What does the MKII version bring? Analog Four MKII is the new benchmark for analog tabletop synthesizers. Tweaked circuitry delivering deeper bass than ever, new powerful sound control possibilities, dedicated outputs for each voice. Not to mention the ultra durable buttons, the big OLED screen and the premium design. No stone has been left unturned. This is Analog Four MKII. An analog synthesizer with unmatched sound and flexibility. Analog Four MKII features several upgrades compared to the MKI version: Reworked analog circuitry delivering very deep and defined bass Enhanced analog overdrive for more bite and growl Crisp, large OLED screen providing optimal feedback in dimly lit environments Ultra durable back-lit buttons. Rated for 50 million presses Precise, hi-res encoders Quick performance controls Increased amount of dedicated buttons enabling quicker workflow Stereo audio outputs for each voice Expression/CV inputs for external control of Analog Four MKII parameters Overbridge with higher bandwidth Premium cast aluminium enclosure 4 voice analog tabletop synthesizer Analog bliss Organic, warm, chaotic, exact, and everything in between. Moulding your own unique analog sounds is simple. Program them with precision, or feel free to design as you go. The sonic range is so vast entire tracks can be created from scratch. From sounds to songs Four synth tracks and an intuitive step sequencer enable you to easily create and layer melodies. Then play back your composition and immediately reshape it. Change notes, alter sounds, add effects. Something beautifully unique will emerge every single time. Modular control Not only a splendid synthesizer, the Analog Four MKII can also make other gear sing. Thanks to the CV/Gate and DIN sync outputs, external analog gear can be controlled in great detail. Make any modular or vintage synthesizer rig come truly alive.

Eight voice polyphonic digital synthesizer A new deal Digitone represents our vision of how FM synthesis can be revitalized and modernized. Here’s how: combine FM sound generation with a classic subtractive synthesis signal flow. From jagged chaos to mellow soundscapes in less than a second. Digitone is one unique box. Ultra digital Choose from multiple FM algorithms featuring carefully selected parameters. Shape the tones with powerful filters. Arrange them with the intuitive Elektron sequencer. Round off with the stellar effects. Now enjoy the most spectacular sounds, seemingly emanating from some parallel universe. Features: Synth voice features 8 voice polyphony (multitimbral) Multiple FM algorithms 1 × multimode filter per voice 1 × base-width filter per voice 1 × overdrive per voice 2 × assignable LFO per voice Sequencer 4 synth tracks 4 MIDI tracks 1 arpeggiator per track Polyphonic sequencing Individual track lengths Parameter locks Micro timing Trig conditions Sound per step change Send & master effects Panoramic Chorus send effect Saturator Delay send effect Supervoid Reverb send effect Overdrive master effect Hardware 128 × 64 pixel OLED screen 2 × 1/4” impedance balanced audio out jacks 2 × 1/4” audio in jacks 1 × 1/4” stereo headphone jack 48 kHz, 24-bit D/A and A/D converters Hi-Speed USB 2.0 port MIDI In/Out/Thru with DIN Sync out Physical specification Sturdy steel casing Dimensions: W 215 × D 176 × H 63 mm (8.5” × 6.9” × 2.5”) (including knobs and feet) Weight: approximately 1.49 kg (3.3 lbs) 100 × 100 mm VESA mounting holes. Use M4 screws with a max length of 7 mm. Miscellaneous Overbridge enabled Included in the box Power Supply PSU-3b Elektron USB cable

