core Single-Spool Transformator mit geringer Leckage und kompakter Baugröße, der resistent gegen Magnetisierung ist. Viele phantomgespeiste Mikrofone mit ungeeigneten Transformatoren verlieren im Laufe der Zeit ihre Funktionalität; unser Design verhindert dies. Die Kapsel ist die BeesNeez K7, ein perfektes Replikat der klassischen K47 Einplattenkapsel von Georg Neumann & Co. Das komplexe Design mit Blind- und Durchgangslöchern steuert die Richtcharakteristiken präzise. Die Membran besteht aus 6-Mikron-DuPont-Mylar, die von Hand gerahmt, beschichtet, abgestimmt und auf von uns gefertigten Rückplatten montiert wird. Die Röhre ist eine JAN 5784WB Raytheon, die den authentischen Röhrenklang liefert. Klangcharakteristik Das BeesNeez Oliver ist ein Multi-Pattern-Röhrenmikrofon mit warmem, reichhaltigem Klang, sanften Höhen, betonten Mitten und linearem Bass. Klanglich erinnert es an Klassiker wie das Neumann U47 und Gefell UM57 und fügt sich nahtlos in einen Mix ein, wodurch die Nachbearbeitung minimiert wird. Verarbeitungsqualität Das Gehäuse des Oliver besteht aus einem Stück kaltgeformtem Messing der Güteklasse 380, das hervorragende Abschirmung bietet. Nach der Bearbeitung wird es lokal pulverbeschichtet. Die Basis besteht ebenfalls aus 380er Messing, präzise geschnitten und in unserem 8-Achsen-CNC-Drehzentrum geformt. Der Korb ist in das Gehäuse integriert und verfügt über präzise geschnittene Fenster. Lieferumfang: Oliver Kondensatormikrofon Elastische Aufhängung (Shock Mount) BeesNeez Studio Series Netzteil 7-Pin Mikrofonkabel (6m)

€575.00* €719.00*

20 %

Beesneez Pro Audio BC12A

Das BeesNeez BC12A (FET) Das originale AKG C12 ist eines der bekanntesten und am leichtesten erkennbaren Mikrofone, die je gebaut wurden. Die in diesem Mikrofon verwendete Messing-CK12-Kapsel wird für ihre wunderschönen Höhen und den natürlichen Frequenzgang geschätzt. Diese Kapseln gehören zu den aufwendigsten in der Herstellung, und AKG hat ihre Produktion bereits vor über 30 Jahren eingestellt. Wir bei BeesNeez sind mittlerweile der größte Hersteller von CK12-Kapseln weltweit. Unsere moderne Werkstatt, ausgestattet mit hochentwickelten Maschinen, ermöglicht es uns, diese legendäre Kapsel mit unübertroffener Präzision nachzubilden. Diese Kapsel ist das Herzstück sowohl der Röhren- als auch der FET/Cardioid-Versionen des BC12A. Das BC12A FET-Mikrofon fängt den ikonischen C12-Sound in einem unkomplizierten und praktischen Design ein. Sein kompaktes Format erleichtert die Platzierung in unterschiedlichsten Umgebungen. Dank der Phantomspeisung ist es besonders benutzerfreundlich und liefert dennoch den unverwechselbaren, wunderschönen Klang, für den das C12 so berühmt geworden ist. Lieferumfang: BeesNeez BC12A FET Mikrofon BeesNeez Shock Mount Schützendes schwarzes Case

