Features Low noise Class A FET amplifier 28 dB amplification XLR input/output Custom nickel core transformer Frequency response 30hz-100 kHz Circuit is powered with 48V phantom power PhilosophyFetHead Transformer is a high quality inline microphone preamplifier. It provides a very warm andthick yet articulate sound for dynamic and ribbon microphones. FetHead Transformer’s desirablecharacter is a really great addition to (interface) preamps which sound rather neutral. Our tried andtrue FET technology combined with a custom wound nickel core transformer delivers 28dB oftransformer infused gain. OperationYour Fethead Transformer will latch straight onto any XLR equipped microphone, or anywhere else inthe signal path between microphone and preamp/mixer. The electronics are housed in a robust metalchassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use athome, in the studio or on tour. Recommended applicationOur FetHead Transformer is recommended in the following situations: For tracking vocals and making podcasts Adding transformer sound to your signal chain Recording direct into a DAW interface Mixers/preamps that negatively impact the sound at higher gain setting Adding warm and thick focus to the sound source Circuit topologyOur FetHead Transformer utilizes a low noise Class A FET amplifier with a nickel core outputtransformer. A low impedance output buffer provides output drive to long cables.

Germanium microphone preamp FetHead Germanium is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral. Germanium flavour Germanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the "Germanium" sound and at the same time achieve the same sonic quality we are known for. Protects the microphone Some ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected. Germanium microphone preamp For Ribbon and Dynamic microphones Great addition to neutral sounding preamps New old stock Germanium transistor 29dB amplification Shielded Enclosure Easy install - 2 clicks and done

Novel chaotic oscillator has 8 types: Double Pendulum, Vortex, Pulsar, Discharge, Turbine, Helix, Crescent, and Magma Wavefolders based on the Buchla 259 Complex Waveform Generator, Fractals, and a special Animated Equation Low Pass Gate based on the Buchla 292 adds controls for POLES and RESONANCE Modulate all controls with MIDI/MPE, two Looping Envelopes, two LFOs, Sample and Hold/Random, and a Step Sequencer Innovative modulation UI allows modulation over almost every control from the main page, allowing up to 957 modulation routings in a single pane Innovative EQ, Chorus, Delay, Reverb, and Limiter effects to turn the sounds into magic MPE support allows amazing control from expressive controllers All mod sources have multiple outputs generated at once, and they can modulate each other, just like a modular synth Animations! The Double Pendulum, Wavefolder, and Low Pass Gate modules each have animations to show how each module responds to your input, and to modulation Color Schemes! Don’t like the look of it, change it Resizable UI Over 600 Presets, including many renowned artists

Yamaha MY16ES64With a single Yamaha MY16-ES64 card you can add 16 channels of bidirectional EtherSound connectivity to a range of Yamaha professional audio devices that accept mini-YGDAI expansion cards. Simply add one, two or three MY16-EX expansion cards to the core MY16-ES64 card to increase the EtherSound channel capacity to 32, 48 or 64 channels. For more information, please visit this products webpage.   

The WA-84 is a precise reproduction of the industry standard small-diaphragm condenser mic. Unlike modern transformerless recreations, vintage units are prized for the rich & detailed tone that delivers smooth yet detailed high end. Like the original, the WA-84 delivers that signature SDC sound trusted by artists and engineers on legendary recordings by James Taylor, Fleetwood Mac, Paul Simon, Steve Gadd and many more.Like the original vintage units, the WA-84 delivers open clarity with powerful noise rejection. Unlike modern reissues that skip the transformer and “update” the circuit, the WA-84 captures creamy smooth top-end and the BEEFY mid to bottom-end that made the original the studio legend that it is. The class-A circuitry, premium transformer, and meticulous design allow the WA-84 to capture precise detail in performances with professional sound isolation. The slight 8 - 10 kHz dip / 11 - 20 kHz bump smooths out harsh highs without any lost brilliance.

Introducing the WA-8000 tube condenser microphone. The inspiration for our latest release is a highly sought-after and revered design of the early 1990s. The WA-8000 lives up to the sonic legacy that continues to foster die-hard fans to this day. Boasting a natural, open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet, let alone in this price range. Engineered true to spec, the WA-8000 meets all of the critical specifications of the original, giving you the true sound of modern R&B and Hip hop for an unprecedented value. Features New Old Stock 6AU6 tube: Rigorously tested, military-grade 6AU6 tube. Custom transformer from Lundahl Sweden: The highest grade transformers for the widest soundscape and most detail. All-brass K67-style capsule, wired straight to the tube: Custom machined out of solid brass. Optimized to capture subtle nuances External tube mount + heat sink: Lowers self-noise and draws heat away from internal components for optimal operating temperature. Boutique 7-pin GAC-7 tube cable from Gotham Switzerland: Vintage-correct construction methods, highly upgraded components, near-perfect signal transfer. Includes hard carrying case for all components: Safely transport your mic anywhere with the ultra-durable Warm Audio carrying case.