Die B4000+ packt die legendäre Hammond B3 Orgel in eine ultra kompakte Box. Niemand würde eine Gitarre ohne Hals bauen, ohne geht es einfach nicht. Darum haben wir die B4000+ entwickelt, mit neun Zugriegeln: zum Anfassen, zum Schrauben, aber am wichtigsten: zum Spielen! Basierend auf einem der besten und leistungsfähigsten digitalen Signalprozessoren auf dem Markt, dem Sharc DSP von Analog Devices, wurde der Klang und die Wärme der B3 bis ins letzte Detail liebevoll nachgebildet – mit allen elektrischen und mechanischen Unzulänglichkeiten, die das Instrument zur Legende gemacht haben. Eben eine echte Orgel mit voluminösem Bass-Bauch, definierten Mitten und dem nötigen “Scream” in den Höhen: Der authentische Sound einer lebendigen elektromechanischen B3. Die B4000+ simuliert alle 91 Tonewheels, wenn gewünscht, auch mit Übersprechen, und mechanischem Verschleiß. Alles natürlich voll-polyphon, mit Scanner-Vibrato, Röhrenverstärker und Hall, und – selbstverständlich – dem legendären Leslie. Alles perfekt simuliert und abgestimmt. Nur das Gewicht des Originals haben wir etwas reduziert. Zwei Keyboards können direkt mit den MIDI Ports der B4000+ verbunden werden, ohne einen MIDI Merger zu benötigen, um sowohl das obere als auch das untere Manual spielen zu können. Natürlich kann auch ein Pedal Manual hinzugefügt werden – damit sind alle drei Manuale mit voller Polyphonie komplett. Für externe Lautstärkekontrolle kann auch ein Pedal angeschlossen werden, und auch ein Schalter für Sustain oder Rotorgeschwindigkeit. Auch mit nur einem angeschlossenen Keyboard können zwei Manuale mit der Split Funktion gespielt werden. Per USB kann die B4000+ mit dem Sequencer des PC verbunden werden. Ein externes analoges Signal, angeschlossen an der B4000+, kann an einem beliebigen Punkt der Effektkette eingespeist werden. Die B4000+ ist das perfekte und kostengünstige Instrument für den legendären Orgelsound – im Taschenformat.

Die 19"-Rack-Version des Mellotron M4000D bietet sämtliche Features der Keyboard-Variante. Klangerzeugung und technische Ausstattung sind identisch. Auch hier lassen sich ausnamslos alle Funktionen direkt auf dem Bedienfeld erreichen. Zusätzlich verfügt das Mellotron M4000D Rack über einen Regler für die Kopfhörer-Lautstärke auf dem Front-Panel.Wird ein entsprechend ausgestattetes MIDI-Keyboard verwendet, lässt sich auch beim Mellotron M4000D polyphoner Aftertouch nutzen.Abmessungen: 19"-Standard-Rack-Format, 2 HE Einbauhöhe

DFAM is the first addition to the Mother ecosystem of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and sonic chaos can be created or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment.Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.

How deep does the rabbit hole go? Meet Labyrinth, an idea machine that aims to answer that very question. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies. With parallel analog signal paths, this unique instrument shines when adding color to the steady backdrop of a drum pattern or bassline. Fully capable of standing on its own, or adding flavor to your existing rack, Labyrinth is the lightning in a bottle that drives your compositions into undiscovered creative caverns. Dual generative sequencers create intertwining melodies that mutate over time. It’s a fountain of inspiration that uncovers patterns you can capture, return to, and evolve.A fresh approach to the signature sound of classic Moog synthesizers with a smooth West Coast-style voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analog synthetic drums.State variable resonant voltage-controlled filters that morph between lowpass and bandpass responses let you experiment with smooth command over complex tonal shapes.A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.A comprehensive patch bay for integration with a wide variety of other modules in your rack and studio. ANALOG SYNTHESIS ENGINESOURCES: VCO, MOD VCO, RING MOD, NOISE GeneratorSIGNAL PROCESSORS: 1x Voltage-Controlled Wavefolder, 1xVoltage-Controlled State-Variable Filter, 2x Voltage-Controlled AmplifiersMODULATORS: 2x Decay-only envelope generatorsDUAL GENERATIVE SEQUENCER2x 8-step Generative Digital Sequencers PATCH BAYJACKS: 32 x 3.5mmINPUTS: 20 Input JacksOUTPUTS: 12 Output JacksREAR PANELAUDIO: 1⁄4” TRS Headphone or 1⁄4” TS InstrumentPOWER: Power Supply connectionSECURITY: Kensington Lock slotPOWER SUPPLY (INCLUDED)STYLE: Wall adapter; barrel connection; center-pin positiveINPUT: 100 – 240VAC; 50 Hz – 60 HzOUTPUT: +12VDC; 1200mAPOWER CONSUMPTIONTYPICAL: 4.0 WEURORACK SPECSCURRENT DRAW: 290 mA (maximum) from +12VDC (10-pin header)MOUNTING DIMS: 60HP (18mm Module Depth)IN THE BOXLabyrinth Semi-Modular Parallel Generative Analog SynthesizerPower SupplyPatch Sheet OverlaysPatch Cables (5x 12")Registration CardQuickstart GuideCheat CodesSafety & Warranty Manual