€551.00* €689.00*

20 %

Beesneez Pro Audio Oliver FET Condensor

Die heutige Musikindustrie dreht sich nicht nur um millionenschwere Studios und teures Equipment. Viele BeesNeez-Kunden wünschten sich ein unkompliziertes, erschwingliches Mikrofon ohne rauen oder spitzen Klang. Die BeesNeez K7 [K47] Kapsel liefert einen U47-ähnlichen FET-Frequenzgang in einem kompakten, transformatorlosen Design. Jetzt können Sie ein vollständig in Australien hergestelltes Mikrofon zu einem erschwinglichen Preis besitzen. Kein anderes Mikrofon auf dem Markt bietet vergleichbare Leistung oder Herkunft. Schaltungsdesign Die Kapsel im Oliver Fet ist die BeesNeez K7, ein perfektes Replikat der K47. Diese Einplattenkapsel, berühmt geworden durch Georg Neumann & Co., enthält sowohl Blind- als auch Durchgangslöcher, deren Abstand die Richtcharakteristik steuert – mathematisch komplex aufgrund der Einplatten-Konstruktion. Die 6-Mikron-DuPont-Mylar-Membran wird von Hand gerahmt, beschichtet, abgestimmt und auf unsere handgefertigten Rückplatten montiert. Klangcharakteristik Klanglich erinnert das Oliver Fet an klassische Röhrenmikrofone der 1950er Jahre wie das U47. Das transformatorlose FET-Design erzeugt einen schnellen, klaren Klang, bewahrt aber gleichzeitig den Charakter des Originals. Elektrisch und akustisch übertrifft es viele moderne Mikrofone in der Verarbeitungsqualität. Das Ergebnis ist ein phantomgespeistes, elektronisch ausgewogenes FET-Mikrofon, optimiert für die neue Niederspannungs-Bias-Version der BeesNeez K7 Kapsel. Verarbeitungsqualität Das Gehäuse des Oliver Fet besteht aus einem Stück kaltgeformtem Messing der Güteklasse 380, das aufgrund seines hohen Kupferanteils hervorragende Abschirmung bietet. Nach der Bearbeitung wird das Gehäuse lokal pulverbeschichtet. Die Basis besteht ebenfalls aus massivem 380er Messing, präzise geschnitten und in unserem 8-Achsen-CNC-Drehzentrum geformt. Der Korb ist in das Gehäuse integriert und verfügt über präzise ausgeschnittene Fenster. Lieferumfang: Oliver Fet Kondensatormikrofon Elastische Aufhängung (Shock Mount)

€319.00* €399.00*

20 %

Beesneez Pro Audio BN251

Das BN251 ist das mechanische Teil-für-Teil-Zwilling des „originalen“ Telefunken (von AKG gefertigten) ELA M251 Mikrofons. Das originale Telefunken ELA M251 wurde in den 1950er Jahren von dem österreichischen Mikrofonhersteller AKG entwickelt und erlangte in den 1960er Jahren große Bekanntheit. Es entstand durch die Zusammenarbeit von AKG, die für die Fertigung verantwortlich waren, und Telefunken, die Branding und Marketing übernahmen. Dieses originale ELA M251 hat keinerlei direkte Verbindung zu der aktuell in den USA produzierten Version gleichen Namens. Dieses amerikanische ELA M251 ist selbst nur ein Namensvetter und eine Nachbildung des Originals. In den letzten 20 Jahren hat das ELA M251 ein großes Comeback unter Toningenieuren und Produzenten erlebt. Es ist bekannt für seinen glatten, runden und dennoch luftigen Klang. Unzählige Hits wurden über die Jahrzehnte mit diesem legendären Mikrofon aufgenommen. Mit unserer Nachbildung des ELA M251 lässt das BN251 keine Wünsche offen. Wir haben einen echten 1:1-Klon aller äußeren und inneren mechanischen Teile gebaut – bis hin zum Stecker. Sogar das Netzteil wurde so gestaltet, dass es dem Aussehen und der Funktionalität des Originals entspricht. Sowohl optisch als auch klanglich ist dieses Mikrofon die perfekte Ergänzung für jedes Studio oder jeden Künstler, der den ikonischen 251-Sound sucht.

€3,199.00* €3,999.00*

20 %

Beesneez Pro Audio Arabella

Das BeesNeez Arabella Kondensatormikrofon ist ein handgefertigtes Meisterstück, das ein Vintage-inspiriertes Design mit kompromissloser moderner Präzision verbindet. Im Zentrum befindet sich ein maßgefertigter 6,5:1 Toroid-Transformator, handgefertigt in Australien aus Ni78-Permalloy und reinem Kupferdraht. In einem schützenden 0,2 mm Kunststoffgehäuse untergebracht, liefert dieser Transformator eine außergewöhnlich glatte, lineare Wiedergabe ohne Frequenzringing sowie höchste Isolation bei minimalem Leckstrom. Ergänzt wird er durch die BeesNeez K7-Kapsel – eine detailgetreue Reproduktion der legendären K47-Einplatten-Kapsel von Georg Neumann. Jede Kapsel wird vollständig im Haus gefertigt und verfügt über eine 6-Mikron-DuPont-Mylar-Membran, die von Hand gerahmt, bedampft, abgestimmt und montiert wird. Das Ergebnis ist ein Mikrofon mit bemerkenswertem Charakter, Wärme und Präzision – perfekt für professionelle Studios und anspruchsvolle Toningenieure.