Desktop 12 x 18 Thunderbolt audio interface with four Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 12 x 18 Thunderbolt audio interface with four Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 10 x 6 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 10 x 6 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 10 x 6 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, DUO core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and moreMix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Hol Dir 11 UAD Plug-ins KOSTENLOS beim Kauf eines UA Mikrofons Beim Kauf eines beliebigen Mikrofons der Standard-, Sphere-, oder Bock-Series erhältst Du das neue UAD Essentials Edition Plug-in Bundle mit 11 UAD Plug-ins, darunter klassische Teletronix LA-2A Compression, Pultec EQs, Oxide Tape Recorder und weitere. Ein Wert von 325€, absolut kostenlos! Details und Einschränkungen: Das Angebot gilt nur für Kunden, die zwischen dem 1. Oktober und dem 30. Juni 2024 ein berechtigtes Standard Series, Sphere Modeling, oder Bock Mikrofon bei einem autorisierten UA Händler kaufen. Die Krönung klassischer Chorus-, Flanger-/Doubling- und Tube Tremolo-Effekte.   Mit Astra Modulation Machine sind Universal Audios Ingenieure in die Tiefen der analogen Modulationseffekte abgetaucht und haben die authentischsten Bucket-Brigade Chorus/Vibrato, Studio-Flanger/Doubler und röhrengetriebene Tremolo Effekte entwickelt, die jemals in einer Stompbox verbaut wurden.   Aufgebaut auf dem leistungsstarken UAFX Dual-Engine Processing für unübertroffenen analogen Realismus, liefert Astra süchtig machende Vintage Modulation Sounds, die über Jahrzehnte hinweg inspirieren werden.   Chorus Brigade Legendäre japanische Modulation Astra bietet Usern die vollständigste Schaltungsemulation der legendären grauen Bucket Brigade Chorus Stompbox. Mit einer perfekt emulierten Schaltung — einschließlich der Vorverstärkersektion für authentisch satte, gesättigte Sounds — können User ihre Sounds mit dem dicken, üppigen Chorus und dem wellenförmigen Vibrato eines berühmten Modulationseffekts der 70er Jahre verfeinern.   Flanger/Doubler Ein Rackmount-Studioklassiker Classic Rackmount Studio Flanger/Doubler ist berühmt für atemberaubende Whosh-Effekte, organisches Verdicken und eine Vielzahl wilder Sounds, die über typische Flanger-Boxen hinausgehen. Der Flanger/Dblr-Effekt von Astra ist die einzige durchgängige Schaltungsemulation dieses ultraseltenen Geräts, die alle seine ursprünglichen Qualitäten einfängt und Dir dichtes, komplexes Flanging/Doubling direkt zu Füßen legt.   Trem 65 Authentisches Tube Amp "Shake" Trem 65 ist eine originalgetreue Emulation des optischen, röhrengetriebenen Tremolos amerikanischer Verstärker der 60er Jahre. Von schimmernden Wellen bis zu abgehacktem Chaos hat UA jedes Detail eingefangen, inklusive den komplexen Interaktionen zwischen dem Fotowiderstand und der 12AT7-Treiberröhre. Darüber hinaus können User ihre eigenen Trem-Texturen mit variablen Sinus- und Square-Wave Einstellungen noch weiter erkunden und erschaffen.   Dual Stereo Modulation Engines für endlose Kreativität  Astras UAFX Engine betreibt dank dem einzigartigen Dual Engine Processing separate Stereoinstanzen für jeden Modulationseffekt. Es ist so, als ob zwei Bucket-Brigade Hardware-Einheiten gleichzeitig laufen, die dem Benutzer eine volle Stereobreite von komplexen, atemberaubenden Texturen bieten.   Eine State-of-the-Art Stompbox Mit modernen, leistungsstarken Funktionen wie Wandlung in Studioqualität, Dual Processing Engines, Live/Preset Modi, sowie wählbarem True oder Buffered Bypass und Tap Tempo Fußschalter Modus über die UAFX Control App, hat Astra Modulation Machine alle Farben, die man braucht, um ein klangliches Meisterwerk zu malen. Bitte beachte, dass die Astra Modulation Machine ein modernes isoliertes 400-mA-Netzteil benötigt (separat erhältlich).   Hauptmerkmale ·         Flaggschiff, kompromisslose Stompbox mit den authentischsten Bucket Brigade- und röhrengetriebenen Tremolo-Effekten, die je in einem Effektpedal eingefangen wurden ·         End-to-End Emulation des legendären japanischen Chorus/Vibrato-Pedals ·         Vollständige Schaltungserfassung des legendären 70er Jahre Rackmount Studio Flanger/Doubler ·         Vollständiges Model des röhrengetriebenen optischen Tremolos aus klassischen amerikanischen Verstärkern der 60er Jahre ·         Silent-Switching, Preset Fußschalter-Modus zum Speichern und Abrufen deines Favoriten-Settings ·         Die UAFX Control Mobile App ermöglicht das Umschalten zwischen True- und Buffered-Bypass und den Zugriff auf den Preset + Tap Fußschaltermodus für temposynchrone Effekte ·         Kostenlose Phaser X90 und Dharma Trem 61 Effekte bei Registrierung   Spezifikationen ·         Stromversorgung: Isolierte 9VDC, Centrer-Negativ, mindestens 400mA (separat erhältlich) ·         Eingänge: 2 x 6,35mm TS Klinke (rechter Eingang für Stereoanschlüsse) ·         Ausgänge: 2 x 6,35mm TS Klinke (rechter Ausgang für Stereoanschlüsse) ·         USB Typ-C für Updates über Computer ·         Höhe: 6,5 cm (2,56") ·         Breite: 9,2 cm (3,62") ·         Tiefe: 14,1 cm (5,55") ·         Gewicht: 0,567 kg (1,24 lbs)    