Minitaur is a powerful, compact Analog Bass Synthesizer that features a classic one knob per function design. It is the first instrument in the Taurus family that does not have foot pedals. At only 8.5" x 5.25" and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today's performance and production environments. There are no confusing or convoluted menus to dig through. Plug in a MIDI controller or hook it up to your computer and start playing immediately.Don't be fooled by it's size. Minitaur delivers all the growl, snarl and low end associated with the Taurus family of Bass Synthesizers in a rugged performance package that is small enough to take with you anywhere.• One knob per function interface for tweaking and creating new sounds on the fly. It also makes live performance a blast.• Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with Sawtooth waves, or create new sounds with square waves or a combination of both.• 2 Mixer VCAs for VCO levels control of Oscillators 1 and 2.• Moog Ladder Filter with adjustable resonance delivers classic Taurus 1 and 3 bass and boom.•Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On/Off switch.• Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount• DIN MIDI and MIDI over USB offer complete control of the Minitaur's sound engine.• Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers.• External audio input for processing external audio through the Mixer and Filter section of Minitaur.• Headphone output with 1/8" connection.• Compact rugged steel chassis that is built like a tank.Front Panel Controls:•VCO2 Frequency – Sets the frequency offset of VCO2 from VCO1 from -1 Octave to +1 Octave. Center is unison with VCO1.•Oscillator 1 & 2 Saw/Square Waveform Selector – Selects a Sawtooth wave (LED OFF) or Square wave (LED ON) Signal for VCO1 and 2.  •VCO1 Level – Sets the level of VCO1•VCO2 Level – Sets the level of VCO2•VCF Cutoff – Sets the Cutoff Frequency of the 4-pole Moog Lowpass VCF from 20Hz to 20KHz •VCF Resonance – This sets the gain for the amount of signal from the output of the VCF fed back to the input of the VCF. This creates a peak in Frequency response at the Cutoff Frequency that can be increased all the way to self-oscillation.•VCF EG Amount – Bi-polar control sets the (+) or (-) Amount of Envelope Generator modulation of the VCF. Center is no Envelope Generator modulation.•LFO Rate – Sets the frequency of the LFO. Range is from 0.01Hz to 100Hz•LFO VCO Amount – Sets the Amount that the LFO modulates the VCO•LFO VCF Amount – Sets the Amount that the LFO modulates VCF•VCA EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds.•VCA EG Decay/Release – Sets both the decay time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.•VCA EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA.•VCF EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds.•VCF EG Decay/Release – Sets both the decay Time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.•VCF EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF.•Release On/Off Switch – Enables (LED On_ or Disables (LED Off) the Release segments of both Envelope Generators.•Glide On/Off Switch – Enables/ Disables the Glide function•Glide – Sets the rate of Glide when the note controlling the MINITAUR changes.•Volume – The Master Volume of the MINITAUR’s synth Engine.•Fine Tune – Adjusts the frequency of the VCOs +/- 1 semitone.•MIDI Indicator LED – Indicates incoming MIDI activity•LFO Rate Indicator LED – Indicates the rate of the LFO.Back Panel:•Audio Out – 1/4" Unbalanced jack.•Headphones -- Jack for stereo headphone output.•Audio In – 1/4" Unbalanced jack accepts  line-level input.Analog CV Inputs:•Pitch CV – 1/4" TRS Jack accepts 0 to +5V signal (internally processed for 1 V/Octave) via passive Expression Pedals or CVs.•Filter CV – 1/4" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.•Volume CV – 1/4" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.•Gate – 1/4" Jack accepts a 0 (Off)/ +5V(On) Gate signal to trigger the unit’s EGs.MIDI:•MIDI (DIN) – Standard DIN MIDI input for MIDI Control of the MINITAUR•MIDI (USB) – Type B USB connector for connecting MINITAUR to host for USB MIDI.