€1,535.00* €1,919.00*

20 %

Beesneez Pro Audio Tribute 1

Das Neumann* U47 ist eines der meistgeschätzten Mikrofone aller Zeiten und produzierte möglicherweise mehr Nummer-1-Hits als jedes andere Mikrofon. Trotz über sechzig Jahren ist es nach wie vor das bevorzugte Kondensatormikrofon für viele hochwertige, groß angelegte Studios. Mit dem Tribute 1 wollten wir die klangliche Qualität des U47 erreichen und gleichzeitig mehr Features, eine robustere Bauweise und geringeres Rauschen bieten. Schaltungsdesign Das Tribute 1 verwendet den BeesNeez BV-08 Transformator, gefertigt nach den originalen Spezifikationen des Neumann BV-08. Die UI30/25 Laminatgröße wurde speziell für Audioanwendungen entwickelt. Das von uns verwendete Audio-Laminatmaterial wurde speziell angefertigt, um Konsistenz und Qualität zu gewährleisten. Wicklungen und Laminierungen sind versiegelt, um akustische Resonanzen zu verhindern. Die Kapsel ist die BeesNeez M7, handgefertigt in unserer australischen Fabrik aus dem Originalmaterial, das Neumann vor über 65 Jahren nutzte. Die M7-Kapsel, bekannt aus Mikrofonen wie Neumann M49, U47 und Gefell CMV563, überzeugt durch realistische Quelltreue, mathematische Präzision und verführerische Obertöne. Die Röhre ist eine EF12, Ersatztypen sind verfügbar. Klangcharakteristik Die Magie des U47 lag darin, Quellnuancen mühelos einzufangen. Das Tribute 1 bringt das Beste jeder Quelle zur Geltung und repliziert den klassischen Klang. „Das T1 kann im Grunde Ihr Studio betreiben, während Sie am Strand entspannen. Im Ernst, die Präsenz eines dieser Mikrofone verbessert Ihr Studio, und wenn Sie sich das T1 leisten, wird das Aufnehmen viel einfacher und macht mehr Spaß.“ – Greg Walker, Audio Technology Magazine Verarbeitungsqualität BeesNeez kontrolliert alle Produktionsschritte, einschließlich Kopfkörbe, Gehäuse, Basen, Kapseln, Membranen und Transformatoren. Das Gehäuse wird aus lebensmittelechtem Messing gefertigt, das hervorragende Bearbeitbarkeit und Haltbarkeit bietet, und lokal pulverbeschichtet. Der Kopfkorb wird aus Bronze gegossen, spiegelpoliert und medizinisch vernickelt. Die Basis besteht aus massivem 380er Messing, präzise geschnitten und in unserem 8-Achsen-CNC-Drehzentrum gefertigt. Der proprietäre Schwenkhalter verfügt über einen goldbestückten Bakelit-Sockel mit gedrehten Pins für lebenslange Zuverlässigkeit. Lieferumfang: Tribute 1 Kondensatormikrofon Schwenkhalter und Anschlusskabel BeesNeez Tribute Series Netzteil Holzkiste

€3,519.00* €4,399.00*

20 %

Beesneez Pro Audio BU47

The Neumann* U47 is one of the most revered microphones of all time, credited with more number-one hits than perhaps any other microphone in history. Even after more than sixty years, it remains the go-to condenser microphone for many world-class studios. With the BU47 Classic Series, BeesNeez delivers a true tribute to this legendary microphone, offering unmatched craftsmanship and sonic quality. Unlike many clones, the BU47 stands apart thanks to its handmade components, ensuring exceptional authenticity and performance. Each BU47 Classic microphone is built to the highest standard and features: Paper-in-oil capacitors Handmade BeesNeez BV-08t Transformer Your choice of BeesNeez M7 or K7 capsule BeesNeez Shock Mount with integrated pop filter Available Options: Option 1: BU47M – $5500 AUD Equipped with the BeesNeez M7 capsule and Cardioid/Omni patterns only. The M7 capsule is renowned for its mellow and sweet tone, with strong lower mids and a beautifully balanced frequency response without any harshness. Option 2: BU47K – $5500 AUD Equipped with the BeesNeez K7 (K47) capsule and Cardioid/Omni patterns only. The K7 capsule shares many of the sonic traits of the M7 but offers a more pronounced low-mid and bottom-end response, giving recordings extra warmth and depth. Option 3: BU47M7RP (Remote Pattern) – $6500 AUD Equipped with the BeesNeez M7 capsule. When set to Cardioid at the Head Grille, it functions as the original. When set to Omni at the Head Grille, it unlocks 9 additional remotely controllable polar patterns adjustable via the power supply unit. Option 4: BU47K7RP (Remote Pattern) – $6500 AUD Equipped with the BeesNeez K7 (K47) capsule. When set to Cardioid at the Head Grille, it functions as the original. When set to Omni at the Head Grille, it unlocks 9 additional remotely controllable polar patterns adjustable via the power supply unit.