Telefunken DC7 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne.Das TELEFUNKEN DC7 ist ein 7-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, drei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung3 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount7 x XLR Kabel mit WinkelsteckerFlightcase

Telefunken DC6 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Das TELEFUNKEN DC6 ist ein 6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, zwei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung2 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount6 x XLR Kabel mit WinkelsteckerFlightcase

Telefunken DD4 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD4 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie zwei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit vier 5m-XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD5 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und drei TELEFUNKEN M81-SH-Mikrofone.Das DD4 Drum-Set besteht aus:1 TELEFUNKEN M82 mit Halterung1 TELEFUNKEN M80-SHB mit Halterung (Metall) und Halterung (Kunststoff)2 TELEFUNKEN M81-SH mit Halterung (Metall) und Halterung (Kunststoff)4 x SGMC-5R XLR-Kabel (5 m) mit rechtwinkligem Stecker1 Hartschalenkoffer

 Merkmale Erhöhte Richtwirkung durch InterferenzprinzipSehr niedriges EigenrauschenHohe EmpfindlichkeitSymmetrisch erdfreier Ausgang ohne ÜbertragerRobust und sehr klimafestGanzmetallgehäuse, mattschwarz Lieferumfang 1 MKH 416 P 48 U 3,1 Windschirm MZW 4151 Mikrofonklemme MZQ 100 Technische Daten Wandlerprinzip (Mikrofon)Hochfrequenz-KondensatormikrofonRichtcharakteristikSuperniere/KeuleAudio-Übertragungsbereich (Mikrofon)40.....20000 HzFreifeld-Leerlauf-Übertragungsmaß (1kHz)25 mV/Pa +- 1 dBNennimpedanz25 OhmMin. Abschlußimpedanz800 OhmErsatzgeräuschpegel A-bewertet n. DIN IEC 65113 dBErsatzgeräuschpegel CCIR-bewertet n. CCIR 468-324 dBGrenzschalldruckpegel130 dBSpannung48 +- 4 V PhantomStromaufnahme2 mAAbmessungend 19 x 250 mm