The Moog Mother-32 is the first tabletop semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.Mother-32 comes secured in a rugged extruded aluminum enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patchbay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources. Semi-Modular design requires no patching for swift, inspired music creation Voltage Controlled 32 Step Sequencer with 64 Sequence Locations Low Pass & High Pass Moog Ladder Filter (20Hz–20kHz) with voltage controlled resonance External audio input for processing outside sound sources Definitive Moog oscillator with Pulse and Sawtooth wave outputs 5-pin MIDI input and MIDI to CV converter 32 Modular Patch Points (Includes 5 patch cables) 2 Voltage controlled mixers Superb companion to Werkstatt 01, Minitaur and other synthesizers Main module can be easily transferred into a Eurorack skiff or case Mount 2 or 3 units vertically with optional 2 and 3 Tier kits Complete solution for new Eurorack users – no other items required

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.Analog Sound EngineSound Source: VCO, White Noise GeneratorFilter: 10x variable resonance voltage-controlled filters: 1 Low-Pass Filter, 8 Bandpass Filters, 1 High-pass FiltersEnvelope: VCA EG (Decay) Analysis Engine SourcesSources: Ext. Input via 1/4" / XLR combo jack or 3.5mm jack with preamplifier. XLR input supports dynamic mics. Condenser mics may require external 48V power. PatchbayJacks: 36 x 3.5mmInputs: 19 Input JacksOutputs: 17 Output Jacks Rear PanelAudio: 1⁄4” TRS Headphone or 1⁄4” TS InstrumentPower: Power supply connectionSecurity: Kensington lock slot Power Supply (Included)Power Supply: Style: wall adapter; barrel connection; center-pin positiveInput: 100 - 240VAC; 50 Hz - 60 Hz Output: +12VDC; 2.0A Power ConsumptionTypical: 4.8 Watts Eurorack SpecsCurrent Draw: 450mA (maximum) from +12VDC (10-pin header)Mounting Dims: 60HP (1.5” Module Depth) IN THE BOXSpectravox Analog SynthesizerPower SupplyQuickstart GuideProduct PosterPreset OverlaysPatch Cables (5x 12")

Subharmonicon is a semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create.Specifications:Sound Engine: AnalogSources: VCO 1, SUB 1, SUB 2 / VCO 2, SUB 1, SUB 2Filter: Self-Oscillating Ladder Filter, Low-Pass, 4-Pole (-24dB/Octave)Envelopes: VCA EG (Attack Decay); VCF EF (Attack, Decay)Sequencers: Analog (x2)Steps: 4 Steps per Sequencer, selectable QuantizationClock: Driven by any and all of the Rhythm GeneratorsFull Spec sheet available at: https://www.moogmusic.com/products/subharmonicon

The Werkstatt-Ø1: Moogfest 2014 Kit is a patchable and compact, one oscillator analog synthesizer. It was originally created as a kit, to be the foundation for exclusive “Engineering VIP” workshops at Moogfest 2014. Due to a number of requests, Moog is offering a no-soldering-required version of the Werkstatt-Ø1: Moogfest 2014 Kit in limited quantities, at select US dealers only. Assembly is extremely simple: Any user can quickly build an analog synthesizer based on classic Moog circuits, and if desired, study the analog circuits. Werkstatt was created to be an educational tool, but it is also a formidable, compact analog synthesizer from Moog. Werkstatt-Ø1 has two selectable modulation sources; a dual waveshape LFO with 0.2Hz-600Hz sweepable range, and a variable attack/decay envelope section with sustain on/off switch. Modulation sources are easily assigned via dedicated VCO and VCF modulation sections, each with a variable control for modulation amount. Also included in each Werkstatt-Ø1 is a breadboard-style patchable header, which significantly expands it's creative sonic abilities. This patchable header features a dedicated external audio input, and control voltage inputs for VCO linear FM, VCO exponential FM, VCF, VCA, and LFO. CV outputs are in pairs, and include dual outputs for Keyboard CV, EG, LFO, VCF, VCO, Gate, and Trigger.

Circuit Rhythm is a powerful and versatile standalone sampler and drum machine for the modern beatmaker. Record directly to the hardware, then slice sculpt, reverse, loop, resample, and play chromatically – all in the box. More than a simple groovebox, Circuit Rhythm provides a seamless workflow from sample to finished beat via its powerful, hands-on sequencer. It also comes packed with innovative effects to help invigorate your live performances, from lo-fi tape to stutter, beat-repeat, and more. Plus, with up to four hours of life in its rechargeable battery, Circuit Rhythm’s ready to capture your next idea wherever and whenever inspiration strikes next.