€3,119.00* €3,899.00*

20 %

Beesneez Pro Audio B67-269 V2

Das BeesNeez B67-269 V2 Großmembran-Röhren-Kondensatormikrofon ist eine raffinierte Hommage an die legendären Modelle U67 und M269, die erstmals in den 1960er Jahren auf den Markt kamen. Diese zweite Auflage verfügt über einen Old/New-Voicing-Schalter, der die klangliche Vielseitigkeit erweitert. Mit vier unterschiedlichen Klangfarben, neun Richtcharakteristiken und viel Liebe zum Detail bei der Konstruktion von Kapsel, Röhre, Transformator und Schaltung liefert das B67-269 V2 eine unübertroffene klangliche Authentizität. Von weichen Vintage-Klängen bis hin zu moderner Luftigkeit und Präsenz ist es eines der vielseitigsten Mikrofone in jedem Studio. Unsere Kapsel: Verwendet die hauseigene BeesNeez K6-Kapsel, eine originalgetreue Nachbildung der Neumann K67-Kapsel aus dem Original U67. Die Kapsel prägt über 80 % des Klangs des Mikrofons. Röhre: Verwendet die EF86-Röhre, die speziell für den Audioeinsatz entwickelt wurde. Sie ist bekannt für ihr geringes Rauschen und ihren weichen Klang. BeesNeez wählt nach jahrelanger Forschung sorgfältig hochwertige Röhren aus. Transformator: Verfügt über einen Ringkerntransformator wie das erfolgreiche B87i C-Mikrofon. Er enthält eine spezielle dritte Wicklung (die von anderen Klonherstellern oft weggelassen wird), die für die Wiedergabe des authentischen U67-Klangs entscheidend ist. LIEFERUMFANG: BeesNeez B67-269 Mikrofon, BeesNeez Producer Series Shock Mount, BeesNeez Producer Series Netzteil