TouchControl 5 Monitor Control & Meter Dante® based immersive monitor controller with metering. User customizable table-top device with 5” touch display and 32 Dante®-channels for stereo- surround and -immersive speaker formats including 5.1 and 7.1.4. Comprehensive feature set with speaker calibration, SPL measurement and bass management as well as an RTW precision metering section with loudness. Toolbox with independent leveling and talkback. Main Bullets • Immersive table-top monitor controller and meter with 5” touch display and 32 Dante®-channels, with support for stereo- surround and -immersive speaker formats including 5.1 and 7.1.4 • Comprehensive monitor control feature set with speaker calibration, SPL measurement, bass management and up to 4 sources/destinations • RTW precision metering with customizable bargraphs and support for international loudness standards All Bullets • Immersive table-top monitor controller and meter with 5” touch display and 32 Dante®-channels, with support for stereo- surround and -immersive speaker formats including 5.1 and 7.1.4 • Comprehensive monitor control feature set with speaker calibration, SPL measurement, bass management and up to 4 sources/destinations • RTW precision metering with customizable bargraphs and support for international loudness standards • Toolbox with independently routable leveling and talkback • Customizable view pages • Built-in microphone preamp with +48 V phantom power • Built-in calibrated microphone for talkback and SPL measurement • Powerful headphone output: 1/4 inch Headphone output with the option of monitoring a user-defined downmix • Analog speaker output: 3.5mm speaker output with the option of monitoring a user defined downmix • Easy setup with web-based user interface • Power supply via Power Over Ethernet (IEEE 802.3af compliant) • Sample rate up to 96 kHz • Lockable operation mode: Fool-proof setup with access only to relevant controls. Prevents unintentional operation during showtime DETAILS Meet TouchControl 5, our Dante® based immersive monitor controller with metering. Built on our long and proud legacy of making broadcast-ready monitor controllers, it features a 5” intuitive touchscreen and a small footprint that preserves valuable space at your desktop. It even features RTW standard precision metering with loudness and includes SPL, measured using the built-in microphone. Stereo, Surround, Immersive With support for up to 32 Dante® channels in and out, TouchControl 5 can handle channel formats from stereo to 22.2. Among the many supported formats you will find 5.1 and 7.1 surround as well as 7.1.4 and 9.1.6 immersive. Monitor Control. Tried. Tested. Approved. Tried, tested, and approved by many broadcast engineers around the world, you find the very same monitor control engine that you might know from our legacy surround monitor controllers. The list is long, but let’s emphasize downmix, DSP-powered speaker calibration (using the internal microphone OR manual set), SPL readout, 4 input sources, speaker set selection (up to 4), solo, cut, swap, phase, mono, dim, mute and test tone generator. The source compare feature lets you toggle between sources for easy comparison and lets you set individual delays for each of the sources. On the output side, you can set up four speaker sets and easily switch between them or you can listen to your work with your favorite headphones using the headphones output. Controls and meters on your monitor page The SPL meter shows the measured sound pressure level in your room, and you can show SPL either as a bar graph or as a number – or both. The downmix instrument outputs your surround or immersive mix in stereo and mono. The downmixed signal can be monitored on speakers or phones or sent to any destination in your audio network. Each speaker can be muted or soloed, and you can invert polarity. The talkback feature lets you talk to speakers or any destination in your Dante network. LF Boost lets you boost your LFE channels with 10 dB and Surr. Att. attenuates the surround channels with 3dB. Speaker Calibration The speakers in your setup can be calibrated with regards to level, delay and EQ. The support for measurement microphones, the built-in test tone generator and the live-input SPL meter is the optimal tool combination for calibrating your speaker levels to ensure they are perfectly aligned. Each speaker has a DSP section for ultimate control. You can set individual delay, gain and polarity, and a 4-band EQ is available for each speaker in your setup. Calibrated speaker levels can easily be recalled by the press of a knob. Bass Management Up to two LFE channels with adjustable crossover frequencies can be adapted to your requirements using the bass management. Full-range speakers and smaller speakers can be finely tuned to each other and operated in the same system, while LP filters for bass-controlled speakers, all-pass filters for other speakers and an additional SUB output channel for formats without LFE is also available. RTW Metering Inside As you know, metering plays a significant role in any RTW device, and so it does in the TouchControl 5. The PPM metering engine is taken from our high-end TouchMonitor meters, and you get a wealth of ways to tailor your own metering experience, including scales, color settings and more. True Peak metering is of course part of the metering story, as well as VU and ‘British PPM’. Loudness, SPL and LRA For many years, RTW has taken part of forming the international loudness standards in ITU and EBU. Loudness is key to us, so in TouchControl 5 we have implemented the full loudness engine known from our high end broadcast meters. TouchControl 5 supports all international loudness standards such as EBU R128, ITU-R BS.1770-4/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CALM, LEQ(M), TASA and SAWA. The Toolbox The Fader instrument allows level control of any Dante® channel in your network, and you can freely configure each fader to control the number of channels you wish.
More faders can be combined, so you can control multiple groups of channels, and if you do so, levels are controlled relatively, using TouchControl 5's knob. TouchControl 5's touch screen can of course also be used to control each fader, and you can create up to 4 faders each controlling single channels, stereo-, surround- or immersive formats. Toolbox instruments also include a Talkback feature that lets you talk to any audio channel in you network. Talkback sources include the built-in mic, the external XLR input or any audio network channels.   Design Your Own View Pages TouchControl 5 lets you design your own view pages. For each instrument you can decide on size, ratio and placement, and several instruments can be rotated to fit your needs. Buttons can be placed anywhere on the screen, those that are placed in the side bar are avaiable across view pages. Say you want your input selector to be avilable also on the metering page - just place it in the side bar. Extensive Routing The Routing page lets you route your audio channels to and from TouchControl 5. With support for 32 Dante® channels plus the physical I/Os, there is a lot of possibilities. For instance you could use the same channels for monitor control and metering, or split them so metering is independent from monitor control.

The new AVAA C214 active bass trap stands alongside its world-renowned sibling, the C20. The innovative AVAA technology eliminates room modes from 15 Hz to 160 Hz without the need for calibration or tuning. The result is much cleaner bass response in demanding listening environments such as professional studios or audiophile environments. While C20 uses pure analog technology, C214 uses innovative digital technology and employs smaller diaphragms for an even more compact design. Thanks to the integration of digital technology, AVAA C214 can be controlled via an app on a smartphone or tablet, further enhancing its outstanding sonic performance.

Der A 225-M ist die optimale Ergänzung für alle PSI Lautsprecher. Er kann sowohl als Mono-Subwoofer in einer Surround-Anordnung oder als Basserweiterung in einem Stereo-System verwendet werden. Alle PSI Lautsprecher sind mit einem regelbaren Bassfilter für die Anpassung an den A 225-M vorbereitet. Die untere Grenzfrequenz Systems sinkt dann auf unglaubliche 28 Hz ! Um Stabilität zu gewährleisten und Gehäuseresonanzen zu vermeiden, ist der A 225-M im 2 Boxen-Design gefertigt. Eine perfekte Tiefbass-Erweiterung für jedes Monitor-System. Viel Druck, gepaart mit Dynamik und Präzision. Einsatzbereiche Subwoofer in SurroundInstallationen Basserweiterung für StereoSysteme Recording / Mastering Technik Aktiver Subwoofer Magnetisch geschirmt Integriertes AOI (Adaptiv Output Impedance) PSC (Phantom Standby Control) ALG (Ideal Acoustic Impedance Adaptation) System 2Gehäuse Design Power RMS 200 W  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Features: Power: 225W Frequency Range: 28Hz – 100Hz SPL Max: 106dB 100% Analog – No DSP Flat frequency response Phase compensated for a better stereo image Class G Amplifiers Built in anti-resonance system in a double box cabinet individually calibrated Typical listening distance: from 1m Handmade in Switzerland