Product Hardware Specifications 42 Control knobs 8 35mm Sliders 1 Volume knob 2 Data encoders Rubberised knob caps with spun metal discs 30 Function buttons (not lit) 16 Function buttons (lit) 2 Animate buttons plus hold button 90 Indicator LEDs OLED display Kensington Security Slot Power switch Power supply connector USB socket for system / MIDI comms only (no bus-power) MIDI In / Out / Thru 2 1/4" jack socket for continuous or switched pedals 3.5mm jack socket for CV in 1/4" jack sockets for left and right outputs 1/4" jack socket for headphone output Metal chassis with American walnut wooden end cheeks Metal magnetic inset end pieces Synth Engine 8 voice polyphonic (voice modes available unison etc.) Mono-Timbral 5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2 Per voice 3 oscillators 1 noise generator 1 ring modulator 2 LFOs 1 Amp envelope and 2 mod envelopes 1 Filter Waveforms include: Sine, tri, sawtooth, square / pulse plus 17 wavetables of 5 waveforms per row Filter 1x State variable OTA filter per voice 12/24dB slope Low-pass / band-pass / high-pass Pre-filter overdrive Post-filter distortion Modulation 16 modulation slots per patch Each slot has 2 sources to 1 destination Mod sources (17) Direct (depth) Modulation wheel Aftertouch (polyphonic and channel AT) Expression pedal 1 Expression pedal 2 Keyboard velocity LFO1 positive LFO1 bi-polar LFO2 positive LFO2 bi-polar Amp envelope Mod envelope 1 Mod envelope 2 Animate 1 Animate 2 CV mod input bi-polar Mod destinations (37) Oscillator 1-3 frequency, v-sync level, shape amount and level Noise source level Ring modulator output level Overal synth output level Filter drive, distortion, cut-off frequency and resonance LFO 1 and 2 frequency Amp env / mod env 1 / mod env 2 attack, decay and release FM Osc 1 -> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1 Osc 3 -> filter cutoff frequency Noise -> filter cutoff frequency Effects Analogue distortion Chorus - 3 types Delay with 16 types of delay sync, LP and HP damping, slew and stereo Reverb - 3 types Misc Arpeggiator w/ key latch – 33 patterns Patch storage - up to 512 on hardware (ships with 256 factory patches) Glide All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping

Die perfekte Passform Der OB-X8 Synthesizer wurde von allen Seiten dafür gelobt, den klassischen Oberheim-Sound einer neuen Generation zugänglich zu machen. Und jetzt gibt es alle OB-X8 Presets, Synthese-Funktionen und Sound-Editing-Bedienelemente in einem kompakten Paket, das in jeden kreativen Raum passt.  Die neue OB-X8 Desktop-Version hat alles, was die Keyboard-Version hat, mit Ausnahme des 61-stimmigen Fatar-Keybeds und der Pitch- und Modulationshebel. Aber lassen Sie sich nicht davon abhalten, die ganze klangliche Kraft des Oberheim OB-X, OB-Xa und OB-8 zu erleben, und zwar in einem Format, das kompakt genug ist für Studios jeder Größe und praktisch genug, um es unterwegs zu nutzen! Think Small, Play Big Das OB-X8 Desktop-Modul verfügt über eine identische Sound-Engine wie die Keyboard-Version und bietet einen rein analogen Signalweg mit diskreten VCOs, VCAs und Filtern. Und dank des knob-per-function Prinzips haben Sie sofortigen Zugriff auf praktisch alle Parameter des Synthesizers, so dass Sie mit Leichtigkeit und Präzision Ihre eigenen einzigartigen Sounds kreieren können. Analog Pur! Der Audiosignalweg des OB-X8 ist komplett analog gestaltet und strotzt nur so vor Wärme und Druck. Es ist derselbe charakteristische Oberheim-Sound, der ikonische Tracks wie "1999" von Prince, "Jump" von Van Halen und "Tom Sawyer" von Rush so unvergesslich gemacht hat. Und jetzt können Sie Ihre eigene Musik mit diesem Sound bereichern. Völlig neue Sounds Die klassischen Werksklänge der OB-Serie, die Sie von unzähligen Aufnahmen kennen, sind alle da. Aber das ist erst der Anfang: Unser Netzwerk von Weltklasse-Sounddesignern hat speziell für den OB-X8 atemberaubende neue Sounds entwickelt. Und da der OB-X8 über klare und leicht verständliche Bedienelemente verfügt, ist das Erstellen eigener Sounds so einfach wie das Drehen an ein paar Reglern und das Speichern der gewünschten Sounds. Drei in Einem Der OB-X8 vereint die drei verschiedenen Voice-Architekturen des OB-X, OB-Xa und OB-8 in einem einzigen Instrument. Die einzelnen Filtertypen und andere einzigartige Eigenschaften jedes Modells wurden originalgetreu nachgebildet, so dass Sie den OB so authentisch wie möglich erleben können. Sie können sogar Elemente verschiedener Modelle mischen, um Sounds zu erzeugen, die mit den Originalen nie möglich waren. So leistungsfähig und vielseitig war noch nie ein Synthesizer aus der OB-Serie. Seite 2022 OB-Kenner wissen, dass die unzähligen "Page 2″-Funktionen die verborgene Kraft des originalen OB-8 freisetzen. Wir haben alle klassischen Page 2-Parameter übernommen und neue für den 2022 geschaffen, so dass Sie direkten Zugriff auf mehr als 40 nuancierte Bedienelemente haben, wie z.B. zusätzliche SEM-Filtermodi, Panning pro Stimme, LFO-Keyboard-Tracking, Mod-Delay-Zeit und Hüllkurveninversion, unabhängige Pulsbreitensteuerung und vieles mehr.    Spezifikationen Hardware  8-stimmige rein-analoge Polyphonie Zwei diskrete OB-X/SEM-Lineage VCOs pro Stimme liefern den klassischen, druckvollen Oberheim-Klang Diskrete VCFs der SEM-Linie liefern authentischen OB-X-Sound und Präsenz Echte Curtis-Filter verleihen dem OB-Xa/OB-8 einen kräftigen Charakter Sorgfältig modellierte Hüllkurvenantworten passen zu jedem OB-Modell: OB-X, Ob-Xa, und OB-8 Bi-timbrale Funktion ermöglicht zwei Presets gleichzeitig für Splits und Doubles Über 400 Werksprogramme, einschließlich aller Werkssounds für den OB-X, OB-SX, Ob-Xa und OB-8 Integriertes lüfter- und kühlkörperfreies Netzteil Verkleidung aus Walnussholz Hochauflösendes OLED-Display für Patch-Management und einfachen Zugriff auf erweiterte Funktionen Weitere Verbesserungen  Zusätzliche SEM-Filtermodi erweitern den klassischen OB-X-Filter um Hochpass-, Bandpass- und Notch-Funktionen Der Vintage-Regler ermöglicht eine variable Variabilität von Stimme zu Stimme, um das Verhalten von Vintage-Instrumenten zu emulieren Die Velocity-Reaktion verleiht der Lautstärke und dem Filter zusätzliche Ausdruckskraft Kanal-Aftertouch-Antwort fügt Performance-basierte Modulation in Echtzeit hinzu Erweitertes Unisono erlaubt variables Stacking von 1-8 Stimmen Programmierbares Panning pro Stimme ermöglicht breitere Stereopräsenz Variable Oszillator- und Rauschpegel Variable Dreieckswellen-Crossmodulation Über 600 benutzerprogrammierbare Preset-Speicherplätze Ein- und Ausgänge  L/R-Stereo und Mono-Ausgänge Eingänge für Lautstärke-, Sustain- und Filterpedal Arpeggiator Clock Input MIDI-Eingang, -Ausgang, -Thru USB Das OB-X8 Desktop-Modul wiegt 4,34 kg und misst LxBxH (55,88 cm x 21,59 cm x 10,16 cm).  

Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument Both the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.

A Modern Classic Reinvented The Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it’s exactly the same on the inside — Dave Smith’s reimagining of his now-classic Prophet ’08 poly synth. The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. You can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. 16-Voice Polyphony With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords via your MIDI controller, stack two 8-voice sounds for massive, complex textures, or split your controller into two completely separate 8-voice Prophet Rev2 instruments. An 8-voice version of the desktop module is also available, which, like the Prophet Rev2 keyboard, can later be expanded to 16-voices with the Expander Kit if desired. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you’re gigging or recording, it’s an analog powerhouse like no other.