€1,279.00* €1,599.00*

20 %

Beesneez Pro Audio Tribute 2

Das Telefunken* ELA M251 gilt als eines der besten Mikrofone aller Zeiten. Ursprünglich von AKG* für Telefunken hergestellt, teilt das ELA M251 viele Eigenschaften mit dem AKG C12, jedoch erlauben subtile Unterschiede, dass es seinen eigenen Charakter entwickelt. Kleine elektrische Unterschiede führen zu großen klanglichen Unterschieden, und obwohl 251 und C12 ähnlich sind, klingen sie sehr unterschiedlich. BeesNeez entwickelte das Tribute 2, um der Nachfrage der Kunden nach einem Mikrofon mit dem Klang des 251 gerecht zu werden. Schaltungsdesign Das Tribute 2 verfügt über die BeesNeez CK12-Kapsel, eine mehrkammerige Kapsel und eine der kompliziertesten verfügbaren. Jede CK12-Kapsel wird vollständig hergestellt, von Hand geschliffen und von Ben Sneesby persönlich mit Membran versehen, um unvergleichliche Genauigkeit zu gewährleisten. Diese Kapsel kann direkt in ein AKG C12 eingesetzt, für DIY-Projekte verwendet oder von professionellen Herstellern genutzt werden. Die verwendeten Komponenten sind in Bezug auf Rauschen und Leistung unübertroffen und liefern perfekte klangliche Wiedergabe. Der Transformator ist ein 13:1 Band gewickelter Mumetall-Toroid-Transformator. Dieses Design reduziert die Windungszahl, erhöht die Drahtstärke und senkt den Gleichstromwiderstand, während die Impedanz korrekt umgewandelt wird. Sorgfältig gewickelte Kupfertoroide gewährleisten eine glatte Antwort ohne Frequenzschwingungen oder Nichtlinearitäten. Die Röhre ist eine 6S6B-V Russische Militärröhre, ausgewählt wegen ihres geringen Rauschens und klanglicher Ähnlichkeit zum Telefunken AC701k. Klangcharakteristik Das Tribute 2 fängt den glatten, offenen und präsenten Klang des originalen ELA M251 ein. Es liefert dieselbe berühmte Geschmeidigkeit, die in unzähligen Aufnahmen über die Jahrzehnte zu hören ist. Verarbeitungsqualität Ein funktionierendes ELA M251 kann über 30.000 USD kosten. Das Tribute 2 wurde als „Tribut“ entwickelt, um die klanglichen Eigenschaften des ELA M251 zu einem Bruchteil des Preises nachzubilden, mit moderner Mechanik für lange Haltbarkeit. Das Gehäuse besteht aus einem Stück kaltgeformtem 380er Messing und bietet hervorragende Abschirmung. Der Kopfkorb ist aus Bronze gegossen, spiegelpoliert und medizinisch vernickelt. Die Basis besteht aus massivem 380er Messing, präzise gefertigt auf einem 8-Achsen-Drehzentrum. Der Schwenkhalter verfügt über einen goldbestückten Bakelit-Sockel mit gedrehten Pins für lebenslange Zuverlässigkeit. Lieferumfang: Tribute 2 Kondensatormikrofon Schwenkhalter und Anschlusskabel BeesNeez Tribute Series Netzteil Holzkiste

€2,367.00* €2,959.00*

20 %

Beesneez Pro Audio Elly FET

Während der Entwicklungsphase des Elly wurden drei entscheidende Faktoren berücksichtigt: Portabilität, Eigenrauschen und die Kontrolle von Sibilanz. Das Ergebnis ist ein phantomgespeistes, transformator-symmetriertes FET-Mikrofon, das speziell für die Zusammenarbeit mit unserer BeesNeez K7 Kapsel optimiert wurde. Sowohl die Studio Series Elly als auch die Producer Series Elly verfügen über identische Schaltungen. Der Unterschied liegt im Gehäuse: Die Studio Series Elly besitzt ein einteiliges massives Messinggehäuse mit integriertem Korb, wodurch Kosten eingespart werden, die wir direkt an Sie weitergeben. Schaltungsdesign Der Elly verwendet unseren eigenen E-Core Single-Spool Transformator. Dieses Design bietet geringe Leckage und eine kompakte Baugröße. Unsere Tests haben gezeigt, dass E-Core Transformatoren wie dieser eine deutlich geringere Anfälligkeit für Magnetisierung des Kerns aufweisen. Wenn ein Transformator magnetisiert wird, verringert sich die Permeabilität der Laminationen, was die Leistung stark beeinträchtigt. Viele phantomgespeiste Mikrofone, die nicht mit sorgfältig ausgewählten Transformatoren gebaut wurden, verlieren im Laufe der Jahre durch Magnetisierung deutlich an Funktionalität. Die Kapsel im Elly Fet ist die BeesNeez K7 Kardioid-Kapsel. Sie bietet eine nahezu lineare Wiedergabe bis in die oberen Mitten, mit einer leichten Anhebung von 2–3 dB oberhalb von 2000 Hz und einem sanften Abfall ab 17.000 Hz. Unsere 6-Mikron DuPont-Mylar-Folie wird von Hand gerahmt, beschichtet, abgestimmt und auf die von uns gefertigten Rückplatten montiert – für maximale Präzision. Klangcharakteristik Das BeesNeez Elly Fet ist ein Großmembran-FET-Kondensatormikrofon mit einem warmen, satten und abgerundeten Klang. Es ist vielseitig einsetzbar, jedoch besonders für Gesangsaufnahmen optimiert, da es über eine feste Kardioid-Charakteristik verfügt. Wie auch in unseren BeesNeez Arabella und Tribute 1 Mikrofonen liefert die K7 Kapsel eine nahezu lineare Wiedergabe bis in die oberen Mitten, mit einer sanften Anhebung der Höhen, bevor diese oberhalb von 17.000 Hz abfallen. Verarbeitungsqualität Das Gehäuse des Elly besteht aus einem einzigen Stück kaltgeformtem Messingrohr der Güteklasse 380. Dank des hohen Kupferanteils bietet dieses Material eine hervorragende Abschirmung und Signalreinheit. Nach der Bearbeitung wird das Gehäuse lokal pulverbeschichtet. Die Basis besteht ebenfalls aus Messing der Güteklasse 380 und wird in unserem eigenen 8-Achsen-CNC-Drehzentrum gefertigt. Der Mikrofonkorb ist in das Gehäuse integriert, indem präzise Fenster in das Rohr geschnitten werden. Sowohl elektrisch als auch akustisch ist das Elly Fet einem Großteil der heute hergestellten Mikrofone überlegen. Lieferumfang: BeesNeez Elly Fet Kondensatormikrofon Elastische Aufhängung (Shock Mount)