The PSI Audio A-14 M is the smallest member of the PSI Active Monitor Series. Despite its compact dimensions of the PSI Audio A-14 M a reliable reference for the evaluation of audio signals. The A-14 M PSI Audio üerträgt the entire frequency spectrum with a high sound üerraschend. The PSI Audio A M-14 has all the technologies of its "great Bruer," and is ideally suited fu studio use.Wherever high accuracy, small footprint and mobility are required.Key Data:Dimensions cabinet W x H x D mm : 163 x 243 x 170Gross / Net Weight : 6.2 / 5.5 kgResponse at -6dB : 56 - 22000 HzContinuous Max SPL, 1m : 101 dB (single)Program Max SPL, 1m : 112 dB (pair)Woofer's dim. Ext. / Diaphragm : Ø 147 mm / Ø 104 mm   Key Features: Protection circuits with overload indicator.Magnetically shielded for use close to video monitors.Metal handle for easy handling and for mic. stand or installation.Volume control on the front panel.Designed for stereo and multichannel monitoringOptimised directivity by phase coherency.Flat frequency response Real balanced input.CPR, AOI, ALG, PSC*For more information, please visit this products webpage.

FEATURES Herausragende Linearität und Impulstreue Hohe räumliche Auflösung Klang- und Mix-Kompatibel mit Lautsprechern der KH-Line Hoher Langzeit-Tragekomfort Intern symmetrisches, stoffummanteltes Kabel (abnehmbar) Faltbar für leichten Transport

VersandrückläuferThe MT 48 is an audio interface without compromise. With its huge dynamic range, superior converters, preamps and headphone amplifiers, it sets new standards in sound quality. Internal DSP power allows for monitor mixes with sophisticated EQ and dynamics processing – all intuitively controlled via touchscreen. Class-leading AD/DA converters with enormous dynamic range Intuitive touchscreen user interface DSP processing (EQ, dynamics, reverb) 4 independent mixers with integrated talkback  USB, ADAT and AES67 connectivity Contents: MT 48 Audio Interface Softcase EU Power Supply incl. USB-C connection cable USB-A data cable USB-C data cable Quick Guide Safety Guide

The MC5 offers video signal routing and distribution for various signal standards and formats at the same time. As for this, the box provides 4 BNC inputs which can be routed individually to12 BNC outputs. A new designed, simple user interface enables this unit to be installed without training time. The MC5 provides an ideal output expansion for MUTEC’s video products, e.g. iClock, iClockdp, MC-3.1, MC-3.2 and MC-3.3.

The Ultimate Live Performance Synth Meet Muse, an eight-voice analog bi-timbral polyphonic synthesizer — the culmination of over 5 years of dreams, design, and passion.

Seit seiner Veröffentlichung im Jahr 1998 hat der Manley Massive Passive den Klang unzähliger Produktionen auf der ganzen Welt veredelt. Zahlreiche renommierte Produzenten sowie Recording- und Mastering-Engineers aus aller Welt nutzen das Gerät, um ihren Produktionen einen eigenen Signature-Sound zu verleihen. Die XXV Anniversary Edition besitzt zur Feier des 25-jährigen Jubiläums des Massive Passive eine attraktive kobaltblaue Frontplatte mit eine speziellen Lasergravur und ist weltweit auf 100 Exemplare limitiert. Hochwertiges Schaltungsdesign mit passiven KomponentenWie gewohnt, wurden von Manley bei der Entwicklung des Massive Passive keine Mühen gescheut und keine unnötig komplizierten Schaltungen integriert – Massive Passive basiert auf passiven Komponenten und in der Klangbearbeitung kommen ausschließlich Metallschichtwiderstände, Folienkondensatoren und handgewickelte Spulen zum Einsatz. Aus diesem „natürlicheren“ Ansatzes resultiert auch ein natürlicher und organischere Klang. 2-Kanal 4-Band-EQ für das gesamte Spektrum von radikal bis subtilDer Massive Passive Equalizer liefert bei der drastischen Signalbearbeitung während der Aufnahme ebenso hervorragende Ergebnisse wie bei subtilsten Klangfärbungen für Gesangsspuren oder Gesamtmischungen. Obwohl es einen anderen Ansatz verfolgt bietet das 2-kanalige 4-Band-Design umfangreiche Bearbeitungsoptionen und kombiniert dabei die größten Vorteile der Pultec-EQs mit denen ausgewählter graphischer, parametrischer und Mischpult-EQs, ohne dabei das Audiosignal zu sehr zu verfremden. Ob kreative oder chirurgisch präzise Klangbearbeitung – der Manley Massive Passive holt aus jedem Signal das Beste heraus. Fünf Hoch- und vier Tiefpassfilter mit hoher FlankensteilheitDer Manley Massive Passive ist mit fünf Hoch- und vier Tiefpassfiltern bestückt, die sich einzeln oder gleichzeitig aktivieren lassen. Die Flankensteilheit der Filter ist hoch, damit störende Anteile eliminieren werden können, ohne das Musiksignal zu beeinträchtigen. Der EQ klingt auch in Kombination mit anderen Frequenzbändern hervorragend. Manley hat sich bei der Entwicklung des Massive Passive nicht auf etablierte Standards verlassen, sondern ausschließlich nützliche Funktionen integriert und macht mit diesem neuen Design-Ansatz wirklich massive Ergebnisse möglich. MANLEY POWER®-SchaltnetzteilDas MANLEY POWER®-Netzteil wurde unter der Leitung von Bruno Putzeys für Manley Labs entwickelt und ist speziell für die Verwendung mit Hochspannungsröhren und Audiosignalen optimiert. Es liefert zuverlässig alle für den Massive Passive nötigen Spannungen, wie die 300 V Röhrenspannung, die 6 V Heizspannung, Phantomspeisung und weitere Spannung für diskrete Schaltkreise. Diese herausragende Netzteil liefert die Grundlage für einen großen Dynamikumfang und "massive" Klangqualität. Alle Spannungen sind effizient reguliert und in Kombination mit geringen Leitungswiderständen optimal gegen Einstreuungen und Nebengeräusche aus dem Hochfrequenz-Netzteil geschützt. Das Universal-Schaltnetzteil akzeptiert jede Spannung und Frequenz und ermöglicht den Einsatz des Massive Passive weltweit ohne Anpassungen. Eigenschaften Limitierte Anniversary Edition des legendären Massive Passive Kobaltblaue Frontplatte mit Anniversary Lasergravur 4-Band Stereo Röhren-Equalizer Klangregelung in komplett passivem Schaltungsdesign Einzigartige Shelving-Kurven mit Bandbreiten-Steuerung Wahlweise überlappende oder getrennte Frequenzbereiche Für jedes Frequenzband Shelving- oder Glockencharakteristik wählbar Aufhol- und Ausgangsverstärker in Vollröhrentechnik Parallele, symmetrische Topologie Durchgängig hochwertige Bauteile Passive HP- und LP-Filter sowie Gain-Trim-Regler MANLEY POWER®-Schaltnetzteil