€415.00* €519.00*

20 %

Beesneez Pro Audio B87i

BeesNeez B87i – Unsere Hommage an die legendäre U87i: Die U87i gilt als die begehrteste und höchstbewertete Version der U87. Mit dem B87i war es unsere aufrichtige Mission, diesem Originalklassiker gerecht zu werden und seinen zeitlosen Charakter originalgetreu nachzubilden. Schaltungsdesign: Bei BeesNeez sind wir das einzige Mikrofonunternehmen, das Kapsel, Schaltung und Transformator für ein von der U87i inspiriertes Mikrofon komplett im eigenen Haus herstellt. Andere Hersteller sind auf zugekaufte Teile angewiesen, was ihre Kontrolle über den Klang einschränkt. Für uns war das nie akzeptabel – wir sind überzeugt, dass die wichtigsten Komponenten eines großartigen Mikrofons von Hand gefertigt und perfekt aufeinander abgestimmt sein müssen. Die BeesNeez B87i-Kapsel ist exakt auf unsere Schaltung und den Transformator abgestimmt. Wir verwenden einen streifen-gewickelten Mu-Toroid-Transformator, der durch seine hohe Permeabilität tiefe Frequenzen mühelos wiedergibt und seidige, luftige Höhen ermöglicht, die niemals scharf klingen. Das originale U87 verwendete einen UI-Mu-Kern-Transformator mit einem Übersetzungsverhältnis von 9,5:1. Im Gegensatz dazu nutzen die meisten heutigen Klone 13:1- oder 14:1-Transformatoren, die den Ausgangspegel verringern und die Höhen überbetonen. Unser Design bleibt der klanglichen Balance des ursprünglichen U87i treu. Klangeigenschaften: Was machte die frühe U87i so beliebt? Es war ihr musikalischer Klang – wärmer, voller und weniger steril als bei der modernen U87ai. Genau diese Qualität unterschied sie und machte sie zur Legende. Mit dem B87i haben wir unermüdlich daran gearbeitet, diese Musikalität einzufangen und den Klang authentisch im Geiste des Originals zu bewahren. Verarbeitungsqualität: Um die Integrität des Signalwegs zu erhalten, haben wir das B87i als reines Nierenmikrofon entwickelt und die Schaltung so kurz und sauber wie möglich gehalten. Zudem konnten wir einen Vorrat originaler NOS (End-of-Life) 2N3819-FETs sichern, die uns helfen, den authentischen Klangcharakter der U87i-Ära einzufangen.