MÄAG AUDIO’S NEWEST CREATION IS THE PREQ2™ DUAL MIC PREAMP WITH EQ, A COMPLETE ANALOG SYSTEM FOR EITHER RECORDING OR MIXING HOUSED IN A 1U STANDALONE UNIT. IT COMES WITH CLIFF MÄAG’S VENERABLE AIR BAND® SHELVING EQUALIZER FIRST INTRODUCED IN 1993 WITH HIS NTI EQ3 EQUALIZER. THE PREQ2 WILL HANDLE EITHER LINE OR MICROPHONE SIGNAL LEVELS WITH TWO MATCHED CHANNELS BOTH WITH SEPARATE REAR PANEL LINE LEVEL INPUT AND MICROPHONE XLR CONNECTORS AND SWITCHABLE +48-VOLT PHANTOM POWERING. THE REAR PANEL ALSO HAS XLR OUTPUT CONNECTORS FOR EACH CHANNEL AND A ON/OFF/FUSE MAINS SWITCH. ALL SWITCHES ON THE PREQ2 HAVE COLORFUL LEDS TO CONFIRM THEIR OPERATION AND ALL CONTROLS HAVE DETENTS WITH THE EXCEPTION OF THE CONTINUOUSLY VARIABLE MICROPHONE GAIN. MICROPHONE INPUTTHE MÄAG AUDIO PREQ2 MICROPHONE PREAMP HAS UP TO 71DB OF GAIN SPLIT BETWEEN A DISCRETE CLASS-A TRANSISTOR PREAMP ALONG WITH A LARGE, NICKEL-CORE MÄAG AUDIO-BUILT INPUT TRANSFORMER (ONE FOR EACH CHANNEL). THIS CIRCUIT OFFERS A CLEAN, DETAILED SOUND WITH +27DBU OF HEADROOM AND AN EIN NOISE LEVEL OF -128DB. THERE ARE TWO OPTIMIZED GAIN RANGES SELECTABLE ON THE FRONT PANEL. THE DEFAULT GAIN RANGE IS +20DB TO +42DB AND A +42 TO +71DB GAIN RANGE IN HIGH GAIN MODE USING THE FRONT PANEL’S 25DB GAIN SWITCH. MAXIMUM INPUT LEVEL IS +8DB. THE MICROPHONE INPUT SECTION HAS FRONT PANEL SWITCHES, LED INDICATORS AND BUTTONS FOR: +48-VOLT PHANTOM POWERING, -20DB ATTENUATION PAD, PLUS SIGNAL PRESENT, +26DBU PEAK LEDS, AND PHASE OR POLARITY FLIP. MICROPHONE GAIN IS CONTINUOUSLY ADJUSTABLE USING A SINGLE, LARGE MIC GAIN CONTROL KNOB. LINE INPUTTHE FRONT PANEL LINE SWITCH TOGGLES THE REAR PANEL XLR LINE INPUT CONNECTORS IN PLACE OF THE MICROPHONE PREAMP’S OUTPUT (AFTER THE INPUT TRANSFORMER AND MICROPHONE PREAMP). IT IS POSSIBLE TO KEEP BOTH A MICROPHONE AND A LINE LEVEL SOURCE ALWAYS CONNECTED TO THE PREQ2 AND TOGGLE BOTH CHANNELS SEPARATELY. YOU COULD HAVE ONE CHANNEL WORKING AS A MICROPHONE PREAMP CHANNEL AND THE OTHER AS A LINE LEVEL AMPLIFIER FOR RECORDING A DIRECT MUSICAL INSTRUMENT (BASS OR GUITAR) AT THE SAME TIME. BOTH MIC INPUT SECTIONS HAVE ¼-INCH TS JACKS FOR HIGH IMPEDANCE (1 MEGA-OHM) INSTRUMENT INPUT WITH A COMPANION ¼-INCH OUTPUT THRU JACK THAT SIMULTANEOUSLY PROVIDES AN ISOLATED, BUFFERED OUTPUT—A “COPY” OF THE INSTRUMENT INPUT SIGNAL AT UNITY GAIN. IN ADDITION TO PROVIDING AN UNBALANCED SIGNAL FOR RUNNING LONG LEADS OUT TO INSTRUMENT AMPLIFIERS IN THE STUDIO AND/OR STOMP PEDALS, FOR LIVE RE-AMPLIFYING THE THRU JACK’S OUTPUT SIGNAL IS ALSO ACTIVE WHEN USING THE XLR MICROPHONE INPUT. WHEN USING THE INSTRUMENT INPUT TS JACK, THE MÄAG AUDIO PREQ2 USES AN AUTOMATIC DETECTION CIRCUIT TO SWITCH (USING A RELAY) AND ROUTE THE UNBALANCED ¼-INCH INPUT SIGNAL TO THE MIC INPUT TRANSFORMER. THE IMPEDANCE IS LOWERED FOR A BETTER MATCH TO THE TRANSFORMER. THIS DETECTION CIRCUIT MAKES IT IS IMPOSSIBLE FOR THE 48-VOLT PHANTOM POWER TO EVER REACH THE ¼-INCH OR XLR LINE INPUT EVEN IF ALREADY TURNED ON. EQUALIZATION SECTIONSTHE MÄAG AUDIO PREQ2 HAS THREE EQUALIZER/FILTERS SECTIONS; THE LAYOUT AND CONTROL COMPLIMENT ARE IDENTICAL FOR BOTH CHANNELS. THE EQUALIZER DESIGN IS SPECIFICALLY DESIGNED FOR BOTH RECORDING AND/OR SUBTLE TOUCHUP TONALITY CHANGES AND EUPHONIC ENHANCEMENTS. ON THE LEFT SIDE OF THE CHANNEL IS THE FIRST CONTROL FOR THE 2ND ORDER, 12DB/OCTAVE HIGH PASS FILTER. IT IS FULLY VARIABLE USING A 21-DETENT CONTROL TO SWEEP FROM 20HZ TO 200HZ. IT HAS ITS OWN HARDWIRED, IN/OUT BYPASS SWITCH. NEXT IS THE LOW FREQUENCY BELL-SHAPED EQUALIZER SECTION WITH A BOOST (ONLY) CONTROL AT 6DB/OCTAVE. FREQUENCIES ARE SWITCHED USING A SIX POSITION ROTARY SWITCH AND ARE: 10HZ (SUB) SHELF, AND BELL-SHAPED CURVES FOR 40HZ, 65HZ, 100HZ, 125HZ, AND 165HZ. UP TO 9DB OF BOOST IS AVAILABLE. AIR BAND®THE THIRD BAND OF THE EQUALIZER IS THE MÄAG AUDIO AIR BAND SHELVING SECTION WITH 2.5, 5, 10, 15, 20, AND 40-KHZ FREQUENCY CHOICES WITH ITS OWN CONTROL AND UP TO 9DB OF MAXIMUM BOOST. BOTH THE AIR BAND AND LOW FREQUENCY EQUALIZERS SHARE A SINGLE BYPASS PUSH-BUTTON.

Locomotive Audio 14B printed circuit board version - A Vari-Mu Compressor That Will Make Your Vocal Sit Perfectly. The Real Sound of Vari-Mu Tube Compression at Your Fingertips. Just like its popular vintage inspirations, the Gates Sta-Level, UA 175B, RCA BA-6A and Collins 26U, the results are a sound that cannot be replicated with any other method of gain reduction. The Locomotive Audio 14B delivers! TRANSFORMERS Super premium  MuMetal shielded input and interstage transformersSPEED & TONE Fast UA 175B attack meets smooth Gates Sta-Level OutputLOW CUT FILTER Adjust & cut the low frequencies that trigger compressionSTEREO LINK Use the 14B aggressively on your stereo room mics and overheads or gently on your mix bus Features: Stereo Link switch Sidechain Low Cut filter control: Off and 70-350Hz Hard-wire bypass switch Compression turned off with full counterclockwise attack position, switching to line amplifier Two position Compress-Limit Switch Two position VU meter switch: Gain Reduction - Output 6BC8 balance adjustment on interior of unit Custom Sifam backlit VU meter XLR input and output connections Custom MuMetal shielded input and interstage transformers Custom output transformer Hand-built in USA Heavy 16 gauge steel chassis 115v/230v AC mains option on rear Lifetime warranty parts and labor

Tobias Lindell hat bereits mit seinen Modulen im 500er-Format bewiesen, dass er klassische Schaltungen clever in die Moderne überführen kann. Mit dem LiN76 wendet er dieses Talent auf einen berühmten FET-Kompressor an. Lindell Audio präsentiert mit dem LiN76 einen FET-Kompressor mit klassischem Sound. Der LiN76 ermöglicht das Regeln von Input, Output, Attack, Release sowie schaltbarer Ratio Dynamikkontrolle mit Vintage-Klang. Das große VU-Meter kann mit einem rückseitigen Regler kalibriert werden. Wie das Vorbild bietet auch der LiN76 den „All-Buttons-In“-Modus, der den Kompressor in einen Brickwall-Limiter mit besonders aggressivem Sound verwandelt. Hochwertige Bauteile und Übertrager aus US-Fertigung. Orientiert sich optisch & technisch am Vorbild. Aber mit modernen Bauteilen und aktualisierten Schaltungen. Große & hochwertige Regler für Input und Output. Kalibrierbares Vu-Meter mit Auskunft über Pegel oder Gain Reduction. Kompressionsverhältnis 4:1, 8:1, 12:1, 20:1. „All Buttons in Mode“ auch möglich. Attack: Frei einstellbar 20uS bis 800uS Release: Frei einstellbar 50mS bis 1200mS Höhe-Breite-Tiefe (in mm): 88(2U)-438(19‘)-250 Gewicht: 8kg

TUBESESSOR - Optical Tube Compressor The Heritage Audio TUBESESSOR is an optical tube compressor with an absolute sweet, warm and natural dynamic control possible, but also the possibility to spice up the sound up on occasion. Tube compression, especially based on an optical design, is generally considered to be warmer than VCA and FET designs, and it tends to provide a very pleasant, more natural, smoother result. This has made it the preferred choice for seasoned engineers and producers that want to provide a very transparent control over a signal while offering a hint of enhancement but keeping true to the original tone. For this very reason optical tube compressors are usually the first thing one reaches for when dealing with critical vocals and bass signals. The TUBESESSOR is the perfect option for this. Analog excellence is achieved by combining an all tube-based amplification stage with an outstanding UTC A10 input transformer replica by AMI, as well as a custom all-silicon steel output transformer. With an elevated internal operating voltage you can be sure the TUBESESSOR will heat up any signal while also maintaining its character and vibe. No starved plate circuits here! Never has dynamics control been so easily obtainable while at the same time so invisible. Even with generous amounts of gain reduction being applied anything processed with the TUBESESSOR still maintains its clarity and depth. Thanks to the TUBESESSOR´S three unit high front panel you´ll find plenty of room to adjust the large Herchild-style knobs making it a breeze to achieve the desired sound. No cramped spaces here, just plenty of space to easily and quickly adjust the settings to taste. Now, we all know it would not be a Heritage Audio product without our expertise and passion channeled into a couple key features that take the TUBESESSOR to another dimension. First of all, for those times when a bit more texture and bite is called for, there´s nothing better than a little saturation…or maybe a lot. The innovative TUBE SATURATION section takes full advantage of a creamy sounding NOS Raytheon double triode tube to add in just a pinch of aggression or fully transform the signal into something ready for war. It, importantly, works in tandem with the custom output transformer to produce the right harmonic content. There are 4 available settings that vary from CLASSIC, no saturation, all the way to HOT, a heavily treated signal. This feature alone opens up a ton of possibilities for drums and other instruments vastly expanding the TUBESESSOR´S uses. And thanks to Heritage Audio´s use of an audiophile-grade Psvane dual output triode in a totem pole configuration, a solid output stage is guaranteed all while allowing much higher headroom than other tube compressors, whether vintage or modern. Secondly, there are also five internal sidechain filter settings to choose from. This is the exact same filter section that helped the SUCCESSOR obtain its legendary status. Two of the options make sure the compressor is not being unfairly overpowered by lower frequencies and the other three are frequency specific options for extra creativity. Continuously adjustable ATTACK & RELEASE controls in addition to a FIXED mode and a combination of the two will provide all the necessary settings possible, allowing you to mold your signal exactly as you´d like. A huge, attractive custom VU meter for monitoring either Input, Output or Gain Reduction guarantees you´ll always be informed with a clear reading of exactly what is happening. Everything you could possibly require to achieve a top-notch professional recording. As is the case with other tube offerings from Heritage Audio, the company has sourced NOS tubes for a lifetime, making sure your investment is safe and sound. Features Optical Compression Detection All Tube-Based Amplification Stage Fully Transformer Balanced Input & Output Tube Saturation Section Large Friendly Interface Extensive Attack & Release Control 5 Built-In Sidechain Filtering Options Huge Informative VU Meter Built Like A Tank