€591.00* €739.00*

20 %

Beesneez Pro Audio Elly LD Fet

Das BeesNeez Elly ist ein einzigartiges Großmembran-FET-Kondensatormikrofon mit warmem, sattem und abgerundetem Klang, optimiert für Gesang dank der festen Kardioid-Charakteristik. Ein besonderes Highlight ist die BeesNeez K7 Kardioid-Kapsel, die eine nahezu lineare Wiedergabe der oberen Mitten mit einer sanften Anhebung von 2–3 dB oberhalb von 2000Hz bietet, bevor sie bei 17.000 Hz abfällt. Die einfache, hochwertige FET-Schaltung ermöglicht es der Kapsel und dem Transformator, den Klang natürlich zu formen und gleichzeitig Rauschen und Bauteilanzahl niedrig zu halten. Schaltungsdesign Das Elly verwendet unseren eigenen E-Core Single-Spool Transformator, der geringe Leckage, kompakte Abmessungen und eine geringe Anfälligkeit für Magnetisierung bietet. Dies gewährleistet eine zuverlässige Leistung auch bei Phantomspeisung. Klangcharakteristik Klanglich erinnert das Elly an klassische Röhrenmikrofone der 1950er Jahre wie das Neumann U47, bietet jedoch die Geschwindigkeit und Präzision einer FET-Schaltung. Das Ergebnis ist ein glatter und schneller Klang, vielseitig einsetzbar, besonders für Gesang. Verarbeitungsqualität Das Gehäuse des Elly besteht aus einem Stück kaltgeformtem Messing der Güteklasse 380, das hervorragende Abschirmung und Signalreinigung bietet. Der Korb wird aus Bronze geschnitten, spiegelpoliert und medizinisch vernickelt. Die Basis besteht ebenfalls aus 380er Messing, präzise geschnitten und in unserem 8-Achsen-Drehzentrum geformt. Lieferumfang: Elly Großmembran-FET-Mikrofon Elastische Aufhängung (Shock Mount) Holzkiste

€959.00* €1,199.00*

Shadow Hills Industries

5 %

Shadow Hills Industries PSU

PSU for Equinox, Quad Gama, Mastering Compressor, or Optograph.

€1,605.00* €1,690.00*

5 %

Shadow Hills Industries Dual Vandergraph

The Shadow Hills Dual Vandergraph is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control.This stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills' custom Iron Transformers.The controls are: Ratio, Filter, Compression and Output Level.Just like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1.In addition to changing ratios, each selection changes preset attack and recover times.The Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass. Input impedance 20k Minimum load impedance 600 ohms Stereo Fully Class-A Discrete audio path Discrete gain cells from Mastering Compressor Sidechain Filter Matrix from Optograph Swiss made discrete attenuators Military Spec build quality Meets the specifications of the VPR Alliance Without PSU

€3,514.00* €3,699.00*

5 %

Shadow Hills Industries Equinox

The Shadow Hills Equinox is a complete recording console. First, the control room section features a twenty-four-position discrete monitor volume control and a three-position speaker selector. The four position input selector chooses from: DAW 1+2, Channels 3 - 32 summed, 2-track or external input, and Mic Pre. The summing buss is a 30-channel mixer utilizing copper buss bars and esoteric resistors, for simply the finest sounding passive monitor section ever made. Combined through our switchable custom output transformers, Nickel, Iron, and Steel. Effectively giving you the sound of three different consoles. The Mic Pres are the same as our stellar Gama. There is a built in talkback microphone, a dim and a mono stereo switch, and VU-meters. The Equinox may just be the most solid two rack spaces ever built. With it you can record, mix, and monitor to the tolerance of a bygone era. The front panel is engraved. The knobs are bake-lite, and the two-rack space external power supply will work in any country on any voltage. A dual channel version of the Golden Age Microphone Amp, and Thirty-two channel summing mixer in a 2u package. The microphone preamp features three selectable output transformers, to create a broad pallet of sonic characteristics. 24 position Stepped input switches included. 60DB gain, phase, 48v, 1/4' DI. The mode switch selects between microphone preamp and sixteen or thirty-two channel summing mixer. The summing mixer uses hand matched esoteric holco resistors, The same type used in our mastering consoles and attenuators. The mixer output also uses the selectable output transformers, thus allowing three different sounding mix buss options. The control volume section includes: Control room volume, 3 speaker selector, 2x two track inputs. You toggle between your DAW stereo mix, the summing mixer's stereo output, or just the 2x mic pre outputs. Dim, mute and talk back. Rear panel connections: sum buss inputs via DB25, in stereo pairs. Odd/left, even/right. All other connections via XLR. Without PSU

€7,970.00* €8,390.00*

5 %

Shadow Hills Industries Mastering Compressor

The Shadow Hills Mastering Compressor has extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing. The input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network. The first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively. PSU not included

€12,255.00* €12,900.00*

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Shadow Hills Industries MonoGAMA Mic Pre

The Mono is the single channel API 500 series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchyness and depth, across the full frequency range, without becoming veiled or choked, the way non-discrete varieties can. The preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. All the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. Quality is unmatched. Engraved front panels, custom made knobs, and engraved serial number plates, set the build apart. Superb sound quality and characterSwitchable output transformersPhase reversible and padable DIEngraved front panels150ma current draw per module Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

€1,519.00* €1,599.00*